Gesture psychology is the science of reading thoughts and feelings. Facial expressions: exercises, how to develop beautiful facial expressions

• Does facial expressions get old?
• Charging for the face
• Studying emotions
• Guessing game
• Bad facial habits

Mimicry is a powerful tool for expressing emotions and feelings, which can be more eloquent than any words. No wonder there is a separate genre of theatrical art - pantomime. Mime knows how to make the audience cry and laugh, acting out the play with his face. Imagine how much communication will become impoverished if it is deprived of it additional ways transmission of the internal state - intonations, gestures and facial expressions.

There are many professions for which the ability to control facial expressions is very important. This is both a vivid expression of emotions, and vice versa - the ability not to betray your feelings. Actors, teachers, managers, diplomats, businessmen, TV presenters ... But not only for work, you need to know how to train facial expressions - everyone should be able to beautifully and reliably convey their feelings.

In parallel with facial expressions, it is necessary to develop the speech apparatus - these two mechanisms are inextricably linked with each other. For example, there is a therapeutic complex of mimic exercises for children with dysarthria - a disorder of the pronunciation function. Speech and facial expressions have a "mutual responsibility": the clearer the speech, the better the muscles of the face are developed and vice versa.

But before we learn how to develop facial expressions, let's deal with the issue that worries many.

Does facial expressions get old?

There is an opinion that a lively facial expression quickly ages a person: where folds often appear, deep wrinkles form over time. Is it so?

In order not to be unfounded, let's compare the film actors known for their mimicry skills. Jim Carrey is the first to come to mind. He is in his 50s and already has visible wrinkles, especially around the eyes. The actor himself admits that wrinkles gave him the career of an actor with the most expressive face. But at the same time, Kerry never did plastic surgery or Botox injections - since they make facial expressions more constrained, this is categorically contraindicated for a movie star. In order to slow down the aging process, Kerry uses creams.

Jackie Chan is another rich man who always smiles. He is a little over 60 years old, but he looks great. Of course, he also has mimic wrinkles, but in his entire life Jackie has done only operations related to injuries - no plastics.

The unchanging antics Johnny Depp is also slightly over 50, but it's hard to believe it - it seems that he is at most 40. But there is one secret - Captain Sparrow did plastic surgery: a facelift, eyebrow lifting and blepharoplasty (around the eyes).

But the actor, famous for the almost complete absence of facial expressions - Keanu Reeves - does not age at all. He is the same age as Depp and Kerry, but he looks 30. They say that Neo does not disdain Botox, but the actor himself does not admit it. His main acting tool is his eyes.

Indeed, certain mimic habits leave an imprint on the face - but this happens within the allotted time, when a person has natural wrinkles, and not earlier. And what kind of wrinkles they will be - only you can choose: either deep furrows from a sullenly frowned forehead, or charming rays around the eyes from laughter. And don't forget that actors who are famous for their ability to grimace have been doing it professionally all their lives. They shot millions of takes and grimaced much more than a person would ever need. Everyday life... Imagine Jim Carrey in office cabinet... Have you laughed?

Those who are afraid of losing their youth need to remember about additional factors - heredity, skin type, sun exposure, facial care. Massages, anti-aging treatments, creams and oils will help you not to be afraid of the appearance of early wrinkles.

Charging for the face

In order to develop your facial expressions, you first need to make your face more mobile, to loosen the facial muscles. Athletes do a warm-up before training - let's do it too. You need to stand in front of the mirror, pull your hair into a ponytail, pin up your bangs. The whole face must be visible.

Start moving vigorously in different parts your face, trying to develop as large an amplitude as possible. Here are some examples of such movements:

• Raise and lower your eyebrows;
• Open and close your mouth wide;
• Smile as wide as possible, without exposing your teeth, then sharply fold the lips with a bow or "duck";
• Open your eyes wide and screw up your eyes.

It is important that when exercising on a certain part of the face, the rest are not involved. At first it is not easy - some muscles "pull" others along with them, and together with the eyebrows, for example, you begin to reflexively lift your lips.

These exercises should be repeated regularly, even when you have already developed facial expressions. They help your muscles stay fast and flexible. At first, you need to train 3-4 times a week, then you can leave one session. One lesson should last about half an hour.

As a supplement to exercise, you can make faces at yourself - this also warms up the facial muscles well.

Studying emotions

As you remember, we will need the development of facial expressions first of all in order to colorfully convey emotions. Therefore, you need to learn the appropriate facial expression, and learn how to apply this skill in communication. Many people do not know how to convey emotions "to order": you ask them to portray anger, and you get a comical mask. This is because they do not know how they look from the outside. It is this problem that we will eradicate with the help of the next exercise.

Stand in front of a mirror and try to portray these emotions:

• Suffering;
• Joy;
• Astonishment;
• Disturbance;
• Fright;
• Anger;
• Hopelessness;
• Thoughtfulness;
• Delight.

If you are not satisfied with the result, look at the faces of the actors in certain situations and try to replicate their expressions. If you cannot evaluate the results of your work in the mirror, take selfies, it is easier to draw objective conclusions from a photograph.

At the sessions, the model is obliged to depict all the feelings and states that the photographer gives her: “Make me tender! Innocence! Aggression! You saw the kitten! They gave you a car! " And she must perform all this no worse than a Hollywood film star.

Many people think that models only need beauty and a figure, but very important role plays in this profession ability to be photogenic and own your face. Try to be a photo model and portray all the emotions and reactions that just come into your head.

Guessing game

She needs another person who is also interested in the exercises for facial expressions. Better yet, if it is a company - then you can play fun game... It is similar to a game of "crocodile" - one participant pretends to make a hidden emotion, the rest guess.

Learn to do what you don't know how to do

1. Wink.

Yes, not everyone knows how to do it beautifully and playfully. Someone succeeds in simply closing one eye, but someone cannot even do this - it turns out to blink only with both. Look at actors or acquaintances who can wink, and repeat this in the mirror. You may first have to help yourself with your hands, holding those parts of your face that do not obey.

2. How to raise one eyebrow?

The ability to raise eyebrows has been given to us by evolution. In addition to humans, only monkeys can do this - this is how they demonstrate a threat.

Anyone can raise both eyebrows, but not everyone can raise one. Those who are endowed with this superpower flaunt it right and left. Don't be discouraged - it can be developed. Again we stand in front of the mirror and begin to raise one eyebrow with the help of our hands, holding the other. We remember which muscles are working at the same time. Learn to lift an eyebrow hands-free. Aerobatics - quickly lift them in turn, as if playing.

