Small artistic. Artistic text

The artistic style of speech is the language of literature and art. It is used to convey emotions and feelings, artistic images and phenomena.

Artistic style is the way writers express themselves, so it tends to be used in writing. Pre-written texts are read orally (for example, in plays). Historically, the artistic style functions in three kinds of literature - lyrics (poems, poems), drama (plays) and epic (stories, stories, novels).

An article about all styles of speech -.

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The features of the artistic style are as follows:

2. Language means are a way to convey an artistic image, emotional state and the mood of the narrator.

3. Usage stylistic figures- metaphors, comparisons, metonymy, etc., emotional and expressive vocabulary, phraseological units.

4. Versatility. Application linguistic means other styles (colloquial, journalistic) is subordinated to the implementation of the creative intention. From these combinations, what is called the author's style is gradually formed.

5. Using verbal polysemy - words are chosen so that they can not only "draw" images, but also put a hidden meaning into them.

6. The function of transferring information is often hidden. The purpose of the artistic style is to convey the emotions of the author, to create a mood in the reader, an emotional mood.

Artistic Style: Parsing an Example

Let's take an example of the features of the parsed style.

An excerpt from the article:

The war disfigured Borovoe. Interspersed with the surviving huts stood like monuments of national grief, charred stoves. Pillars protruded from the gate. The shed gaped like a huge hole - half of it was broken off and carried away.

There were gardens, and now the stumps are like rotten teeth. Only here and there are two or three teenage apple trees.

The village has become depopulated.

When the one-armed Fedor returned home, his mother was alive. Got old, emaciated, gray hair has increased. I sat down at the table, but there was nothing to treat. Fyodor had his own, soldier's. At the table, the mother said: everyone was picked up, cursed skins! We hid pigs and chickens, who go wherever. Will you really save it? He makes a noise, threatens, give him a chicken, be it the last one. With fright, they gave the last one too. So I have nothing left. Oh, it was bad! The damned fascist ruined the village! You can see for yourself what is left ... more than half of the yards burned. The people who fled where: some to the rear, some to the partisans. How many girls have been taken away! So they took our Frosya away ...

Fyodor looked around in a day or two. Began to return their own, Borovsk. They hung plywood on an empty hut, and on it in lop-sided letters with soot on oil - there was no paint - "The board of the collective farm" Krasnaya Zarya "- and off it went! Down and Out trouble started.

The style of this text, as we have already said, is artistic.

Its features in this passage:

1. Borrowing and using vocabulary and phraseology of other styles ( as monuments of national grief, fascist, partisans, collective farm rule, dashing trouble began).
2. Application of fine and expressive means (hijacked, cursed skins, really), the semantic polysemy of words ( the war disfigured Borovoe, the barn gaped with a huge hole).
3. all were picked, cursed skins! We hid pigs and chickens, who go wherever. Will you really save it? He makes a noise, threatens, give him a chicken, be it the last one. Oh, it was bad!).
4. There were gardens, and now the stumps are like rotten teeth; I sat down at the table, but there was nothing to treat; on oil - there was no paint).
5. The syntactic structures of a literary text reflect, first of all, the flow of the author's impressions, figurative and emotional ( Interspersed with the surviving huts stood like monuments of national grief, charred stoves. The shed gaped with a huge hole - half of it was broken off and carried away; There were gardens, now stumps are like rotten teeth).
6. The characteristic use of numerous and varied stylistic figures and tropes of the Russian language ( stumps - like rotten teeth; the charred stoves stood like monuments to the people's grief; two or three teenage apple trees nestled).
7. The use, first of all, of vocabulary, which forms the basis and creates the imagery of the analyzed style: for example, figurative techniques and means of the Russian literary language, as well as words that realize their meaning in context, and words of a wide range of use ( aged, emaciated, burned, letters, girls).

