A. Blok wrote this work in 1902. This time of the author's life is characterized by an upsurge, the cause of which was falling in love with L.D. Mendeleev, the future wife of the writer.

Also during this period, Blok was widely fascinated by the philosophy of V. Solovyov. According to his philosophical ideas, love is a sure means to eradicate selfishness within oneself. Having fallen in love with a woman, a person comprehends her essence, nature, given by God, which in turn leads to high love for the whole world.

Similar ideas, to one degree or another, are reflected in the work “I enter into dark temples…». Main character in love with an earthly woman. All his thoughts are permeated with the desired knowledge of the broad female soul, comprehension of the harmony of this world, merging with it. Spiritual lyrics are mixed in the lines with love lyrics, creating an amazing contrast.

Metaphor is the main means of expression in a poem. "Dark Temples" is love, attitude lyrical hero to the feelings he is experiencing. Darkness means the unknown, temples - mystery and divine value.

The poem is riddled with doubts of the hero. He is not sure about the reciprocal feelings of the woman he loves. However, he knows for sure that it is she who is his muse and goddess:

And he looks into my face, illumined,
Only an image, only a dream about Her.

The use of the epithet "illumined" shows the reader that she is the ultimate dream of the protagonist, his sun, to which he aspires.

At first, the hero is embarrassed by the femininity and harmony that the “Magnificent Eternal Wife” personifies, but later he finds special sensitivity and pleasure in this. He likes to be involved in such a creation of nature ("I'm used to these robes"). Now the former embarrassment is no more, the hero is open to "smiles, fairy tales and dreams", dreams of a beautiful lady.

The end of the poem sums up the thoughts of the hero in love. He finally comprehends the high nature of his goddess: "Oh, Holy One, how gentle are the candles, How delightful are Your features!"

Summing up, we can distinguish several parts in the work: the introductory part, the reflections of the hero and the final part.

The poem itself is written in a lively, sensual language, filled with means artistic expressiveness(epithets "poor rite", "Beautiful Lady", mataphors such as "smiles run"). Exclamations convey the emotions of the hero, his hopes and expectations.

In conclusion, we can say that this is one of the most striking poems by A. Blok. In it, the author shows love as a fusion of spiritual experiences of two people, as a source of salvation for the world, love for God.

Analysis of Blok's poem I enter dark temples No. 2

Today we will talk about the poem by Blok Alexander Alexandrovich "I enter the dark temples." Alexander Alexandrovich is one of the most famous poets of the 20th century. I would also like to note that the poetry of the Golden Age is beautiful, but the poetry of the 20th century is more understandable for modern man it is closer, in my opinion, the poetry of the 20th century is the golden mean, the poetry of the 21st century is not yet fully formed, and the poetry of the Golden Age does not always raise problems that are understandable to us.

Alexander Alexandrovich Blok interesting person and a unique poet. His unique handwriting can be recognized immediately, a slightly knocked down reef and unique means of expression, of course deep meaning, and our poem "I enter the dark temples" fully meets all of the above criteria.

The work: “I enter the dark temples”, written in 1902 on October 25, was dedicated to his future wife, and at that time just beloved Lyubov Mendeleeva, who, after marriage, took the name of her husband Blok, whom the poet was madly in love with.

How pleasing are Your features!

For Alexander Alexandrovich, the figure of his future wife, Lyubov Dmitrievna, is a guide in the darkness, a beautiful light in the window: "In the flickering of red lamps."

In general, the whole poem is permeated with love, reading it you understand true love exists, and the work is written so brilliantly that it reflects all the feelings of the author, opens his soul through and through, and the soul of Alexander Alexandrovich Blok is as rich, pure and unique as his work.