3. Tricks with language

You remember that in order to improve facial expressions, you need to develop the vocal apparatus. Exercises with the tongue will not only help with this, but will also make you a star among friends - after all, very few people know how to roll the tongue into a tube, fold it like an accordion or reach the nose. True, there is one prerequisite with reaching the nose - a long tongue. But you must at least try. But the rest of the exercises will be given to the owner of the language of any length. The technology cannot be explained in a nutshell - you better look for a training video on the Internet.

Bad facial habits

To have beautiful and expressive facial expressions, you need to get rid of habits that spoil your facial expression and cause early wrinkles. Many of us squint, frown, grimace and frown, not even knowing how much it hurts them. If you know such habits, control them. And in order not to relax, periodically squint or frown in the mirror - see how ugly it is, and you will immediately have an incentive to get rid of these grimaces. If you constantly forget about self-control, ask someone close to remind you. Moms will cope with this best of all - they, like no one else, worry about their children being beautiful and charming.

***
Everybody has facial expressions - they are laid in the brain as early as childhood, when babies look at their parents and copy their facial expressions. But uncontrollable facial expressions are like an ill-mannered person - he will always find where to break the wood. You can compare it with a horse riding a rider - instead of making life easier, uncontrollable facial expressions complicate it. They say about such people: everything is written on his forehead. And I would like to hide my feelings, but he cannot.

You should not belittle her role - just one ability to use facial expressions correctly can significantly change a person's fate. And you can start learning this skill at any time, regardless of age.

P.S. Find out " What is artistry and how to develop it»

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Speaking or writing helps a person communicate their feelings and thoughts to others. In the first case, not only voice transmission of text is used, but also non-verbal means of communication, such as gestures or facial expressions. They liven up speech, making it more emotional. The ability to correctly read non-verbal signals allows you to understand the true motives of the interlocutor, since it is facial expressions in communication that express a direct relationship to what is happening.

The value of facial expressions in human life

Non-verbal communication does not involve the use of speech, only sensory or bodily contacts: facial expressions, touch, gestures, glance. They help people to reach mutual understanding on the level of emotions. Studies have found that only 35% of information we transmit to each other through speech. The rest 65% is accounted for by non-verbal signals: body movements, gestures, gaze, facial expressions. They complement the phrases being spoken, making them more meaningful.

In fact, non-verbal means of communication are quite capable of replacing themselves. This is the case with deaf - dumb people. For them, speechless communication through gestures and facial expressions is a common way of communicating with others. The same can be said for children who have not yet learned to speak. People use non-verbal communication techniques to establish communicative connections with representatives of the animal world.

The importance of facial expressions in the communication process should not be underestimated. Indeed, sometimes facial expressions, coupled with other non-verbal signals, carry more information about the feelings or mood of the interlocutor than words. People are used to controlling what they say. However, non-verbal manifestations are difficult to hide. Many movements are reflexive before the emotion is evaluated by the brain. Having learned to catch and interpret facial expressions and other non-verbal signals, you can understand not only what the interlocutor wants to say, but also what he is trying to hide.

Expressions of feelings and emotions through non-verbal cues

Gestures, pantomime and facial expressions are means of communication that belong to optical - kinetic ones. This non-verbal signaling system includes appearance, the timbre of the voice, movements of the hands or head, the position of the body in space. The successful establishment of contact depends not only on what the interlocutor says, but also how confident his facial expressions, voice, look. This is what explains the interest in studying the meaning of non-verbal signals on the part of psychologists, businessmen and people who want to build a career.

What will facial expressions tell about?

The most important element of non-verbal communication is facial expressions. American psychologist Paul Ekman developed method "Facial Affect Scoring Technique" or, in abbreviated form, FAST, which allows you to determine the emotional state of the patient visually. The professor proposed to conditionally divide a person's face into three zones:

• forehead and eyes,
• the nose and the area around it,
• mouth and chin.

According to the FAST method, the meaning of non-verbal facial expressions is considered only in the aggregate of changes in at least two of these areas. Such an uncomplicated analysis non-verbal signal allows, for example, to distinguish a feigned smile from sincere joy.

There are six main emotions, most clearly expressed through facial expressions:

• joy,
• anger,
• astonishment,
• disgust,
• horror,
• sadness.

Involuntary or reflex facial expressions these are non-verbal manifestations that the person himself does not control. It is she who reflects the true emotional state.

We propose to consider the most significant non-verbal manifestations of feelings reflected in facial expressions, which are schematically shown in the picture:

1. Emotion joy reflected on the forehead and mouth. The corners of the lips are raised, the teeth are slightly open. Light wrinkles appear around the eyes. The eyebrows are also slightly raised in relation to the bridge of the nose.
2. The face of a person who is experiencing happiness, relaxed. This is expressed by the half-closed upper eyelids, while the eyebrows are slightly raised, the look is radiant. The corners of the lips are drawn towards the auricles.
3. For surprise characterized by raised eyebrows, rounded eyes, slightly open mouth.
4. Doubt expressed in a person's gaze shifted to the left. It is the left hemisphere of the brain that is responsible for analyzing the situation. The position of the lips resembles a sarcastic grin, that is, only one edge of the lips is raised.
5. Gloomy or discouragement express drooping eyebrows and corners of the mouth. The look is extinct, indifferent.
6. The frightened person's face is tense. Fear expressed in raised eyebrows, wide-open eyes. The teeth are partially visible through the parted lips.
7. Rounded eyes, an open mouth, raised eyebrows - this is how facial expressions are expressed shock.
8. A one-sided grin, a sideways gaze, narrowed eyes and a raised eyebrow - this is what it looks like mistrust.
9. The look of a man thinking about the problem pointing up. The corners of the lips are slightly lowered.
10. Wide-open, recklessly shiny eyes, raised eyebrows and a slightly open mouth express joy about a brilliant idea that came to mind.
11. Human, pleased with myself looks relaxed. His eyebrows and eyelids are drooping, and his lips are folded into a half-smile.
12. O insidious designs will tell the look with a squint, the raised outer corners of the eyebrows, the lips compressed into a thread, folding into a tight smile.
13. Sly man narrows his eyes, looks away. The left or right corner of his mouth rises.
14. Demonstrating determination, a man compresses his lips, clenches his jaw tightly, looks sullenly. His pupils can sharply narrow, the gaze becomes menacing.
15. Embarrassed, people look down, smile with closed lips so that one edge of the mouth rises. The inner tips of the eyebrows crawl upward.
16. Resentment expressed in pursed lips, low-slung eyebrows and eyelids. Look away from the interlocutor.
17. Focusedly thinking, most people move their eyebrows so that a crease forms on the bridge of the nose. At the same time, the look is as if fixed in itself, the chin is tense, the mouth is motionless.
18. Uncertainty expressed in a slightly confused, wandering look, raised "house" eyebrows. At the same time, the corners of the lips are lowered.
19. Expression dreaminess on the face it is characterized by highly raised inner corners of the eyebrows. The gaze is directed upward, the corners of the mouth are located asymmetrically.
20. Fatigue is expressed in the complete relaxation of the facial muscles, including the eyelids. The lips take on a horseshoe shape with the tips pointing downwards.