Thus, the artistic style does not so much tell as it shows - it helps to feel the situation, to visit those places about which the narrator is telling. Of course, there is a certain "imposition" of the author's experiences, but it also creates a mood, conveys sensations.

The artistic style is one of the most "borrowing" and flexible: writers, firstly, actively use other linguistic styles, and secondly, they successfully combine artistic imagery, for example, with explanations scientific facts, concepts or phenomena.

Scientific and artistic style: analysis of an example

Let's take an example of the interaction of two styles - artistic and scientific.

An excerpt from the article:

The youth of our country love forests and parks. And this love is fruitful, active. It is expressed not only in the establishment of new gardens, parks and forest belts, but also in the vigilant protection of oak forests and forests. Once at a meeting, even splinters appeared on the presidium table. Some rascal cut down an apple tree that grew lonely on the banks of the river. Like a lighthouse, she stood on a steep boat. They got used to her, as to the appearance of their home, they loved her. And now she was gone. On this day, a group for the protection of nature was born. They called it the Green Patrol. There was no mercy for the poachers, and they began to retreat.

N. Korotaev

Scientific style features:

1. Terminology ( presidium, laying of forest belts, cool, poachers).
2. The presence in a number of nouns of words denoting the concept of a sign or state ( bookmark, security).
3. The quantitative predominance of nouns and adjectives in the text over verbs ( this love is fruitful, active; in the establishment of new gardens, parks and forest belts, but also in the vigilant protection of oak forests and forests).
4. The use of verbal phrases and words ( bookmark, guard, mercy, meeting).
5. Verbs in the present tense, which in the text have a "timeless", indicative meaning, with weakened lexico-grammatical meanings of tense, person, number ( loves, expresses itself);
6. A large volume of sentences, their impersonal nature in conjunction with passive constructions ( It is expressed not only in the establishment of new gardens, parks and forest belts, but also in the vigilant protection of oak forests and forests.).

Artistic style features:

1. Extensive use of vocabulary and phraseology of other styles ( presidium, laying of forest belts, cool).
2. The use of various pictorial and expressive means ( this love is fruitful, in vigilant guard, reckless), active use verbal ambiguity of the word (the guise of the house, "Green Patrol").
3. Emotionality and expressiveness of the image ( They got used to her, as to the appearance of their home, they loved her. And now she was gone. The group was born on this day).
4. The manifestation of the creative individuality of the author is the author's style ( It is expressed not only in the establishment of new gardens, parks and forest belts, but also in the vigilant protection of oak forests and forests. Here: linking traits of multiple styles).
5. Allotment special attention particular and seemingly random circumstances and situations, behind which you can see the typical and general ( Some rascal cut down an apple tree ... And now she was gone. On this day, a group for the protection of nature was born).
6. The syntactic structure and the corresponding structures in this passage reflect the flow of the imaginative-emotional author's perception ( Like a lighthouse, she stood on a steep boat. And now she was gone).
7. The characteristic use of numerous and varied stylistic figures and tropes of the Russian literary language ( this love, fruitful, active, like a beacon, she stood, there was no mercy, growing alone).
8. The use, first of all, of vocabulary, which forms the basis and creates the imagery of the analyzed style: for example, figurative techniques and means of the Russian language, as well as words that realize their meaning in context, and words of the widest distribution ( youth, dashing, fruitful, active, guise).

By the variety of linguistic means, literary techniques and methods, the artistic style is perhaps the richest. And, unlike other styles, it has a minimum of restrictions - with proper drawing of images and an emotional mood, you can even write a literary text in scientific terms. But, of course, this should not be overused.

Texts are written for readers, so they must be accessible and understandable. And the explicit use of vocabulary of other styles is possible only for accuracy, to create colorful images of characters or atmosphere.

So, when two bankers talk, economic terminology is only a plus, but "" clichés and bureaucracy when describing beautiful nature will definitely be superfluous.

Thus, when working with an artistic style, for all its flexibility, vocabulary is very attentive. Especially if you are writing or are going to write works of art. For it is the artistic style that is considered a reflection of the Russian literary language.