Analysis of the poem I enter the dark temples according to plan

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Analysis of the poem "I enter the dark temples"

Symbolist A.A. Blok immortalized his name by creating a cycle of poems about the "Beautiful Lady". They contain pure adolescent love for the beautiful, chivalrous humility for the ideal, a dream of sublime love, which was a means for penetrating into higher worlds, for merging with perfect eternal femininity. A cycle of poems about the "Beautiful Lady" is dedicated to the beloved A.A. Blok. Lyubvi Dmitrievna Mendeleeva, who later became his wife. This is a prayer addressed to the Lady of the Universe, the Eternal Wife, a saint. And one of the most penetrating and mysterious poems, I consider the masterpiece "I enter the dark temples."

I enter dark temples

I perform a poor rite

There I am waiting for the Beautiful Lady

In the flickering of red lamps.

The first line of the poem sets the reader on something mystical, otherworldly, inherent in the abode of an unearthly creature, the Beautiful Lady, the Majestic Wife, dressed in white clothes and alien to the whole earthly quagmire.

The lyrical hero considers the ceremony of initiation into the knights of the Beautiful Lady poor in comparison with the richest spirituality of his ideal. Brilliantly shown internal state lyrical hero with the help of a figurative detail - red lamps. Red is the color of love and anxiety. The hero loves his ideal, but is anxious before her appearance. Further, the anxiety of the lyrical hero grows ("I'm trembling from the creak of doors ..."), since her image visibly arises in his imagination, a dream about her, illuminated by an aura of holiness, created by Blok himself. The image of the Beautiful Lady is incorporeal, fantastic, but it appears so often in front of the poet that he is already accustomed to contemplating her in divine robes. Her appearance brings calm to the lyrical soul of the hero, he sees smiles around him, hears fairy tales, fairy dreams arise in his imagination. All his senses are open to the inspiration of perception of all that he sees and hears. The lyrical hero finds harmony. He enthusiastically exclaims:

Oh, Holy One, how gentle are the candles,

How pleasing are your features

I can't hear sighs or words

But I believe - Dear You.

Admiration fills the soul of the narrator. The lexical repetition of the amplifying "how" emphasizes the admiration, admiration of the young man - the poet for perfection. The metaphorical epithet "gentle candles" is Blok's real poetic discovery. The hero "can't hear neither sighs nor speeches" of his beloved, disembodied spirit, but contemplating the gratifying features that give joy and peace to the heart, elevate the soul and give inspiration, he believes that she is Darling. An amplifying punctuation mark - a dash - brings down a huge emphasis on the short "you", confirming the indisputability of the poet's ideal. Blok's dream of meeting the Beautiful Lady came down to leaving real world, full of bogs, swamps, "black buildings", "yellow" lights, unworthy people for whom "truth is in wine", in deceiving the weak, defenseless, in profit and self-interest, into an ideal world inhabited by pure creatures close to the ideal.

The poem makes a huge impression on the reader with its power of narration, the selfless feelings of the youth - the knight of Blok, an abundance of pictorial means of expression, revealing in full the internal state of the lyrical hero, showing the situation surrounding the poet, and creating that religious, mystical flavor. The text contains many words that have a bright emotional coloring, sublime, church vocabulary (temple, lampada, riza, gratifying), they emphasize the exceptional solemnity and significance of events for the poet. The image of the Beautiful Lady meant a lot to Blok, he idolized her, but later the Muse of Eternal Femininity left him.

“I enter dark temples…” (1902)

This poem by Alexander Blok absorbed all the main motifs of the cycle “Poems about the Beautiful Lady”.

The main motive of the poem is the expectation of a meeting with the Beautiful Lady and high service to Her. The whole work is fanned with an atmosphere of mystical mystery and miracle. Everything here is elusive, everything is just a hint. Some reflections, flickering, hopes for an incomprehensible miracle - for the appearance of the Beautiful Lady, in the image of which a certain Divine principle was embodied.

The words of the lyrical hero take on the character of a solemn hymn, a prayer chant with which believers usually address their Deity. The text of the work consists of appeals and exclamations expressing the immense admiration of the hero. Events do not occur. There is only expectation: the lyrical hero sees himself in the form of a devoted knight who has taken a high vow of eternal service to his Beautiful Beloved.