For precise definition emotional state by facial expressions or in aggregate non-verbal signs, it is necessary to take into account such details as the direction of gaze, the state of the pupils. If a person has a strong antipathy towards the interlocutor, he involuntarily squints. The liar averts his eyes to the side, he is betrayed by frequent blinking or, on the contrary, an unblinking gaze. The asymmetry of the face, too mobile facial expressions testify to insincerity.

Conclusion

The interpretation of non-verbal behavior of people by facial expressions or gestures depends on many factors. These are the cultural traditions of the country, gender, age of the interlocutor, the situation in which it occurs. It is worth remembering that non-verbal gestures and facial expressions are different in Europe or Asia. Plus, most adults are good at controlling their non-verbal responses. To catch genuine emotions from facial expressions that flashed across the face in a matter of fractions of a second, a certain skill and observation is required.

Not many of us know what physiognomy is, and so, this is science, or rather an unfounded doctrine, which is directly focused on determining the character of a person and his mental qualities based on the analysis characteristic features face, features of the head and facial expressions. So in China and Japan, this art was especially developed in the Middle Ages. In these countries, schools were created where the human face was carefully studied, and it was studied literally in every millimeter, while paying attention to every tubercle, redness or paleness of the skin. And after that, based on the accumulated material, physiognomists tried to determine the character of a person and even determine his fate.

Outline of the article:

Physiognomy principles

Many scientists have tried to prove the fact that it is necessary to study physiognomy, but, unfortunately, today this science is considered frivolous. But nevertheless, the study of the connections between the traits of a person's character and his thoughts, as well as the expression of his face, is necessary primarily for artists and the actor, as well as for those people whose work is directly related to people, that is, investigators, teachers, sellers, etc. .d.

Four of the available five senses are directly in the face, it is with their help that we receive information about the world around us. Eyes, ears, nose and mouth act as peculiar antennas, it is with their help that we perceive the information happening around us. Basically, a person perceives this information most strongly at the age of five or six years. This is even clearly visible on the face of the child, many, most likely, paid attention to the fact that children have large open eyes, sometimes it seems that he wants to see everything at once, ears that hear everything in the world, a nose that tries to feel everything smells, even the most subtle, the mouth, where it sends everything that only comes under the hands, it is these senses that help children call out the surrounding information.

Unfortunately, over time, the acuity of feelings passes, dulls, and an adult already loses the ability to notice everything that previously brought him so much joy and surprise, this, in turn, is the result of the fact that a person gets used to the world around him, to its influence, and these he does not need sensitive antennas. As for the human psyche itself, it, in turn, becomes rigid, and this is directly reflected on the person's face. That is, the process of reduction begins, that is, the eyes lose their shine, become a little sunken, they are less interested in what is happening around them, the face loses its mobility, and the mouth takes the form of a narrow slit. The character of a person becomes closed, and he gradually withdraws into himself. For each person, such changes occur at a different rate, regardless of age, for someone, the face begins to change only by the age of seventy, and for someone, such changes have occurred already at twenty.

For a person whose face quickly lost its liveliness, pessimism is characteristic, he already fears everything new, suffers changes rather painfully. His character is characterized by the manifestation of introvert traits. It is quite difficult to persuade such a person to do something that could. Such people are inclined to believe by the age of forty that life is over and they only have to wait in the wings. But people with this type of character are quite rare. Mostly people with such behavior suffer from some kind of ailment, or suffer for some reason, but when everything bad that happens to him ends, this person is quite a short time transforms right before our eyes. He is getting younger, his antennas are starting to work with new strength, receiving signals from the world around him and he is again interested in everything new.

You can often find people in old age who, despite their gray hair,. The faces of such people are often not subject to reduction and, accordingly, their antennae do not close until very old age. By the type of their character, these people are extroverts, in their hearts they always remain big children. They quite simply find mutual language with others, it is easy for them to make a new acquaintance, but at the same time it is very easy for them to quit what they have begun in order to do something more interesting and informative. Such people are distinguished by open and shining eyes, due to which they are often very popular in society.

Nowadays, a lot of attention is paid to the language of facial expressions and gestures. This method information is considered natural. We all quite often pay attention to the body movements of other people, and in this case it is worth noting that they not only carry information that our mind perceives, but are also capable of influencing another person. It is because of this that sign language has received quite a wide use in politics and business. People use gestures and facial expressions much more interest people in this or that business, which in turn helps to conduct presentations much more effectively, to captivate the audience with their speech, etc.

As for the direct perception of gestures and facial expressions of the people around them, it is they who determine our reaction and attitude towards those people. It is necessary to learn to better understand the given bodily signals and correctly use this knowledge, applying it for more effective interaction with people.

When communicating, in addition to spoken phrases, a person makes many subtle or noticeable gestures, which are also not made senselessly, they also express his point of view on given circumstances. Each of the interlocutors perceives these gestures on a subconscious level, but basically our consciousness does not lend itself to rational analysis. Having learned such a hidden language, you can read all the hidden information.

Scientists believe that this ability to read other people's thoughts by facial expressions and gestures is inherent in all people. Due to external signs, starting from facial expressions and right up to the adopted posture, it will help to guess the intentions and feelings of a particular person.

Reading information about which gestures and facial expressions speak is possible due to the fact that, regardless of the cultural level of people and specifically a person, the words and, accordingly, the movements accompanying them coincide with such a degree of predictability that a well-trained person, even by voice, will be able to determine which movement will be made by his interlocutor while pronouncing a particular phrase.

The ability to communicate with other people, an understanding of their psychology, intentions and interests prevails in any communication. A person who knows how and can put himself in the place of another person and understand him will always be successful in life.

The very shape of his face says a lot about a person's character. Basically, it is classified into four types: 1) round; 2) square; 3) triangular; 4) rectangular; 5) trapezoidal.

Types of faces and their characteristics

A round face is characterized by an expansion in the middle part, in the area of ​​the cheekbones and neck. The dimensions of the face in this case are very close both horizontally and directly vertically. Roundness is observed in the area of ​​the lower jaw, chin and temporal cavities.