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Father of Russian literary text A.S. Pushkin

An example of literary text

Fiction

A person's penchant for literature, despite the ability to get along in life and without it, is an act of self-expression. The self-expression of the reader is in his empathy, sympathy, and co-creation. V literary text not only the writer, but also the reader should feel like a creator who for the first time embodies the world in words. This personal experience of the creative nature of the language is the basis of the verbal image. The sound of speech, the filling of words with meaning, the germination of their meanings in each other - all this the reader perceives as an event, as a discovery.

Usually, with a fluent command of the language, a person does not think about the verbal form of expression of thought - it is built automatically, by itself. This is not at all the same with artistic speech: it is not so much a carrier of information as the information itself. Selection of words, grammatical forms and designs, even sounds, are no less important than the subject of conversation. In fiction, we are looking not so much for the content of speech as for the speech itself. The author, creating his work and trying to express his thoughts and feelings on paper, is intensely looking for consonance, words and sentences not by calculation, but by instinct. The result is what we call literature.

In a literary text, the main creative effort is transferred from what is said to what is said, however, the second, giving the first depth, strength and originality, cannot exist without it. It is in the delicate proportion between the meaning of the opus and the author's skill, unusual for other types of literature, that an artistic text lies - the pinnacle of any speech culture.

Danil Rudoy - 2002

An art style is a particular style of speech that has been wide use both in world fiction in general and in copywriting in particular. It is characterized by high emotionality, direct speech, richness of colors, epithets and metaphors, and is also designed to influence the reader's imagination and acts as a trigger for his fantasy. So, today we are in detail and in visual examples consider artistic style of texts and its application in copywriting.

Features of the art style

As mentioned above, the artistic style is most often used in fiction: novels, short stories, short stories, novellas and other literary genres. This style is not characterized by value judgments, dryness and formality, which are also characteristic of styles. Instead, he is narrated and conveyed. the smallest details to form in the reader's imagination the filigree form of the transmitted thought.

In the context of copywriting, the artistic style has found a new embodiment in the hypnotic texts, which on this blog is devoted to a whole section "". It is the elements of the artistic style that allow the texts to influence the limbic system of the reader's brain and trigger the mechanisms necessary for the author, thanks to which a very curious effect is sometimes achieved. For example, the reader cannot tear himself away from the novel, or he has a sexual desire, as well as other reactions, which we will talk about in subsequent articles.

Artistic style elements

Any literary text contains elements that are characteristic of the style of its presentation. The most typical for the artistic style are:

• Detailing
• Transfer of feelings and emotions of the author
• Epithets
• Metaphors
• Comparisons
• Allegory
• Using elements of other styles
• Inversion

Let's consider all these elements in more detail and with examples.

1. Detailing in a literary text

The first thing that can be distinguished in all literary texts is the presence of details, and, moreover, to almost everything.

Art Style Example # 1

The lieutenant walked in yellow construction sand warmed by the scorching sun of the day. He was wet from fingertips to hair ends, his entire body was covered with scratches from sharp barbed wire and ached with maddening pain, but he was alive and on his way to the command headquarters, which could be seen on the horizon five hundred meters away.

2. Transfer of feelings and emotions of the author

Art Style Example # 2

Varenka, such a sweet, good-natured and sympathetic girl, whose eyes always shone with kindness and warmth, with an imperturbable look of a real demon, walked to the Ugly Harry bar with a Thompson gun at the ready, ready to roll these vile, dirty, smelly and slippery types who dared staring at her charms and drooling lustful.

3. Epithets

Epithets are most typical for literary texts, since they are responsible for the richness of the vocabulary. Epithets can be expressed by a noun, adjective, adverb, or verb and are most often bundles of words, one or more of which complement the other.

