Like a genius of pure beauty. Analysis of Pushkin's poem “I remember a wonderful moment

I remember wonderful moment:
You appeared before me
Like a fleeting vision
Like a genius pure beauty.

In the languor of hopeless sadness,
In the worries of a noisy bustle,
A gentle voice sounded to me for a long time
And dreamed of cute features.

The years passed. Rebellious gust of storms
Dispelled old dreams
And I forgot your gentle voice
Your heavenly features.

In the wilderness, in the gloom of imprisonment
My days dragged on quietly
No deity, no inspiration
No tears, no life, no love.

Awakening has come to the soul:
And here you are again,
Like a fleeting vision
Like a genius of pure beauty.

And my heart beats in rapture
And for him they were resurrected again
And deity and inspiration,
And life, and tears, and love.

Analysis of the poem "I remember a wonderful moment" by Pushkin

The first lines of the poem "I remember a wonderful moment" are known to almost everyone. This is one of the most famous lyric works Pushkin. The poet was a very amorous person, and he dedicated many of his poems to women. In 1819 he met A.P. Kern, who at long time captured his imagination. In 1825, during the poet's exile in Mikhailovsky, the second meeting of the poet with Kern took place. Under the influence of this unexpected meeting, Pushkin wrote the poem "I remember a wonderful moment."

The short work is an example of a poetic declaration of love. In just a few stanzas, Pushkin unfolds before the reader a long history of his relationship with Kern. The expression "genius of pure beauty" very succinctly characterizes the enthusiastic admiration for a woman. The poet fell in love at first sight, but Kern during the first meeting was married and could not respond to the poet's courtship. Image beautiful woman haunts the author. But fate separates Pushkin from Kern for several years. These turbulent years erase "cute features" from the poet's memory.

In the poem "I remember a wonderful moment" Pushkin shows himself to be a great master of words. He had an amazing ability to say infinitely many things in just a few lines. In a small verse, a gap of several years appears before us. Despite the conciseness and simplicity of the syllable, the author conveys to the reader the changes in his emotional mood, allows him to experience joy and sadness with him.

The poem is written in the genre of pure love lyrics... The emotional impact is enhanced by lexical repetitions of several phrases. Their precise arrangement gives the piece its uniqueness and grace.

The creative heritage of the great Alexander Sergeevich Pushkin is enormous. “I remember a wonderful moment” is one of the most expensive pearls of this treasure.

Pushkin was a passionate, addicted person. He was attracted not only by revolutionary romance, but also by female beauty. To read the verse “I remember a wonderful moment” by Alexander Sergeevich Pushkin means to experience the excitement of beautiful romantic love with him.

Regarding the history of the creation of the poem, written in 1825, the opinions of researchers of the work of the great Russian poet were divided. The official version says that the “genius of pure beauty” was A.P. Kern. But some literary scholars believe that the work was dedicated to the wife of Emperor Alexander I, Elizaveta Alekseevna, and is of a chamber character.

With Anna Petrovna Kern Pushkin met in 1819. He instantly fell in love with her and for many years kept in his heart the image that struck him. Six years later, while serving his sentence in Mikhailovsky, Alexander Sergeevich met again with Kern. She was already divorced and led a fairly free lifestyle for the 19th century. But for Pushkin, Anna Petrovna continued to remain a kind of ideal, a model of piety. Unfortunately, for Kern, Alexander Sergeevich was only a fashionable poet. After a fleeting romance, she did not behave properly and, as Pushkin scholars believe, forced the poet to devote the poem to herself.

The text of Pushkin's poem “I remember a wonderful moment” is conventionally divided into 3 parts. In the title stanza, the author enthusiastically tells about the first meeting with an amazing woman. Delighted, in love at first sight, the author wonders if this is a girl, or a “fleeting vision” that is about to disappear? The main theme works is romantic love. Strong, deep, it absorbs Pushkin completely.

The next three stanzas deal with the expulsion of the author. This is a difficult time of “languishing hopeless sadness”, parting with former ideals, a collision with the harsh truth of life. Pushkin of the 1920s is a passionate fighter who sympathizes with revolutionary ideals and writes anti-government poems. After the death of the Decembrists, his life definitely freezes, loses its meaning.

But then Pushkin again meets his former love, which seems to him a gift from fate. Youthful feelings flare up with new strength, the lyrical hero definitely wakes up from hibernation, feels the desire to live and create.

The poem is held at a literature lesson in grade 8. Learning it is easy enough, because at this age many experience first love and the poet's words resonate in their hearts. You can read the poem online or download it on our website.