This type of face shape characterizes people with heavy weight. If at the same time a person has a small nose, then this characterizes him as a carefree nature who loves the comfort of life. A man with such features is a great gourmet and lover, by his nature he is very soft and peaceful, gentle. People with a round face do not strive for high position or fame, because they are in to a greater extent they are materialists. They are mostly not ambitious. People with a round face, keen eyes, prominent cheekbones and a high bridge of the nose are thinkers with a characteristic ordered mind.

The square face itself is wide in the middle and cheekbones, the lower jaw is much heavier, wider, and the angles of the lower jaw are sharply expressed. A square face is characteristic of a courageous, rude, thin type of people who have a rather quick temper. Such a person is by nature a great fighter, a leader. As a rule, they are stubborn, persistent, slow-witted, decisive both in deeds and in love, have an immediate desire for success and good performers. If a woman is endowed with such a face shape, then she, in turn, is a stubborn rival in any business, occupies a dominant position in family life.

The trapezoidal face has the shape of a compressed upper part, in the region of the temples, while the lower part of the face is heavier, and the corners of the lower jaw are sharply expressed and deployed.

This face shape suggests that this person is quite artistic, intelligent and receptive, but, unfortunately, he lacks fighting spirit. Women with this type of face are generally very loving, their family life is always happy.

The triangular face has the shape of a pointed chin, the area of ​​the lower jaw.

This form suggests that a person is busy with himself and is hypersensitive. This face shape is found in intelligent people, smart, resourceful, cunning, devoid of affection and devotion, jealous. Triangular-faced people can be great scientists, philosophers or art, but they can also be unabashed businessmen, traitors and spies.

An elongated face is characterized by an elongated chin and a high forehead; in this case, the vertical dimensions are superior, in contrast to the horizontal ones.

An elongated or rectangular face needs the same width of the jaw and forehead. It is also called the aristocratic face shape. Such a face is characteristic of a sensitive, intelligent, far-sighted and prudent, calm and fair person. People with this type of face are endowed with excellent organizational talents and are great at working with other people in order to achieve their goals. Basically, these people are successful in life.

Combined face shapes

Oval face - has smooth outlines, especially for the chin, cheekbones and lower jaw. Such a face is usually called classic or ideal.

Rhombic face - this type of face is characterized by strongly protruding cheekbones, which in turn are outlined by the cheekbones, and a narrow forehead. In the upper area at the temples and lower - the chin and jaw, parts of the face narrows, but in the cheekbones it expands.

As for the facial muscles themselves, they can also tell a lot, depending on how relaxed or tense they are. People who are characterized by hypertonicity of facial expressions, or in other words, great muscle tension, which in turn can be manifested in all sorts of twitching and tics, as a rule, have many problems that worry him. These problems can be both real and far-fetched, it is no longer important, the main thing in this case is that they do not let you forget about yourself for a minute.

Because of this, such fears often prevent a person from making new decisions that completely change the situation, he is afraid that everything that he built with such difficulty will take and collapse, and as a result he will have to start all over again. But, despite this, such people are quite energetic, in the case when they are confident in the success of a new business, take on it with great enthusiasm, are rather easy-going, in addition, they have a much stronger ability to make all kinds of decisions. and they need communication much more.

And a person who has relaxed muscles behaves in a completely different way, that is, with a hypotonic face. This type of face is characterized by a somewhat pronounced sagging of the cheeks, sleepy, half-closed eyes, a slightly open mouth, and on the face there is basically an expression of complete indifference. Thoughts of such people flow more slowly, and actions are devoid of enthusiasm and energy, if they do something only because it is necessary, if it was their will, they would hardly do anything at all.

They do not want to solve any problems, and, in fact, they do not have those either. They let it all go by itself, so that it dissipates by itself. It is also worth noting that muscular hypotonia and hypertonicity are only a reflection of the state of the human nervous system, its immediate stability and excitability. Accordingly, the higher the muscle tone, the much easier it is to be excited. nervous system, and the faster hypertonicity is replaced by hypotonia, the less stable it is. Such changes are mainly observed in people with an affective type of face.

The affective type of face is characterized by a somewhat rough face, too uneven, with sunken cheeks, protruding cheekbones, and with many protrusions and depressions that are left directly by strong emotions that arise quite often. A person with this type of face quite easily enters a state of passion, namely, when a strong emotional excitement appears, it happens to him quite often, he cannot control it.

This type of face can directly belong to both an introvert and an extrovert, and equally. This is manifested in extroverts with open faces, and in introverts with reduced ones, affects, of course, manifest themselves in different ways. For example, if an extrovert's anger, anger and resentment very emotionally and violently spills out, then for an introvert negative emotions find their manifestations in emotional experiences, for a long time, corroding his soul.

Physiognomists mentally divide human faces into three parts, the first is called vital, comes from the word vita - life, it shows how strongly a person defends his right to exist. This part directly includes the chin, which perfectly makes it clear to what extent a person uses his volitional qualities in order to achieve his goal. It is clearly seen that when a person needs to defend his point of view, he unconsciously begins to strain the muscles of the lower part of the face, therefore, the more often and more successful person defends his rights, the more developed his chin.

But a harmoniously developed chin can already tell a lot about its owner, namely, that this person basically achieves his goals, although he is able to abandon the goal, if he sees that it is inappropriate. A person who has a well-developed chin often has a square shape, achieves the goal in any way, rushes to the break like a tank, this person does not care much about what remains after he reaches the target. It is typical for him to storm new and new heights. But with regard to the small chin itself, which can be said to be somewhat soft, such a person can easily deviate from his plan, just imagining what difficulties and obstacles may be associated with this. But this may not happen, especially if the person is ruled by desire, or, conversely, unwillingness to achieve anything.

The second zone is called emotional, it directly includes the cheekbones, nose, cheeks, mouth. The mouth is the most mobile part of the human face, since it is the first to react to various changes in the emotional background, reflecting the emotions that a person is currently experiencing, even if it only lasts a couple of seconds.

Emotions such as joy, anger, resentment, contempt, and so on, expresses the curl of the lips, even in the case when their owner is in good control of himself and tries to hide his mood from others, anyway any emotion will be reflected on his face for an instant. most of it in the mouth area, so you should be very careful not to miss this moment. If you saw that your interlocutor is slightly biting his lips, then in this case, this means that at this moment he is thinking about something, and quite tensely, but interrupting his thoughts or not, already depends directly on you.

In the event that a person is in some kind of critical situation, he can bite not only his lip, but also his tongue. The nose also conveys the feelings of a person very well. During arousal, of any origin, the wings of the nose begin to swell. If a person sees something that annoys him, then the nose wrinkles in this case.

In addition to the lips, the mouth also includes two nasolabial grooves, the chin groove and the corners of the mouth.

Depending on how the mouth opening is, the mouth can be small or large, and as far as the corners of the mouth are concerned, they can be lowered or raised.