Examples of epithets

Artistic style example # 3 (with epithets)

Yasha was just a petty dirty trick, who, nevertheless, had a lot of potential. Even in his rosy childhood, he brilliantly plucked apples from Aunt Nyura, and not even twenty years had passed since he switched with the same dashing fervor to banks in twenty-three countries of the world, and he managed to peel them so skillfully that neither the police nor There was no way Interpol could catch him red-handed.

4. Metaphors

Metaphors are words or expressions in a figurative sense. Found widespread among the classics of Russian fiction.

Artistic style example # 4 (metaphors)

5. Comparisons

The art style would not be itself if there were no comparisons in it. This is one of those elements that add a special flavor to the texts and form associative links in the reader's imagination.

Comparison examples

6. Allegory

Allegory is the representation of something abstract with the help of a concrete image. It is used in many styles, but for the artistic one it is especially characteristic.

7. Using elements of other styles

Most often, this aspect manifests itself in direct speech, when the author conveys the words of a particular character. In such cases, depending on the type, the character can use any of the speech styles, however, the most popular in this case is the spoken one.

Art Style Example # 5

The monk drew his staff and stood in the way of the offender:

- Why did you come to our monastery? - he asked.
- What do you care, went out of the way! Snapped the stranger.
- Uuuu ... - pointedly stretched the monk. “It looks like you weren't taught manners. Okay, I'm in the mood today, I'll teach you a few lessons.
- You got me, monk, hangard! - hissed uninvited guest.
- My blood starts to play! - the churchman moaned with delight, - Please try not to disappoint me.

With these words, both broke from their seats and grappled in a merciless battle.

8. Inversion

Inversion is the use of the reverse order of words to enhance certain fragments and give words a special stylistic coloring.

Inversion examples

conclusions

V artistic style texts can occur as all of the listed elements, or only some of them. Each performs a specific function, but all serve one purpose: to saturate the text and fill it with colors in order to maximally involve the reader in the transmitted atmosphere.

Masters of the art genre, whose masterpieces people read without stopping, use a number of hypnotic techniques, which will be disclosed in more detail in subsequent articles. or to the email newsletter below, follow the blog on twitter and you will never miss them.

Try to write a commentary in a book style !!!

Greetings, dear readers! Pavel Yamb is in touch. An exciting plot, an interesting presentation, an inimitable, unique style - and it is impossible to tear yourself away from the work. By all indications, this is the artistic style of the text or a kind of book, since it is most often used in literature, for writing books. It mainly exists in writing. This is what causes its features.

There are three genres:

• Prose: story, fairy tale, novel, story, short story.
• Drama: play, comedy, drama, farce.
• Poetry: poem, poem, song, ode, elegy.

Who hasn't done it yet? Leave any comment and download my book, which contains a fable, parable and story about copywriters and writers. Look at my art style.

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1. Question 1 of 10

   1 .

   - Yes, he drank the entire scholarship. Instead of a "computer" to buy a new one or at least a "laptop"

2. Question 2 of 10

   2 .

   Which text style does this passage refer to:

   "Varenka, such a sweet, good-natured and sympathetic girl, whose eyes always shone with kindness and warmth, with an imperturbable look of a real demon, walked to the Ugly Harry bar with a Thompson gun at the ready, ready to roll these nasty, dirty, smelly and slippery types into the asphalt, who dared to stare at her charms and drool lustful. "

3. Question 3 of 10

   3 .

   Which text style does this passage refer to:

   “But I don’t love him, I don’t love him, and that’s all! And I will never love. And what am I to blame?

4. Question 4 of 10

   4 .

   Which text style does this passage refer to:

   "Based on the results of the experiment, we can conclude that simplicity is the key to success."

5. Question 5 of 10

   5 .

   Which text style does this passage refer to:

   "The transition to a layered architecture of Internet-oriented client-server applications presented developers with the problem of distributing data processing functions between the client and server parts of the application."

6. Question 6 of 10

   6 .