I remember a wonderful moment:
You appeared before me
Like a fleeting vision
Like a genius of pure beauty.

In the languor of hopeless sadness
In the worries of a noisy bustle,
A gentle voice sounded to me for a long time
And dreamed of cute features.

The years passed. Rebellious gust of storms
Dispelled old dreams
And I forgot your gentle voice
Your heavenly features.

In the wilderness, in the gloom of imprisonment
My days dragged on quietly
No deity, no inspiration
No tears, no life, no love.

Awakening has come to the soul:
And here you are again,
Like a fleeting vision
Like a genius of pure beauty.

And my heart beats in rapture
And for him they were resurrected again
And deity and inspiration,
And life, and tears, and love.

A.S. Pushkin, like any poet, was very sensitive to the feeling of love. All his experiences, sensations poured out on a sheet of paper in wonderful verses. All facets of feeling can be seen in his lyrics. The work "I remember a wonderful moment" can be called a textbook example of the poet's love lyrics. Probably, every person can easily recite at least the first quatrain of the famous poem by heart.

In fact, the poem "I remember a wonderful moment" is a story of one love. Poet in beautiful form conveyed his feelings about several meetings, in this case about two of the most significant, was able to touchingly and sublimely convey the image of the heroine.

The poem was written in 1825, and in 1827 it was published in the almanac "Northern Flowers". The publication was carried out by a friend of the poet - A. A. Delvig.

In addition, after the publication of the work of A.S. Pushkin, various musical interpretations of the poem began to appear. So, in 1839 M.I. Glinka created the romance "I remember a wonderful moment ..." on the verses of A.S. Pushkin. The reason for writing the romance was Glinka's meeting with Anna Kern's daughter, Catherine.

Who is it dedicated to?

The poem by A.S. Pushkin to the niece of the President of the Academy of Arts Olenin - Anna Kern. For the first time, the poet saw Anna in Olenin's house in St. Petersburg. This was in 1819. At that time, Anna Kern was married to a general and did not pay attention to the young graduate Tsarskoye Selo Lyceum... But that same graduate was fascinated by the beauty of the young woman.

The second meeting of the poet with Kern happened in 1825, it was this meeting that prompted the writing of the work "I remember a wonderful moment." Then the poet was in exile in the village of Mikhailovskoye, and Anna came to the neighboring estate of Trigorskoye. They were having fun and carefree time. Later, Anna Kern and Pushkin had more friendly relations. But those moments of happiness and delight were forever imprinted in the lines of Pushkin's work.

Genre, size, direction

The work belongs to love lyrics. The author reveals the feelings and emotions of the lyrical hero, who recalls the best moments of his life. And they are associated with the image of the beloved.

By genre, this is a love message. “… You appeared in front of me…” - the hero turns to his “genius of pure beauty”, she became a consolation and happiness for him.

For this work, A.S. Pushkin chooses iambic pentameter and cross-type rhyme. With the help of these means, a sense of the story is conveyed. We seem to see and hear a lyric hero who is leisurely telling his story.

Composition

The circular composition of the piece is based on an antithesis. The poem is divided into six quatrains.

The first quatrain tells about a "wonderful moment" when the hero first saw the heroine.
Then, in contrast, the author draws hard, gray days without love, when the image of his beloved gradually began to fade from memory.
But in the finale, the heroine appears to him again. Then "life, tears, and love" resurrect in his soul again.

Thus, the work is framed by two wonderful encounters of heroes, a moment of charm and enlightenment.

Images and symbols

The lyrical hero in the poem "I remember a wonderful moment ..." represents a person whose life changes as soon as an invisible feeling of attraction to a woman appears in his soul. The hero does not live without this feeling, he exists. Only beautiful image pure beauty can fill his being with meaning.

All sorts of symbols are encountered in the work. For example, the image-symbol of the storm, as the personification of everyday adversity, of everything that had to be experienced lyric hero... The image-symbol "the darkness of confinement" refers us to the real basis of this poem. We understand that it is talking about the link of the poet himself.

And the main symbol is the "genius of pure beauty." This is something incorporeal, beautiful. Thus, the hero elevates and spiritualizes the image of the beloved. Before us is not a simple earthly woman, but a divine being.