If a person has a wide mouth and a square face, then this indicates that the person is authoritative and has the talent of an organizer.

If the mouth is large and does not close tightly, then this in turn suggests that this is an indecisive and careless person.

If a woman has a large mouth, then she is more likely to be more capable of a service career than for housework.

In the presence of a wide mouth on a full firm basis in people with a large bone structure, it indicates that the person is aggressive and ambitious, adventurous, indifferent to his defeats and successes.

About a person with a small mouth, we can say that he is constantly busy with the struggle for existence, has a weak shy character that does not dare to take responsibility. A protruding mouth (a person's mouth is considered in profile with closed lips) - indicates that a person is active and decisive, has a quick mind.

Characteristics of a man by his lips

If the lower and upper lips overlap one another and the lower lip is protruding, then this suggests that the person is selfish by nature, may be unsuccessful in marriage.

In the event that the upper and lower lips overlap one another and the upper lip is the protruding lip, this indicates that the person is vain and indecisive, has an insatiable libido and often has extramarital affairs.

If the line between the lips bends to the bottom, then this characterizes the person as stubborn and self-centered, who gives in to himself only with the help of praise and flattery.

The presence of thin lips, poorly closing and matching each other, speaks of a person that he does not have special business ambitions, he is characterized by criminal inclinations.

In the event that the line between the lips bends up in the middle, this indicates that the person is agile and resourceful.

A wide, rough, long upper lip and a pointed or small lower lip suggest that these people are bad businessmen who can become victims quite easily.

What will the nose tell us?

And he says the following:

• Oddly enough, but the nose controls the fate of a person from about 41 to 50 years old, it is during this period of life that the question of success or failure of a person is resolved.
• So, the owner of a long nose, the following main character traits are manifested - unsuitability for business enterprises and conservatism. They show elements of contemptuous and arrogant behavior, they have the ability to achieve intellectual achievements (in the field of science or technology).
• The owner of an over-long nose is characterized by: conservative spirituality, quite often an unrealistic and capriciously speculative personality.
• A short nose, characterizes its owner as a person with an open character, optimistic and friendly, having a free sexual morality, he can easily get annoyed by little things, emotional impulses are a good motive for doing work, so he must be constantly patted on the shoulder.
• A bony nose with a slight hump and a high bend speaks of its owner that he is a proud individual, stubborn, aggressive and decisive.
• A high and very bony nose says that a person lives in life alone. And if the nose also has a pointed tip and looks quite full and flat, then in this case we can say that the person is endowed with a rather enterprising spirit and impulsiveness, which in turn quite often repels relatives and friends, thereby dooming himself to complete loneliness ...
• A skinny bony nose indicates that it is very difficult for a person to concentrate. In the case when the nose is located quite high in accordance with the face as a whole, then about such a person we can say that he is a very proud person, difficult to communicate and arrogant. If such a person is endowed with power, then problems with subordinates are inevitable, sometimes even in family relationships he goes no further than mere tolerance.
• If the nasal bridge is well rounded, then this person is quite artistic and happily married.
• If the platform of the nose has a break, depression and horizontal lines crossing the bridge of the nose, then this person is endowed with poor health, even early death is possible.
• If the nose has a high tiny area between the eyes, then this person has a tight family bonds, loyal and long life span. In the event that the site is full and flat, this, in turn, says that the person has a warm heart and is quite happy in marriage.
• If the nose has a broken back with many small ridges, then poverty and deprivation are characteristic of such a person.
• If the nose is narrow and looks like the edge of a sword, then such a person's life is full of hard and exhausting work.
• If the back of the nose is slightly flattened and, moreover, intersects with horizontal lines, then such a person will face misfortune.
• When the nasal bridge is flat, well balanced by both wings of the nose and large, then this person is a calculating nature in itself, with a forecast for wealth.
• If a person's nose has a weak back, then this person is endowed with chances for early success and, unfortunately, late failure in life.
• A nose whose back is widened in the middle and only slightly covered with flesh in combination with small nostrils and low cheekbones, this, in turn, says that a person has a somewhat banal and boring life, full of hard work and practically no reward.
• If the nasal bridge is tilted to the side, then this suggests that, most likely, a person will be haunted by failure.
• The nose, whose back is crossed by deep lines, says that the fate of such a person will be connected to some extent with disasters.
• In women, such a nose is evidence of a difficult marriage and an imminent divorce.
• If veins are visible on the back of such a nose, then this is the possibility that it will have.
• If the tip of the nose hangs down like a nut, then this person will occupy a fairly strong position in society, and prosperity in business.
• If the tip of the nose hangs down strongly, then this indicates a person's oversexuality. If the tip of the nose is pointed and not fleshy, then this suggests that the person is prone to betrayal and treachery.
• If the tip of the nose has the shape of an eagle's beak, then this is a vengeful person, we can say that to some extent he is obsessed with mania, that everyone constantly interferes with him. In the case when the tip of the nose has a slightly reddish tint, it indicates that his owner is lazy and unsteady, he will not be a careerist, but he is quite perceptive and gifted with foresight.
• In the case when the back of the nose is high, in the presence of weak cheekbones and jaws, this indicates that the person was born in a family with a high social status, in middle age, disasters await him, and in old age - deprivation.
• When the nose has a drooping shape and a skinny tip, which in turn covers most of the upper lip, then this is a treacherous and treacherous nature.
• If the tip of the nose is split, then this person is suspicious, vindictive, shy, preferring to solve their problems on their own, with the help of their original mind.
• If the nose has a full, large, convex tip, then this indicates that a person is sincere, kind-hearted, always ready for self-sacrifice, if there is a controlled glint of the eyes.
• A nose that has a round and full tip that covers a certain part of the groove above the middle of the upper lip, then this person has extraordinary energy, unlimited business acumen and an astute mind.

The ideal nose is considered to be a nose of normal length, balanced with the mouth, eyes and chin. There must be two deep lines on either side of the mouth. Such a nose speaks of a person that he is honest, temperamental, sexually active, proud, active and has great authority.

The third area of ​​the face directly includes the upper part of the face, eyebrows, forehead and eyes, this part is called intellectual. In the eyes of a person, the thought processes taking place in a person's head, their speed and direction are always quite clearly displayed. Shiny eyes and a lively look indicate that their owner is full of enthusiasm and is carried away by some idea. And, accordingly, half-closed eyes with a dull look indicate that a person is depressed or depressed. American scientists have found that people basically look in six different directions, this directly depends on what is happening at the moment in their brain.