   Which text style does this passage refer to:

   "Yasha was just a small dirty trick, who, nevertheless, had very great potential. Even in his pink childhood, he brilliantly pulled apples from Aunt Nyura, and not even twenty years had passed since he switched to banks in twenty-three countries around the world, and managed to rob them so skillfully that neither the police nor Interpol could not catch him red-handed. "

7. Question 7 of 10

   7 .

   Which text style does this passage refer to:

   “- Why did you come to our monastery? - he asked.

   - What do you care, went out of the way! Snapped the stranger.

   - Uuuu ... - pointedly stretched the monk. “It looks like you weren't taught manners. Okay, I'm in the mood today, I'll teach you a few lessons.

   - You got me, monk, hangard! The intruder hissed.

   - My blood starts to play! - the churchman moaned with delight, "Please try not to disappoint me."

8. Question 8 of 10

   8 .

   Which text style does this passage refer to:

   "I would like to ask you to grant me a week's leave to travel abroad for family reasons. I am attaching you a certificate on the state of health of my wife. October 8, 2012."

9. Question 9 of 10

   9 .

   Which text style does this passage refer to:

   “I am a student of 7th grade. school library book "Alice in Wonderland" for a literature lesson. I undertake to return it on January 17th. January 11, 2017 "

10. Question 10 of 10

    10 .

    Which text style does this passage refer to:

    “During the war in the village. Borovoy survived 45 houses out of 77. The collective farmers had 4 cows, 3 heifers, 13 sheep, 3 pigs left. Most of the gardens on household plots, as well as Orchard with a total area of ​​2.7 hectares belonging to the Krasnaya Zarya collective farm, were cut down. The damage caused by the German fascist invaders to the property of the collective farm and collective farmers is estimated at approximately 230,700 rubles. "

The ability to write in this style gives good advantage when making money by writing articles for the content exchange.

The main features of the art style

High emotionality, the use of direct speech, an abundance of epithets, metaphors, colorful narration - these are the features of the literary language. The texts influence the imagination of the readers, "turning on" their imagination. It is no coincidence that such articles have gained popularity in copywriting.

Main features:

Artistic style is the author's way of self-expression; this is how plays, poems and poems, stories, stories, novels are written. He is not like the others.

• The author and the narrator are one person. In the work, the author's "I" is expressed vividly.
• Emotions, mood of the author and the work are conveyed with the help of all the wealth of language means. Metaphors, comparisons, phraseological units are always used when writing.
• Elements of colloquial style and journalism are used to express the author's style.
• With the help of words, artistic images are not only drawn, they contain a hidden meaning, thanks to the polysemy of speech.
• The main task of the text is to convey the author's emotions, to create an appropriate mood for the reader.

The artistic style does not tell, it shows: the reader feels the setting, as if being transported to the places about which it is being told. The mood is created thanks to the author's experiences. The artistic style successfully combines explanations of scientific facts, and imagery, and attitude to what is happening, the author's assessment of events.

Linguistic variety of style

Compared to other styles, language means are used in all their diversity. There are no restrictions: even with scientific terms alone, you can create vivid images if there is an appropriate emotional mood.

Reading the work is clear and easy, and the use of other styles is only for creating color and authenticity. But when writing articles in an artistic style, you will have to carefully monitor the language: it is the book that is recognized as a reflection of the literary language.

Language features:

• Use of elements of all styles.
• The use of linguistic means is completely subordinate to the author's intention.
• Language tools perform an aesthetic function.

There is no formality or dryness here. There are no value judgments either. But the smallest details are conveyed to create the appropriate mood in the reader. In copywriting, thanks to the artistic style, hypnotic texts appeared. They create an amazing effect: it is impossible to tear yourself away from reading, and reactions arise, which the author wants to evoke.

Mandatory elements of the artistic style are:

• Transfer of copyright feelings.
• Allegory.
• Inversion.
• Epithets.
• Comparisons.

Let's consider the main features of the style. In works of art - a lot of details.