The lyrical hero calls his beloved the Majestic Eternal Wife, Sweetheart, Saint. So high and holy is the image of the Beautiful Lady that all appeals to her are written by the author with a capital letter. And not only these words, but also pronouns: You, about Her, Yours.

The ritual and sanctity of what is happening is also emphasized by the image of the temple, burning candles and lamps. The poem itself sounds like a prayer. Vocabulary solemn: used a lot of high, beautiful and obsolete words emphasizing the exclusivity of the event (performing a ceremony; flickering of lamps; illuminated; vestments; encouraging). Love for the Beautiful Lady is a kind of sacrament. The heroine appears both in the guise of the Majestic Eternal Wife, and in the guise of just an earthly woman, when the lyrical hero calls her Mila.

The lyrical hero is waiting for a miracle - the appearance mysterious Stranger. His lonely, anxious soul aspires to the sublime, awaits revelation, rebirth. This expectation is agonizing, tense, anxious.

The poet uses the symbolism of red. In all poems dedicated to the Beautiful Lady, red is both the fire of earthly passions and a sign of Her appearance. In this poem, the lyrical hero is waiting for Her appearance by the light of red lamps. The epithet illuminated also reflects this color:

And looks into my face, illumined,

Only an image, only a dream about Her.

The Beautiful Lady is a dream, an ideal, but happiness with Her is possible not on earth, but in eternity, in dreams.

This poem contains the usual love lyrics motives: dreams of her, hope for a meeting.

But the image of the Beautiful Lady is unusual. This is not only the real beloved of the lyrical hero, but also the Soul of the World. The lyrical hero is not just a lover, but a Man in general, who strives to merge with the Soul of the World - to achieve absolute harmony. In this reading, the poem is no longer perceived as love, but as philosophical lyrics.

The dream of meeting the Beautiful Lady is a desire to leave the real world, from unworthy people for whom "truth is in wine", in profit and self-interest. Using associations, images and symbols, Alexander Blok writes not only about love, but also about a complex, unknown world that awakens harmony, beauty, goodness in the soul.

To enhance the impression, Blok uses epithets (dark temples; a poor rite; gentle candles; gratifying features). Emotionality is enhanced by personifications (smiles, fairy tales and dreams run; the image looks) and rhetorical exclamations (Oh, I'm used to these robes / Majestic Eternal Wife!; Oh, Holy One, how gentle candles / How delightful are Your features!). Assonances are used (There I am waiting for the Beautiful Lady / In the flickering of red lamps).

The poem "I enter the dark temples ...". Perception, interpretation, evaluation

The poem "I enter the dark temples ..." was created by A.A. Blok in 1902. It was written under the impression of the poet's meeting with Lyuba Mendeleeva in St. Isaac's Cathedral. The poem was included in the "Cycle of poems about the Beautiful Lady." In his youth, the poet was fascinated philosophy V. Solovyov. According to this teaching, the world, mired in sins, will be saved and reborn to life by a certain Divine principle that embodies the Eternal Feminine. Blok endowed this image with ideal features, gave him various names: the Beautiful Lady, the Majestic Eternal Wife, Kupina. He represented himself as a knight who had taken a vow to serve the Beautiful Lady. As part of these creative searches, this work was created.

Compositionally, the same theme develops in the poem - the hero's wonderful dream, his date with the Beautiful Lady is described. At the beginning of the poem, some signs of reality are given: “dark temples”, “poor rite”. All these images precede the hero's meeting with the Beautiful Lady. And no wonder it happens in the temple. This is a world in which love and harmony, kindness, warmth and perfection always reign. Thus, the image of the heroine in the mind of the lyrical hero is equated with the Divine principle. And gradually the image of the hero also becomes clear to the reader. The second stanza becomes a peculiar culmination of the theme of a date:

In the shadow of a high column Trembling from the creak of doors.

And he looks into my face, illumined,

Only an image, only a dream about Her.