For right-handers, it is typical, when some memory or if they represent something, to direct their gaze up to the right, and for left-handers, respectively, up to the left. When remembering some sound of music, the right-hander will direct his gaze to the right, and if he imagines some sound, then to the left. The right-hander looks down to the left in those cases when he wants to remember a sensation, taste, smell, and looks in the opposite direction when he conducts an internal dialogue. As for the left-hander, then he has the same thing, only in the opposite direction.

If you want to check who is in front of you, then you can ask that person to remember some image or sound and accordingly look at the movement of his eyes. It is worth noting that in Chinese physiognomy, wrinkles that directly appear in the corners of the eyes when laughing are called the tail of a goldfish. And the larger and more magnificent this tail, it means that this person is sympathetic and kind. On a person's face, two small vaults can often be seen above the eyes, they are especially noticeable in people with great observation. It is generally accepted that they mean a desire to help and increased attentiveness.

Quite often, but not in all cases, a large forehead is a sign of great intelligence, but sometimes circumstances develop in such a way that a person cannot develop his intellectual potential. But it also happens that a rather intelligent person, in the field of knowledge, does not understand at all in another field. Therefore, as far as the assessment of the mind is concerned, here it is necessary to be rather careful with each person. In adults, a furrow in the middle of the forehead can be clearly visible, which in turn indicates that he is an introvert and has a high degree of introspection. In the case when a person concentrates quite often, focusing on something, he accordingly has several vertical folds above the bridge of the nose.

The eyes are like an open book, you can read a lot from them

If a person has large, balanced eyes with irises, then this person is conservative, calm and kind.

Adequate eyes, but smaller than usual, indicate that a person is modest by nature, tries not to attract attention to himself, a person who is dull, stubborn and internally self-satisfied. Women with such eyes are characterized by purity and inaccessibility; married women remain loyal and loyal, but very jealous.

Comparable eyes, but more than normal, tell about a person that he is a sensual and receptive nature, dominant and courageous. For women with such eyes, an aesthetic face and inclinations are characteristic.

Small eyes with small irises are inherent in people who are not satisfied with their position in life, they are grumbling, and do not want to accept the existing order, they are characterized by the manifestation of cruelty and the use of force to achieve their goals.

Eyes are raised up, which means a person is sensitive, courageous, greedy and decisive. If, at the same time, a person has a crocheted nose and a low forehead, then these features are negative. For women with such an appearance, foolishness, jealousy and violence are characteristic.

In the case when the outer corner of the eyes (the one at the temple) is sharp and long, then such a person is endowed with a strong mind and insight, ruthless and artistic.

Eyes slanted to the bottom indicate that a person is optimistic, good-natured, who knows how to ingratiate himself.

If the corners of the eyes look down, then this person is calm, pessimistic and submissive by nature.

It would seem that eyebrows are just a trifle, but they also say a lot about the character of a particular person. They are directly thin, wide, fused on the bridge of the nose. If the eyebrow is short and thin, then this indicates that a person is alone in the struggle for life. If short eyebrows have an uneven or rough texture, then this means a changeable career. Too thin and almost invisible eyebrows - characterizes its owner as dissolute and cunning. As for the general characteristics, a thin eyebrow is primarily a sign of an amorous nature and happy life married.

If a person has an eyebrow shape that resembles a boomerang, then by nature he is a person who is inventive and quite strong, capable of giving way to his ideas and transforming them into actions, this is a self-confident and sexual nature. A woman with such eyebrows tries to take the initiative in love relationship on himself, in marriage, dominates, has a fairly strong physical attractiveness.

In the event that the eyebrows are closely connected and form a horizontal line, they are sometimes so stiff that they can bunch together at their outer ends. A person with this type of eyebrow is characterized by resourcefulness and determination.

If the eyebrows are located obliquely, and practically converge in the middle of the forehead, then this person has a wonderful imagination, courage, foresight. For a woman, at first, some violation of beauty is characteristic, but later she will succeed in her career.

When both eyebrows and, accordingly, the eyes are at the same level, well balanced and proportional, this suggests that a person is by nature very good-natured, honest, serious, successful, conscientious, and is in excellent relationship with society.

In the event that part of the eyebrows goes in the opposite direction, it indicates that this is a rather stubborn person, devoid of flexibility, is uncompromising in relations with people.

The eyebrows join and form a heavy and thick streak, characteristic of a straightforward person who does not consider the opinions of others. A woman with this type of eyebrow is endowed with a rather strong character, she does not have a tendency to lead household, most likely her marriage will end in divorce, but as far as her career and professional activities are concerned, everything is successful here.

By the features of a person's face, as well as by his facial expressions, you can say a lot, what kind of mood a person is, what he thinks about, how he will behave in the future, but in order to be able to read this by his face, it is necessary to study well the facial features and possible further behavior.

abstract

« facial expressions »

1st year student

Group 131

specialties: General Medicine

Fedin A.D.

teacher

Panasenkova T.S.

Introduction …………………………………………………… ..3-5

Types of facial expressions ……………………………………………… .6

Emotional facial expression as a subject of facial expressions …… .7

Determining facial expressions …………………………… ..8

Methods for diagnosing emotions by facial expression ... ..9-10

Mimic changes in the patient's face …………………… ..11

Conclusion ………………………………………………………… 12

List of sources used ……………………… .13

Introduction

People often say one thing and think quite another. Therefore, it is important to learn to understand their true state. When transmitting information, only 7% is communicated in words, 30% is expressed by the sound of a voice, and more than 60% goes through other non-verbal channels: glance, facial expressions, etc.

People, as a rule, say one thing, but think quite another, so it is very important to understand their true state. When transmitting information, only 7% of it is communicated through words (verbally), 30 percent is expressed by the sound of the voice (tonalities, intonation) and more than 60% goes through other non-verbal (glance, gestures, facial expressions, etc.) channels.

For a correct understanding of the speaker, it is desirable to evaluate what is spoken in the inextricable connection of words, speech, pantomime and other "accompanying" communication, bringing your perception to some completeness.

The emotions experienced in the soul are usually expressed by people:

conventionally (in a way standardly accepted in a given communication environment);

spontaneously (involuntarily).

When a partner seeks not to betray how he relates to what is being reported, everything can be limited to a simple conventional non-verbal hint, which is sometimes true, but more often - disorienting.

People often weigh their words and control their facial expressions, but a person is able to simultaneously monitor no more than two or three of all the reactions generated within. Thanks to this "information leak", if you have the appropriate knowledge and experience, it is possible to identify those feelings and aspirations that the object would prefer to hide.

The reactions that arise involuntarily in people are purely individual and are well read only with excellent knowledge of the partner. Failure to understand this moment can lead to fatal self-deception in the knowledge of another person.