To form the reader's attitude to the heroes or what is happening, the author conveys own feelings... Moreover, his attitude can be both positive and negative.

The artistic style owes its richness of vocabulary to epithets. Usually these are phrases where one or more words complement each other: unspeakably happy, brutal appetite.

Brightness and imagery are a function of metaphors, combinations of words or individual words used in a figurative sense. The metaphors of the classics were especially widely used. Example: Conscience gnawed at him for a long time and insidiously, from which the cats scratched their souls.

Without comparisons, art style would not exist. They bring a special atmosphere: hungry like a wolf, unapproachable like a rock - these are examples of comparisons.

Borrowing elements of other styles is most often expressed in direct speech, dialogues of characters. An author can use any style, but the most popular is conversational. Example:

“How beautiful this landscape is,” the writer said thoughtfully.

- Well, really, - his companion snorted, - so-so picture, not even ice.

To enhance a passage or give a special color, use reverse order words or inversion. Example: There is no place to compete with stupidity.

The best in language, its strongest capabilities and beauty are reflected in literary works... This is achieved artistic means.

Each author has his own style of writing. Not a single random word is used. Each phrase, each punctuation mark, the construction of sentences, the use or, on the contrary, the absence of names and the frequency of the use of parts of speech are a means of achieving the author's intention. And every writer has his own way of expressing himself.

One of the features of the art style is color painting. The writer uses color as a way to show the atmosphere, to characterize the characters. The palette of tones helps to plunge into the depths of the work, to present the picture depicted by the author more clearly.

The peculiarities of the style include deliberately the same structure of sentences, rhetorical questions, and appeals. Rhetorical questions are interrogative in form, but narrative in nature. Messages in them are always associated with the expression of copyright emotions:

What is he looking for in a distant country?

What did he throw in his native land?

(M. Lermontov)

Such questions are needed not to get answers, but to draw the reader's attention to a phenomenon, an object, or the expression of a statement.

Appeals are also often used. In their role, the writer uses proper names, animal names and even inanimate objects. If in the colloquial style the address serves to name the addressee, then in the artistic style they often play an emotional, metaphorical role.

It involves both all the elements at the same time, and some of them. Each has a certain role, but the goal is common: filling the text with colors for maximum transmission of the transmitted atmosphere to the reader.

Features of speech

The world of fiction is the world that the author sees: his admiration, preferences, rejection. This is what causes the emotionality and versatility of the book style.

Features of vocabulary:

1. When writing, template phrases are not used.
2. Words are often used in a figurative sense.
3. Deliberate mixing of styles.
4. Words are emotionally charged.

The basis of the vocabulary is, first of all, figurative means. Highly specialized word combinations are used only marginally, to recreate a reliable setting when describing.

Additional semantic shades - use ambiguous words and synonyms. Thanks to them, the author's, unique, figurative text is formed. Moreover, not only expressions adopted in the literature are used, but also colloquial phrases, vernaculars.

The main thing in book styles is its imagery. We mean every element, every sound. Therefore, phrases are used, unbreakable, author's neologisms, for example, "nikudism". A huge number of comparisons, special accuracy in describing the smallest details, the use of rhymes. Even the prose is rhythmic.

If the main task of the spoken style is communication, and the scientific one is the transfer of information, the book style is designed to emotionally influence the reader. And all the linguistic means used by the author serve to achieve this goal.

Purpose and its tasks

Art style - construction material to create a work. Only the author is able to find the right words for correct expression thoughts, transfer of plot and characters. Only a writer can force readers to enter the special world he created and empathize with the characters.

The literary style distinguishes the author from the rest, gives his publications a peculiarity, zest. Therefore, it is important to choose for yourself suitable style. Specific traits every style has, but every writer uses them to create their own handwriting. And you don't have to copy a classic writer if you like it. He will not become his own, but will only turn publications into parodies.