Topics and problems

The central theme in the poem is love. This feeling helps the hero live and survive in his harsh days. In addition, the theme of love is closely related to the theme of creativity. It is the excitement of the heart that awakens inspiration in the poet. The author can create when all-consuming emotions bloom in his soul.
Also A.S. Pushkin, as a real psychologist, very accurately describes the state of the hero at different periods of his life. We see how strikingly contrasting are the images of the narrator at the time of the meeting with the "genius of pure beauty" and at the time of his imprisonment in the wilderness. It's like two completely different people.
In addition, the author raised the issue of non-freedom. He describes not only his physical bondage in exile, but also his inner prison, when a person closes in on himself, fencing himself off from the world of emotions and bright colors. That is why those days in loneliness and melancholy became an imprisonment for the poet in every sense.
The problem of separation appears to the reader as an inevitable but bitter tragedy. Life circumstances are often the cause of a break, which painfully hits the nerves, and then hides in the depths of memory. The hero even lost the bright memory of his beloved, because the realization of the loss was unbearable.

Idea

The main idea of the poem is that a person cannot live fully if his heart is deaf and his soul is asleep. Only when you open yourself to love, its passions, you can truly feel this life.

The meaning of the work is that just one small, even insignificant event for those around you can completely change you, your psychological portrait. And if you change yourself, then your attitude to the world around you also changes. This means that one moment is capable of changing your world, both external and internal. You just need not to miss it, not to lose it in the hustle and bustle of days.

Means of artistic expression

In his poem A.S. Pushkin uses a variety of paths. For example, to convey the hero's state more vividly, the author uses the following epithets: “wonderful moment”, “hopeless sadness”, “gentle voice”, “heavenly features”, “noisy vanity”.

We meet in the text of the work and comparisons, so already in the first quatrain we see that the appearance of the heroine is compared with a fleeting vision, and she herself - with a genius of pure beauty. The metaphor “storms, a rebellious gust dispelled the old dreams,” emphasizes how time uncharacteristically takes away from the hero his only consolation - the image of his beloved.

So, beautifully and poetically, A.S. Pushkin was able to tell his love story, unnoticed by many, but dear to him.

Interesting? Keep it on your wall!

Anna Kern: Life in the name of love Sysoev Vladimir Ivanovich

"GENIUS OF PURE BEAUTY"

“The next day I had to leave for Riga together with my sister Anna Nikolaevna Wulf. He came in the morning and, at parting, brought me a copy of the second chapter of Onegin (30), in uncut sheets, between which I found a fourfold folded piece of paper with verses:

I remember a wonderful moment;

You appeared before me

Like a fleeting vision

Like a genius of pure beauty.

In the languor of hopeless sadness,

In the worries of a noisy bustle,

And dreamed of cute features.

The years passed. Rebellious gust of storms

Dispelled old dreams

Your heavenly features.

In the wilderness, in the gloom of imprisonment

My days dragged on quietly

No deity, no inspiration

No tears, no life, no love.

Awakening has come to the soul:

And here you are again,

Like a fleeting vision

Like a genius of pure beauty.

And my heart beats in rapture

And for him they were resurrected again

And deity and inspiration,

And life, and tears, and love!

When I was going to hide a poetic gift in the box, he looked at me for a long time, then frantically snatched it out and did not want to return it; I begged them again by force; what flashed through his head then, I don’t know. ”

What feelings did the poet possess then? Embarrassment? Excitement? Perhaps doubt or even remorse?

Was this poem the result of an instant fascination - or a poetic insight? The mystery of genius is great ... Just a harmonious combination of several words, and when they sound in our imagination, a light female image, full of enchanting charm, immediately appears, as if materializing from the air ... A poetic love message to eternity ...

Many literary scholars have subjected this poem to the most thorough analysis. Disputes about different options its interpretations, which began at the dawn of the twentieth century, are still under way, and are likely to continue.

Some researchers of Pushkin's work consider this poem to be just a mischievous joke of the poet, who decided to create a masterpiece of love lyrics from only the clichés of Russian romantic poetry of the first third of the 19th century. Indeed, out of one hundred and three of his words, more than sixty are worn out platitudes ("gentle voice", "rebellious impulse", "deity", "heavenly features", "inspiration", "heart beats in rapture", etc.). Let's not take this view of a masterpiece seriously.

According to the majority of Pushkin scholars, the expression "genius of pure beauty" is an open quote from the poem "Lalla-Rook" by V. A. Zhukovsky:

Oh! Does not dwell with us

The genius of pure beauty;

Only sometimes he visits

Us from heavenly heights;

He is hasty like a dream,

Like an airy morning dream;

And in holy remembrance

He is not separated from his heart!

He is only in pure moments

Being comes to us

And brings revelations

Beneficial to hearts.

For Zhukovsky, this phrase was associated with a whole series of symbolic images - a ghostly heavenly vision, "hasty like a dream", with symbols of hope and sleep, with the theme of "pure moments of being", tearing the heart away from the "dark earthly realm", with the theme of inspiration and revelations of the soul.