When assessing personal expression, not only innate differences are taken into account, but also the influence of traditions, upbringing, environment and general life culture. It is desirable to be aware of both the background state (mood) of the individual and his reaction to some emerging stimulus (probe, action, situation).

Much clearer than in men are the present emotions in women, which are usually (although not always) easy to read. Success in hiding their feelings depends on the nature of the person (it is more difficult for a choleric person than for a phlegmatic person), accompanying circumstances (being affected, unexpected) and the experience of the perceiver.

When stimulating personal feelings for greater persuasiveness, all expressive means are usually used in excess. Keep this fact in mind when evaluating other people's sincerity and trying to portray your feelings.

The experiences that arise in the soul of a person are highlighted in his appearance and movements in a quite definite way - this is probably the simplest and least controversial zone. We have found that many people do not understand at all that communication can occur through facial expressions. They never tried to understand how it happens.

During business negotiations, you can observe the widest range of facial expressions: at one extreme - an aggressively tough person who looks at negotiations as a place where you need to "do or die". Such a person usually looks you straight in the eyes, his eyes are wide open, his lips are firmly compressed, his eyebrows are furrowed, and he sometimes even speaks through his teeth, almost without moving his lips. On the other end of the spectrum - someone with infallible manners, an infant gaze from under covered eyelids, a slight veiled smile, peacefully arched eyebrows, without a single crease on the forehead. He is probably a capable and communicative person who believes that collaboration is a dynamic process.

Under the influence of the feelings experienced by the individual, coordinated contractions and relaxation of various facial muscles are born, which determine the facial expression that perfectly reflects the emotions experienced. Since the condition of the facial muscles is easy to learn to control, the display of emotions on the face is often tried to be masked, or even imitated.

Symmetry in the display of feelings on the face usually speaks of the sincerity of a human emotion, while the stronger the fake, the more the facial expressions of its right and left halves differ. Even easily recognizable facial expressions are sometimes very short-lived (fractions of a second) and often go unnoticed; to be able to intercept it takes practice or special training. At the same time, positive emotions (joy, pleasure) are recognized more easily than negative ones (sadness, shame, disgust).

A person's lips are distinguished by a special emotional expressiveness, which is not difficult to read (increased facial expressions or biting lips, for example, indicate anxiety, but a mouth twisted to one side indicates skepticism or ridicule).

A smile on the face tends to show friendliness or a need for approval. A smile for a man is good opportunity show that he is in control of himself in every situation. A woman's smile is much more truthful and more often corresponds to her actual mood. Since smiles reflect different motives, it is advisable not to rely too much on their standard interpretation:

excessive smiling - a need for approval;

a crooked smile is a sign of controlled nervousness;

a smile with raised eyebrows - a willingness to obey;

a smile with lowered eyebrows - a show of superiority;

a smile without lifting the lower eyelids - insincerity;

a smile with constantly widening eyes without closing them is a threat.

Typical facial expressions associated with feelings of emotion are:

joy: the lips are curved and their corners are pulled back, small wrinkles have formed around the eyes;

interest: the eyebrows are slightly raised or lowered, while the eyelids are slightly widened or narrowed;

happiness: the outer corners of the lips are raised and usually laid back, the eyes are calm;

surprise: raised eyebrows form wrinkles on the forehead, while the eyes are widened, and the open mouth has a rounded shape;

disgust: the eyebrows are lowered, the nose is wrinkled, the lower lip is protruding or raised and closed with the upper lip, the eyes seem to squint; the person seems to be choking or spitting;

contempt: eyebrows are raised, your face is pulled, your head is raised, as if a person is looking down at someone; he seems to move away from the interlocutor;

fear: the eyebrows are slightly raised, but have a straight shape, their inner corners are shifted, horizontal wrinkles pass through the forehead, the eyes are widened, and the lower eyelid is tense, and the upper eyelid is slightly raised, the mouth can be open, and its corners are pulled back (an indicator of the intensity of emotion) ; when there is only the mentioned position of the eyebrows, then it is a controlled fear;

anger: the muscles of the forehead are pushed in and down, organizing a threatening or frowning expression of the eyes, the nostrils are dilated, the wings of the nose are raised, the lips are either tightly compressed or pulled back, taking a rectangular shape and exposing clenched teeth, the face often turns red;

shame: the head is down, the face is turned away, the gaze is averted, the eyes are directed downward or "run" from side to side, the eyelids are closed, and sometimes closed; the face is reddened, the pulse is rapid, breathing is intermittent;

grief: the eyebrows are drawn together, the eyes are dull, and outer corners the lips are sometimes somewhat lowered.

Knowing facial expressions for various emotions is useful not only in order to understand others, but also for thoroughly practicing (usually in front of a mirror) your working imitations.

Thus, if facial expressions are the movement of facial muscles, reflecting the internal emotional state of a communication partner, then the mastery of facial expressions is necessary, in fact, for any person, but especially for those who, by the nature of their activities, have numerous contacts with people.

Facial expressions(from others - Greek μῑμέομαι - to imitate) - "expressive movements of the muscles of the face, which are one of the forms of manifestation of certain human feelings" or "movements of the muscles in coordinated complexes reflecting various mental states of a person." “Approximately the same formulation of the latter is given in the Great Soviet Encyclopedia, but instead of“ reflecting ”,“ corresponding to various mental states ”is used. It should be noted that these definitions focus on the reflective function of facial expressions, on its correspondence to the state of the psyche. The physical state of the body, apparently, is combined with the mental, which can hardly be considered fair<...>Besides important element mimicry is a gaze that depends on the size of the pupil, the color of the iris, the luster of the cornea, which are not controlled by somatic muscles. " In the definition of the Great Soviet Encyclopedia, only “feelings” are indicated as part of emotional processes, while it would be more correct to indicate many forms of experiences in the form of “emotional states of a person,” explaining the meaning of the term from a psychophysiological point of view. Among other things, from a pathological point of view, in the definition of the word "facial expressions" it is important to take into account somatic processes, since the face, according to Hippocrates, is the first indicator of the patient's condition by which one can judge the state of health and identify " whole line diseases of internal organs, which causes the appearance of quite peculiar mimes<...>". From an artistic and theatrical point of view, facial expressions are the ability or ability to arbitrarily use such muscle movements, which can be called “the art of expressing feelings and moods<...>"," By gestures, postures and various facial expressions (min). " For example, in the term of the early XX century. from the dictionary foreign words included in the Russian language, edited by Pavlenkov, there was an approximate and incomplete combination of today's definitions of facial expressions, which was as follows:

“Muscle movement corresponding to the work of the brain. But this movement can be made artificially, both to achieve similarity with someone, and for greater expressiveness of the expressed thought (theatrical mimicry). "

In general, "as you can see, the most accurate definition of facial expressions is not yet available." Mimicry refers to expressive movements and is one of the links in the chain of various forms and methods of communication between people, and between representatives of the animal world in biocommunication. At the same time, mimic, including bodily, manifestations are usually called emotional expression, which are considered as the main defining components of emotions. In everyday life, facial expressions are called "language of feelings", facial expression or expression, expression of emotions or simply expressiveness.