And the reason is that individuality was and remains at the head of the book style. It is very difficult to choose your own style, but this is what is appreciated above all. So sincerity can be attributed to the main features of the style, which makes readers not come off the work.

The artistic differs from other styles by the use of linguistic means of other styles. But only for aesthetic function. And not the styles themselves, but their features, elements. Literary and non-literary means are used: dialect words, jargon. All the richness of speech is necessary to express the author's intention, to create a work.

Imagery, expressiveness, emotionality - the main thing in book styles. But without the author's individuality and special presentation there would not have been the most artistic in general.

There is no need to get carried away without measure by the colloquial style or include scientific terms in the text: only elements of styles are used, but all styles are not thoughtlessly mixed. Yes, and a description of the smallest details of the apartment, into which he glanced main character, also useless.

Common speech, jargon, mixing of styles - everything should be in moderation. And a text written from the heart, not compressed and not stretched, will become hypnotic, attracting attention to itself. The artistic style serves this purpose.

Pavel Yamb was with you. See you!

Small art scandal in a large scientific, cultural and industrial center

The artist is always tied to the tops of two closed birches, or whatever trees are suitable for the simplest way of doubling commercial objects. He, of course, always wants to be understood by his country, but the opportunity to turn into a slanting rain warms his soul. Moreover, falling into a zone of misunderstanding and "makes an artist an Artist: Great Art should always be underestimated by contemporaries, otherwise what kind of art is it, fig. deep meanings"to which society has not yet matured. I mean another misunderstanding - the unwillingness of society or some of its authoritative institutions to recognize a certain language as a language that can be used in art. Or art is discarded: we do not need such a language. Or the average man is nagging: I cut piglets in the market, and don't fuck this peaceful habit of me to drag them into the gallery.

caused, if not shock, then active rejection in very many good people, many very literate and advanced philosophers, journalists, artists. It is not at all a legend that several printing houses refused to print the book, refused real money - on principle (this is very similar to an advertising fairy tale, I understand: but this is so). For those who do not know what the matter is, let me explain: in the mentioned book, many photographs are printed depicting how the artist Oleg Kulik copulates with various domestic animals - goats, calves, horses, dogs. For a long time I did not believe when I was told about extremely negative reactions from the most decent and educated people: it’s unprecedented, a person likes to fuck with the fauna. Perhaps this is read as "too inhuman": even the one who does not hold on to the conformity of man to the image and likeness of God (all sorts of cubists and others like them completely destroyed this likeness), remains a supporter of the hydra of humanism.

But it is almost funnier when aversion is caused by the quite common language of streets and squares. Leaflets of any non-traditional religious sects, abundantly decorating public surfaces, are hardly to the hearts of most humanoids, but the appeal to their hair dryer, it turns out, can be perceived as an aesthetic challenge (Kabakov's appeal to the slang of Soviet communality was also interpreted in the same way: as if both there are no demons of the native collective unconscious, as if Maria Devi Christ was not raised by native aspens, but by some Martians).

The Yekaterinburg artist Alexander Shaburov, working in the well-known and very healthy tradition of deconstruction of mass visuality, built his physiognomy into the leaflet of the aforementioned Davy and pasted over the capital of the Urals with the resulting product. In the most natural and banal reading, this is the destruction of the demon, the externalization of his non-absolute, playful, paper nature. Even a kind of defense of orthodox religiosity. The public conscience perceived this as unworthy clowning and foolishness. The effect is curious. Maria, of course, is a real Satanist and does not arouse much love, but she has one important quality: she is somehow serious, although she is bad, dangerous, but she is religiosity, a real spiritual act. The bad present should be opposed to the good present. The artist, the oghalnik, makes the unreal out of the present his unreal: he eludes the spiritual context in general. He is, in general, more alien than Maria Devi: she speaks nasty things in an understandable language, but he speaks incomprehensibly in some completely wrong language. Language more important than speech... Shaburov, clearly, offended Davy, insulted - albeit without much intent, but you have to think with your head - Orthodoxy, offended tram passengers (in Yekaterinburg all trams without exception are infested with such products): if he can be nice to anyone, then a handful of sluggish psychos interested in contemporary art. Whether he turned out to be nice to them, more on that below.