But Pushkin probably did not know this poem. Written for the holiday given in Berlin on January 15, 1821 by King Frederick of Prussia on the occasion of the arrival from Russia of his daughter Alexandra Feodorovna, the wife of Grand Duke Nikolai Pavlovich, it appeared in print only in 1828. Zhukovsky did not send it to Pushkin.

However, all the images symbolically concentrated in the phrase "genius of pure beauty" again appear in Zhukovsky's poem "I used to be a young muse" (1823), but in a different expressive atmosphere - the expectation of the "gift-giver of chants", longing for the genius of pure beauty - with the twinkling of his star.

I used to be a young muse

I met in the sublunary side,

And inspiration flew

From heaven, uninvited, to me;

All earthly was directed

It is a life-giving ray

And for me at that time it was

Life and Poetry are one.

But the giver of chants

Haven't visited me for a long time;

His welcome return

Should I wait when again?

Or forever my loss

And forever will the harp not sound?

But everything from beautiful times,

When he was available to me,

Everything from sweet, dark, clear

I saved the days gone by -

Flowers of a secluded dream

And life best flowers, -

I put on your sacred altar,

O Genius of pure beauty!

Zhukovsky provided the symbolism associated with the "genius of pure beauty" with his commentary. It is based on the concept of beauty. “The beautiful ... has no name or image; it visits us in the best moments of our life ”; “It appears to us only for minutes, in order to be the only one for us to express itself, to revive us, to elevate our soul”; “Only that which is not beautiful is beautiful… The beautiful is associated with sadness, with the striving“ for something better, secret, distant, which is connected with it and that exists for you somewhere. And this striving is one of the most ineffable proofs of the immortality of the soul. "

But, most likely, as the famous philologist Academician V.V. Vinogradov first noted in the 1930s, the image of the "genius of pure beauty" arose in Pushkin's poetic imagination at that time not so much in direct connection with Zhukovsky's poem "Lalla-Ruk" or "I used to be a young Muse," how much under the impression of his article "Raphael's Madonna (From a letter about the Dresden Gallery)", printed in the "Polar Star for 1824" and reproducing the legend widespread at that time about the creation of the famous painting "Sistine Madonna": “They say that Raphael, having pulled his canvas for this picture, did not know for a long time what would be on it: inspiration did not come. One day he fell asleep with the thought of Madonna, and surely some angel woke him up. He jumped up: she is here, shouting, he pointed to the canvas and drew the first drawing. And in fact, this is not a picture, but a vision: the longer you look, the more vividly you become convinced that something unnatural is happening in front of you ... Here the painter's soul ... with amazing simplicity and ease, conveyed to the canvas the miracle that took place in its insides ... I ... clearly began to feel that the soul was spreading ... It was where only in the best moments of life could it be.

The genius of pure beauty was with her:

He is only in pure moments

Being flies to us

And brings us visions

Inaccessible to dreams.

... And it just comes to the idea that this picture was born at the moment of a miracle: the curtain opened up, and the secret of the sky was revealed to the eyes of man ... Everything, and the air itself, turns into a pure angel in the presence of this heavenly, passing maiden. "

The almanac "Polar Star" with Zhukovsky's article was brought to Mikhailovskoye by AA Delvig in April 1825, shortly before Anna Kern's arrival in Trigorskoye, and after reading this article, the image of Madonna firmly established itself in Pushkin's poetic imagination.

"But Pushkin was alien to the moral and mystical basis of this symbolism," Vinogradov declares. - In the poem "I remember a wonderful moment" Pushkin used the symbolism of Zhukovsky, bringing it down from heaven to earth, depriving it of its religious and mystical foundation ...

Pushkin, merging the image of a beloved woman with the image of poetry and preserving most of Zhukovsky's symbols, except for religious and mystical

Your heavenly features ...

My days dragged on quietly

Without a deity, without inspiration ...

And for him they were resurrected again

Both deity and inspiration ...

builds from this material not only a work of a new rhythmic and figurative composition, but also a different semantic resolution, alien to the ideological and symbolic concept of Zhukovsky. "

We must not forget that Vinogradov made such a statement in 1934. It was a period of widespread anti-religious propaganda and the triumph of the materialist view of the development of human society. For another half century, Soviet literary critics did not touch on the religious theme in the work of A.S. Pushkin.

The lines “in the silence of hopeless sadness”, “in the distance, in the darkness of confinement” are very consonant with EA Baratynsky’s “Ede”; Some rhymes Pushkin borrowed from himself - from Tatyana's letter to Onegin:

And at this very moment

Is it not you, dear vision ...