Types of facial expressions

1 ... According to I.A. Sikorsky, "it is convenient to divide facial expressions into three groups that correspond to three main mental functions":

· The mind - the muscles surrounding the eyes are witnesses or spokesmen for mental acts;

Will - the muscles surrounding the areas of the mouth, which are associated with acts of will;

· Feelings - nevertheless, in general, the muscles of the face that are capable of expressing feeling.

2 ... Distinguish:

· Involuntary (reflex) everyday facial expressions;

· Voluntary (conscious) facial expressions as an element of acting, which consists of conveying the character's state of mind with expressive movements of the facial muscles. She helps the actor in creating a stage image, in determining psychological characteristics, the physical and mental state of the character.

Mimicry, just like speech, can be used by a person to convey false information (that is, in order to show not those emotions that a person really feels at one time or another).
3 ... Forms of mimic complexes

· Amimia, which is understood as the absence of visible facial expressions; with low mobility, facial expressions speak of hypomimia;

· Intense facial expressions, accompanied by motor skills of a tightly closed mouth with a corresponding tension in the upper part of the face;

· Mimicry of interest, characterized by slight raising or lowering of the eyebrows, slight widening and narrowing of the eyelids, as if to increase the field of view or sharpen the focus of the eyes. Mimicry of interest occurs quite often, since it is determined positive emotion and is a type of motivation in the development of skills, knowledge and intelligence;

· Facial expressions of a smile. Despite the outward simplicity, the facial expressions of a smile are very polymorphic; during normal contact, it is rare. A smile serves to appease or distract from aggressive behavior, manifests itself when greeting.

Emotional facial expression as a subject of facial expressions

The facial expressions of a person, from the point of view of non-verbal psychology, are a very valuable source of information. According to it, we can determine what emotions a person experiences (anger, fear, sadness, grief, disgust, joy, satisfaction, surprise, contempt), as well as the strength of their manifestation. But despite the expressiveness of a person's face, it is it that often misleads us. Nevertheless, the expressiveness, expression or facial expressions and inner experiences of a person are very difficult to separate from each other, which is why his concept includes the following components:

· Designated (designatum) - the main characteristic of the perceived personality;

· Designation - a visual configuration that represents this characteristic;

· Means - physical bases and manifestations (skin, muscles, wrinkles, lines, spots, etc.);

Interpretation - individual characteristics perception, with which it is necessary to be careful and attentive, since from birth we get used to patterns and stereotypes of behavior, where a formal smile or, on the contrary, an expression of sadness becomes a part of everyday life.

Physiognomy Is the science that studies reflection psychological characteristics and the emotions of a person on his face.

V modern world people are increasingly interested in psychology and study books on the study of techniques that help to reveal the inner content of their interlocutor.

The facial expressions, gestures, posture that a person takes during communication, much more accurately convey the real thoughts and feelings of the opponent. Knowing how to read them, you can easily determine what a person is thinking about and how much he is disposed towards you. And if you use the knowledge correctly, you can adjust to the person and get what you want from him.

Psychology of gestures

1.Protection

In case of danger or unwillingness to show his inner state, a person tries to hide from everyone, instinctively closing himself off from the outside world. This can be seen in the arms on the chest or in a toe-to-toe position. When a person assumes such a posture, then there can be no talk of any open feelings, he does not trust his interlocutor and does not want him to climb into his space.

An additional obstacle in communication can be an object that the interlocutor holds in front of him, for example, a folder or paper. He kind of moves away from dialogue, keeps his distance.

Clenched hands into fists indicate the opponent's combat readiness to enter into an open conflict and it is better not to provoke this person.

2. Openness and disposition

These gestures are often used by managers or trainers to instill confidence in the client.

When talking, a person smoothly gestures with his hands, open palms up, or connects his fingers at a short distance from the chest, in the form of a dome. This all speaks about the openness of a person, that he is ready for dialogue, he does not hide anything and wants to finish off the interlocutor's predisposition to himself.

The fact that a person is relaxed at the moment is evidenced by the unbuttoned top buttons on the clothes, the inclination towards the interlocutor during communication.

3. Boredom

Such gestures are aimed at conveying information about the lack of interest in the conversation, and perhaps it's time for you to turn the conversation to another topic, or end it altogether.

Boredom is indicated by shifting from one leg to the other, a hand propping up the head, tapping a foot on the floor, looking at the surroundings.

4. Interest

When showing sympathy for the opposite sex, women, for example, correct their makeup, hairstyle, fingering a lock of hair, swaying their hips when walking, a shine appears in their eyes, a directed long look when talking with an interlocutor.

5. Uncertainty

The doubts of the interlocutor can be said by fingering an object in the hands or fingers between each other, a person rubs his neck, and touches part of his clothes.

6. Lies

Sometimes a person is very confident about something and seems to be like the truth, but intuition tells that there is a catch somewhere. A person, when lying, subconsciously rubs his nose, earlobe, may even close his eyes for a short time. Thus, he himself tries to isolate himself from this information, transmitting signals to you.

Some children close their mouths when they lie, trying to stop the lie. Growing up and gaining experience, they can disguise this gesture with a cough.

Psychology of facial expressions

1. Joy, happiness

The eyebrows are relaxed, the corners of the lips and cheeks are raised, and small wrinkles appear in the corners of the eyes.

2. Irritation, anger

The eyebrows are drawn to the center or down, tense, the mouth is closed, and stretched out in a single straight line. The corners of the lips look down.

3. Contempt

The eyes are slightly squinted, the corner of the mouth is slightly raised on one side, the lips are frozen in a grin.

4. Surprise

The eyes are rounded and slightly bulging, the eyebrows are raised, the mouth is open, as if it wants to say the letter "o".

5. Fear

The eyelids are raised together with the eyebrows, the eyes are wide open.

6. Sadness, grief

An empty look, extinguished. The eyes and eyelids are drooping, wrinkles are formed between the eyebrows, the lips are relaxed, the corners are looking down.

7. Disgust

The upper lip is tense and raised, the eyebrows are almost joined together, the cheeks are slightly raised, the nose is wrinkled.

Of course, this is only a small part of facial expressions, the rest can be independently studied by reading books on physiognomy. Psychology is very interesting science that never ceases to amaze with its discoveries in the study of people.