First, that Shaburov did not stop at Devi. He issued a series of leaflets (with a circulation of one million) with one signature - "Shaburov Sasha Christ" - and with different pictures. Shaburov and Stalin in Gorki; Sistine Madonna with Shaburov's face. Russian Berlin soldier (Alyosha, I think) with Shaburov's face. Shaburov naked and Chiccholina. The worker and the collective farmer - both with the faces of Shaburov. Tutankhamun with Shaburov's face. Shaburov and Lenin are carrying a log. Two Shaburovs on a bottle of "Rasputin", Shaburov in an embrace with Misiano and Kabakov, nonceziudiki (too lazy to check the spelling) with Shaburov's faces without their pants in front of the White House. It seems to me that all this is quite a nice event. Quite commonplace things, but done somehow correctly and competently. First, every contemporary artist, if he is not quite Glazunov, produces himself, and not some kind of abstract art, understood in this case as any art that produces something other than the artist himself. Secondly, in the aforementioned context, all of his characters pass themselves off as Saviors: no matter how much you take off your pants, you will never jump out of this centuries-old tradition. Thirdly, all Saviors turn out to be a little or a lot of artists, which, however, was always clear.

But what is important: Shaburov, with his eschewed messianism, was also driven from a fairly decent artistic environment. One large Yekaterinburg gallery held a large exhibition in a very large hall: Shaburov pasted over all the columns from top to bottom with these of his leaflets. The organizers smelled the columns for two days, drove the experts, and on the opening day, the leaflets were scraped off. A large, two and a half by three meters, work by the artist Arseny Sergeev, which is the inscription "Buy everything" "). It would seem that everything is clear. An expert gallery enthusiastically recognizes some kind of pop art as a milestone in world art, but it's not enough to read four old books, you still need to be able to think and look around. However, alas, this is not entirely the case. And in the enlightened capital, we know examples of how rich uncles rejoice, rejoice at the artist until the moment when the great Concept of the Limits of Art is hurt. And b. Sverdlovsk is not a village, there is a fair amount of more or less modern galleries where Shaburov and similar fools are welcomed. It's another matter.

Everyone laughs - Glezer, Glezer, and Glezer, meanwhile, is a very clever girl. He opened a museum of modern art in, it seems, Vladivostok, filling it to the brim with bulldozer and near-bulldozer celebrities. And the whole Vladivostok high society came to the opening, from the mayor to the prostitute Masha, and now the city's public is sure that Shemyakin is contemporary art. And after all, several truly contemporary artists cannot but exist in Vladivostok: they were gnashing their teeth. And in Sverdlovsk, creative youth laughs at the project of a monument to the repressions by E. Neizvestny, but what's the point. All the same, he is a prince, and she, the creative youth, is filthy mud.

Yekaterinburg interiors, by the way, can boast of all sorts of wonderful details. For example, there is no other city in Russia where, I swear, every corner has colorful advertising posters of companies that provide intimate services. Names - more and more female names... But there are also completely startling options. Firm "Tutsi". You call the girl, undress her, and there, therefore, you yourself understand who and what. Contemporary art: this is when it is impossible to distinguish between aesthetic deafness and ingenious wit. God forbid us to distinguish.

Here is an excerpt from one Yekaterinburg letter: how election newspapers are done there. "Candidate En., A fat Jew in dark glasses, who looks like Pinochet, paid the money, he doesn't need to appear anymore - his face will be drawn in the form of a fair-haired lad and a biography will be invented, and the recommendations of Nikita Mikhalkov, Alla Pugacheva and academician Likhachev are on the front page." ... This is, of course, a joke: this cannot be. I do not believe. That's too much. There are limits to everything.