And there is nothing surprising here - Pushkin's work is full of literary reminiscences and even direct quotations; however, using the lines he liked, the poet transformed them beyond recognition.

According to the outstanding Russian philologist and Pushkin scholar B.V. Tomashevsky, this poem, despite the fact that it paints an idealized female image, is undoubtedly associated with A.P. Kern. “It’s not for nothing that the very title“ K *** ”is addressed to the beloved woman, even if she is depicted in a generalized image of an ideal woman.”

This is indicated by the list of poems of 1816-1827 compiled by Pushkin himself (it was preserved among his papers), which the poet did not include in the 1826 edition, but intended to include in his two-volume collection of poems (it was published in 1829). The poem "I remember a wonderful moment ..." here has the title "To AP K [ern], directly indicating the one to whom it is dedicated.

NL Stepanov, Doctor of Philology, outlined the interpretation of this work, which was formed in the times of Pushkin and which has become a textbook: “Pushkin, as always, is extremely accurate in his poems. But, conveying the actual side of his meetings with Kern, he creates a work that reveals the inner world of the poet himself. In the quiet of Mikhailov's solitude, the meeting with AP Kern evoked in the exiled poet both memories of the recent storms of his life, and regret for the lost freedom, and the joy of meeting that transformed his monotonous everyday life, and, above all, the joy of poetry. "

Another researcher, E. A. Maimin, especially noted the musicality of the poem: “It is like a musical composition, given both by real events in Pushkin's life and by the ideal image of the 'genius of pure beauty' borrowed from Zhukovsky's poetry. The well-known ideality in the solution of the theme does not, however, negate the living spontaneity in the sound of the poem and in its perception. This sense of lively immediacy comes not so much from the plot as from the captivating, one-of-a-kind music of words. There is a lot of music in the poem: melodious, lasting in time, lingering music of verse, music of feeling. And as in music, in the poem there appears not a direct, not tangibly tangible image of the beloved, but the image of love itself. The poem is based on musical variations of a limited range of images-motives: a wonderful moment - a genius of pure beauty - deity - inspiration. By themselves, these images do not contain anything immediate, concrete. All this is from the world of abstract and lofty concepts. But in general musical arrangement poems they become living concepts, living images. "

Professor B. P. Gorodetsky wrote in his academic edition “Lyrics of Pushkin”: “The mystery of this poem is that everything we know about the personality of A. is able to evoke in the poet's soul a feeling that has become the basis of an inexpressibly beautiful work of art, in no way and in no way brings us closer to comprehending the mystery of art that makes this poem typical for a great variety of similar situations and is able to ennoble and ennoble the beauty of feeling million people ...

The sudden and short-term appearance of a "fleeting vision" in the image of a "genius of pure beauty" flashed among the darkness of confinement, when the poet's days dragged on "without tears, without life, without love", could revive in his soul "both deity and inspiration, / And life, and tears, and love ”only in the case when all this had already been experienced by him earlier. Experiences of this kind took place in the first period of Pushkin's exile - they created that spiritual experience, without which the subsequent appearance of Farewell and such stunning penetrations into the depths of the human spirit as The Conjuration and For the Shores of the Fatherland was inconceivable. distant ". They also created that emotional experience, without which the poem "I remember a wonderful moment" could not appear.

All this should not be understood too simplistically, in the sense that for the creation of the poem, the real image of A.P. Kern and Pushkin's attitude towards her were of little importance. Without them, of course, there would be no poem. But the poem in the form in which it exists would not have existed even if the meeting with A.P. Kern had not been preceded by Pushkin's past and the whole difficult experience of his exile. The real image of A.P. Kern, as it were, resurrected the poet's soul again, revealed to him the beauty of not only the irrevocably gone past, but also the present, which is directly and precisely stated in the poem:

Awakening has come to the soul.

That is why the problem of the poem "I remember a wonderful moment" should be solved, as if turning it the other way: it was not an accidental meeting with A.P. Kern that awakened the poet's soul and made the past come to life in a new beauty, forces of the poet, which began a little earlier, completely determined and all the main characteristic features and internal content of the poem, caused by a meeting with AP Kern. "

Literary critic A.I.Beletsky more than 50 years ago for the first time timidly expressed the idea that the main character this poem is not a woman at all, but poetic inspiration. “Quite secondary,” he wrote, “we see the question of the name real woman, which was then ascended to the height of a poetic creation, where its real features disappeared, and she herself became a generalization, a rhythmically ordered verbal expression of some general aesthetic idea ... The theme of love in this poem is clearly subordinated to another, philosophical and psychological theme, and its main theme is the theme O different states inner peace poet in the relationship of this world with reality ”.

Professor MV Stroganov went farthest in identifying the image of the Madonna and the "genius of pure beauty" in this poem with the personality of Anna Kern: "The poem" I remember a wonderful moment ... "was written, obviously, in one night - from 18 to 19 July 1825, after a joint walk of Pushkin, Kern and Wulfs in Mikhailovskoye and on the eve of Kern's departure to Riga. During the walk, Pushkin, according to Kern's recollections, talked about their “first meeting with the Olenins, expressed himself enthusiastically about her, and at the end of the conversation said:<…>... You looked like such an innocent girl ... “All this is included in the memory of the“ wonderful moment ”, to which the first stanza of the poem is dedicated: both the very first meeting, and the image of Kern -“ an innocent girl ”(virginal). But this word - virginal - means in French and the Mother of God, Virgin virgin... This is how an involuntary comparison takes place: “like a genius of pure beauty”. And the next morning Pushkin brought Kern a poem ... The morning turned out to be wiser than the evening. Something confused Pushkin in Kern when he passed on his poems to her. Apparently, he doubted: could she be this ideal model? Will she appear to them? - And he wanted to take away the poems. Failed to pick up, and Kern (precisely because she was not that kind of woman) printed them in Delvig's almanac. All subsequent "obscene" correspondence between Pushkin and Kern can obviously be considered as a psychological revenge on the addressee of the poem for his excessive haste and sublimity of the message. "

Considering this poem in the 1980s from a religious-philosophical point of view, the literary critic S. A. Fomichev saw in it a reflection of episodes not so much of the poet's real biography as of the biography of the inner, "three consecutive states of the soul." It was from this time that a pronounced philosophical view of this work was outlined. Doctor of Philology V. P. Sin-nev, proceeding from the metaphysical ideas of the Pushkin era, which interpreted man as a “small universe”, arranged according to the law of the entire universe: a three-hypostatic, God-like being in the unity of the earthly shell (“body”), “ soul "and" divine spirit ", saw in Pushkin's" wonderful moment "" an all-encompassing concept of being "and, in general," all of Pushkin. " Nevertheless, both researchers recognized the "living conditionality of the lyrical beginning of the poem as a real source of inspiration" in the person of A.P. Kern.

Professor Yu. N. Chumakov turned not to the content of the poem, but to its form, specifically to the spatio-temporal development of the plot. He argued that "the meaning of the poem is inseparable from the form of its expression ..." and that "form" as such "itself ... acts as a content ...". According to L. A. Perfilieva, the author of the most recent commentary on this poem, Chumakov "saw in the poem the timeless and endless cosmic rotation of the independent Pushkin Universe, created by the inspiration and creative will of the poet."

Another researcher of Pushkin's poetic heritage, SN Broitman, revealed in this poem "the linear infinity of semantic perspective." The same LA Perfilieva, having carefully studied his article, stated: “Having singled out“ two systems of meanings, two plot-shaped series ”, he admits their“ probable plurality ”; as an important component of the plot, the researcher assumes “providence” (31) ”.

Now let's get acquainted with a rather original point of view of L.A. Perfilieva herself, which is also based on a metaphysical approach to considering this and many other works of Pushkin.

Abstracting from the personality of A.P. Kern as the inspirer of the poet and the addressee of this poem and from biographical realities in general, and proceeding from the fact that the main quotations of Pushkin's poem are borrowed from the poetry of V.A. like other images of his romantic works) appears as an unearthly and immaterial substance: "ghost", "vision", "dream", "sweet dream", the researcher claims that Pushkin "Genius of pure beauty" appears in its metaphysical reality "the messenger of Heaven" as a mysterious mediator between the author's "I" of the poet and some otherworldly, higher essence - "deity". She believes that the author's "I" in the poem means the Soul of the poet. BUT "Fleeting vision" To the poet's soul "Genius of pure beauty"- this is the "moment of Truth", the divine Revelation, which in an instant flash illuminates and permeates the Soul with the grace of the divine Spirit. IN "Languor of hopeless sadness" Perfilieva sees the painfulness of the soul's being in the bodily shell, in the phrase "A gentle voice sounded to me for a long time"- the archetypal, primary memory of the soul about Heaven. The next two stanzas "describe Being as such, marked by a tedious duration for the soul." Between the fourth and fifth stanzas, providence or "Divine Verb" is invisibly manifested, as a result of which "Awakening has come to the soul." It is here, in the interval of these stanzas, that “an invisible point is placed, which creates the inner symmetry of the cyclically closed composition of the poem. At the same time, it is a turning point-return point, from which the “space-time” of Pushkin's little Universe suddenly turns, starting to flow towards itself, returning from earthly reality to the heavenly ideal. The awakened soul regains the ability to perceive deities. And this is the act of her second birth - a return to the divine principle - "Resurrection".<…>This is the acquisition of Truth and the return to Paradise ...

Strengthening the sound of the last stanza of the poem marks the fullness of Being, the triumph of the restored harmony of the "small universe" - the body, soul and spirit of a person in general or personally of the poet-author himself, that is, "all of Pushkin."

Summing up his analysis of Pushkin's work, Perfilieva suggests that, “regardless of the role that A. according to the author of the article, dedicated to the nature of inspiration), "The Prophet" (dedicated to the providence of poetic creativity) and "I have erected a monument to myself not made by hands ..." (dedicated to the incorruptibility of spiritual heritage). Among them, “I remember a wonderful moment ...” is indeed, as already noted, a poem about “the fullness of Being” and about the dialectic of the human soul; and about “man in general”, as about the Small Universe, arranged according to the laws of the universe ”.

Seemingly foreseeing the possibility of such a purely philosophical interpretation of Pushkin's lines, the already mentioned N.L.Stepanov wrote: “In this interpretation, Pushkin's poem loses its vital concreteness, that sensual and emotional beginning that so enriches Pushkin's images, gives them an earthly, realistic character ... After all, if we abandon these specific biographical associations, from the biographical subtext of the poem, then the images of Pushkin will lose their vital content, turn into conditionally romantic symbols, meaning only the theme of the poet's creative inspiration. Then we can replace Pushkin with Zhukovsky with his abstract symbol of the “genius of pure beauty”. This will deplete the realism of the poet's poem, it will lose those colors and shades that are so important for Pushkin's lyrics... The strength and pathos of Pushkin's creativity is in the fusion, in the unity of the abstract and the real. "

But even using the most complex literary and philosophical constructions, it is difficult to dispute the assertion of N. I. Chernyaev, made 75 years after the creation of this masterpiece: “With his message“ To *** ”Pushkin immortalized her (A. V.S.) just as Petrarch immortalized Laura and Dante immortalized Beatrice. Centuries will pass, and when many historical events and historical figures are forgotten, the personality and fate of Kern, as the inspirer of Pushkin's muse, will arouse great interest, cause controversy, speculation and be reproduced by novelists, playwrights, painters. "

From the book Wolf Messing. The drama of the life of the great hypnotist author Dimova Nadezhda

100 thousand - on a clean piece of paper The next day came, and our hero was again before the gaze of the sublime. This time the owner was not alone: a plump man with a long gristly nose and in pince-nez was sitting next to him. “Well, Wolf, let's continue. I heard you are good at

From the book Secrets of the Mint. Essays on the history of counterfeiting from ancient times to the present day author Polish Mr

LONE "GENIUS" In one of the US art galleries, you can see nothing, in essence, an unremarkable picture. A family is sitting at the table: husband, wife and daughter, and next to the table is the face of a servant boy. The family decorously drinks tea, and the husband keeps in right hand in Moscow, like a saucer, a cup. Have

From the book Directing Lessons by K. S. Stanislavsky the author Gorchakov Nikolay Mikhailovich

A PLAY ABOUT GENIUS The last time I met with Konstantin Sergeevich, as a leader new production, while working on the play by MA Bulgakov "Moliere" .M. A. Bulgakov wrote this play and gave it to the theater in 1931. The theater began work on it in 1934. The play tells about

From book Everyday life Russian special forces the author Degtyareva Irina Vladimirovna

On clean water Police Colonel Alexei Vladimirovich Kuzmin served in the RUBOP SOBR in the Moscow region from 1995 to 2002, was a squad leader. In 2002, Kuzmin headed the OMON in air and water transport. In 2004, Vladimir Alekseevich was appointed head

From the book of 100 great originals and eccentrics the author

Geniuses-originals Geniuses that went beyond the ordinary often look eccentric and originals. Cesare Lombroso, who has already been discussed, made a radical conclusion:

From the book of Revelation the author Klimov Grigory Petrovich

From the book Vernadsky the author Balandin Rudolf Konstantinovich

Genes and geniuses Why are some people endowed with a sharp mind, subtle intuition, inspiration? Is this a special gift inherited from ancestors in much the same way as grandfather's nose and mother's eyes are inherited? The result of hard work? A game of chance raising someone higher than others, like

From the book of Writings the author Lutskiy Semyon Abramovich

"Creators of arts and geniuses of science ..." Creators of arts and geniuses of science, Chosen One among earthly tribes, you have lived the prescribed torment, you - in the memory of the people's Pantheon ... But there is another ... It is terrible between houses. I went there, depressed and confused ... The path to immortality, it is lined with ends And

From the book Light Burden the author Kissin Samuil Viktorovich

"With pure love for the Bridegroom ..." With pure love for the Bridegroom, a host of girlfriends shine with an eternal robe. - I will lean towards your head, My earthly unforgotten friend. The breeze - my breath - is quieter It blows around my beloved brow. Perhaps Edmond in a dream will hear Tu that he lives, like

From the book Our enamored Pushkin the author Egorova Elena Nikolaevna

The image of a "genius of pure beauty" Meeting with Anna, the awakened tender feeling for her inspired the poet to write a poem that crowned his long-term creative search on the theme of soul revival under the influence of the phenomenon of beauty and love. He went to this from a young age, writing poetry

From the book "Shelter of Thoughtful Dryads" [Pushkin Estate and Parks] the author Egorova Elena Nikolaevna

From the book They say that they've been here ... Celebrities in Chelyabinsk the author God Ekaterina Vladimirovna

From prodigies to genius The future composer was born on April 11, 1891 in Ukraine, in the village of Sontsovka, Yekaterinoslavskaya province (now the village of Krasnoe, Donetsk region). His father, Sergei Alekseevich, was an agronomist from the small landed nobility, and his mother, Maria Grigorievna (nee

From the book Artists in the Mirror of Medicine author Neumayr Anton

PSYCHOPATHIC FEATURES IN THE GENIUS OF GOYA Literature about Goya is extremely extensive in scope, but it only covers well the issues related exclusively to the aesthetics of his work and his contribution to the history of the development of art. The biography of the artist is more or less

From the book of Bach the author Vetlugina Anna Mikhailovna

Chapter first. WHERE GENIUS GROWS The history of the Bach family is closely connected with Thuringia. This area in the center of Germany has an amazing cultural richness and diversity. "Where else in Germany can you find so much good in such a tiny patch?" - said

From the book of Sophia Loren the author Nadezhdin Nikolay Yakovlevich

79. Geniuses Joke There are a lot of characters in Altman's film, but the number of actors is much smaller. The fact is that fashion figures, like many actors, do not play in this picture. They have no roles - they act as ... themselves. In the cinema, this is called "cameo" - the appearance

From the book by Henry Miller. Full-length portrait. author Brassai

“Autobiography is pure water novel "At first, Miller's free treatment of facts confused me, even shocked me. And not just me. Hen Van Gelre, Dutch writer, passionate admirer of Miller's work, who has been publishing the International Henry Miller for many years

I remember a wonderful moment:
You appeared before me
Like a fleeting vision
Like a genius of pure beauty.

In the languor of hopeless sadness,
In the worries of a noisy bustle,
A gentle voice sounded to me for a long time
And dreamed of cute features.

The years passed. Rebellious gust of storms
Dispelled old dreams
And I forgot your gentle voice
Your heavenly features.

In the wilderness, in the gloom of imprisonment
My days dragged on quietly
No deity, no inspiration
No tears, no life, no love.

Awakening has come to the soul:
And here you are again,
Like a fleeting vision
Like a genius of pure beauty.

And my heart beats in rapture
And for him they were resurrected again
And deity and inspiration,
And life, and tears, and love.

Analysis of the poem "I remember a wonderful moment" by Pushkin

The first lines of the poem "I remember a wonderful moment" are known to almost everyone. This is one of the most famous lyric works of Pushkin. The poet was a very amorous person, and he dedicated many of his poems to women. In 1819 he met A.P. Kern, who captured his imagination for a long time. In 1825, during the poet's exile in Mikhailovsky, the second meeting of the poet with Kern took place. Under the influence of this unexpected meeting, Pushkin wrote the poem "I remember a wonderful moment."

The short work is an example of a poetic declaration of love. In just a few stanzas, Pushkin unfolds before the reader a long history of his relationship with Kern. The expression "genius of pure beauty" very succinctly characterizes the enthusiastic admiration for a woman. The poet fell in love at first sight, but Kern during the first meeting was married and could not respond to the poet's courtship. The image of a beautiful woman haunts the author. But fate separates Pushkin from Kern for several years. These turbulent years erase "cute features" from the poet's memory.

The poem is written in the genre of pure love lyrics. The emotional impact is enhanced by lexical repetitions of several phrases. Their precise arrangement gives the piece its uniqueness and grace.

The creative heritage of the great Alexander Sergeevich Pushkin is enormous. “I remember a wonderful moment” is one of the most expensive pearls of this treasure.