The reader here understands that the Beautiful Lady is only a hero's dream. However, there is no bitterness or regret in his soul. He is completely immersed in his dream, infinitely devoted to it. Reality does not burden him, because it is as if it does not exist in his soul. The hero's world is a world of "smiles, fairy tales and dreams." The main thing is faith in a dream: “I can’t hear any sighs or speeches, But I believe: Sweetheart is You.”

The poet uses here characteristic images and colors: we see the flickering of "red lamps", the golden sheen of icons, the haze of yellow candles. Color palette here it is symbolic: the red color speaks of sacrifice, hints at the readiness of the lyrical hero to give his life for the sake of the Beautiful Lady (red color is associated with blood). Yellow and gold, on the contrary, are colors that symbolize life, the sun, warmth. Obviously, the lyrical hero is so merged with his dream that it has become an invariable part of his life.

The poem was written by a dolnik. The poet uses various means of artistic expression: epithets (“dark temples”), metaphor (“Smiles, fairy tales and dreams run high along the cornices”), alliteration (“I tremble from the creak of doors”).

Thus, the work is "programmatic" for early lyrics Blok. The young poet embodied his myth about the World Soul through allegories, mystical forebodings, mysterious allusions and signs.

The symbolist work of the poet Alexander Blok was influenced by the Russian philosopher Vladimir Solovyov, especially his idea of ​​"Eternal Femininity". Therefore, the first poetry collection of Blok was called "Poems about the Beautiful Lady." This image is inspired by memories of the Middle Ages, chivalry.

One of the first poems was "I enter the dark temples ..." Rhythm, melody, monotony and at the same time the solemnity of the sound involuntarily subjugate the reader. This state also corresponds to the inner mood of the lyrical hero: he enters a high temple (not just a church!), he is set to meet the Beautiful Lady, whom he speaks of as something high, unattainable.

All the words that it is called can sound quite ordinary if you do not see how they are written. And they are all written with a capital letter, in addition, each is preceded by an epithet, giving the words-names the sameness and majesty: Beautiful Lady, Majestic Eternal Wife. Such a technique should take the reader's imagination away from the idea of ​​an ordinary beloved woman to the thought of the divine, unearthly, eternal. She is a dream, a saint and at the same time a sweetheart - an epithet that is hardly related to a deity.

The earthly and the divine intertwined, so the "two worlds" appeared. In Blok's poem there is reality, that is, a visible, tangible world: a temple with high columns, vaguely flickering red lamps near the icons, elegant, with gilded riza. Another world - unattainable, divine. But one detail seems alien in the poetic vocabulary of the poem - it is the "creaking of doors". However, it is justified because it conveys the feeling of the “squeak” itself as a hindrance that interferes with contemplation and expectation. Or maybe the "creak" connects two images and two expectations into one? The Heavenly Eternal Wife will descend and open herself to the spirit of man through illumination, but Darling can enter only through a real door.

Trembling at the sound of a creaking door is not irritation from interference, but a sign of impatience and timidity of a lover, hoping to see his earthly deity. One goes into another and it is difficult to distinguish where is reality and where is a dream and what it means:

Run high on the ledges
Smiles, fairy tales and dreams...

These words and images do not lend themselves to subject deciphering, but they act with their sound, emotionality, and the elusive content of the subtext of the poem. They hear a quiet joy, immersion in a vague, but wonderful feeling. Some kind of double meaning opens up in the image of the Beautiful Lady: for the hero, she is a symbol of something high and beautiful, which the reader cannot definitely judge. Everything is shrouded in mystery, mystery.

Blok's early poems are not subject to logical analysis, but after reading "I enter the dark temples ..." it becomes clear to everyone that the author himself is absorbed in vague premonitions and expectations, aspires to eternity more than to immediate reality, lives in a world of dreams, like his hero.

Blok was fascinated by the idea of ​​V. Solovyov: there is an unchanging, eternal image of Love - "Eternal Femininity". It exists in another, higher, otherworldly world, then the network is imperishable and incorporeal, but it must descend, “descend” to the earth, and then life will be renewed, become happy and ideal. The attraction of souls to this higher principle is love, but not ordinary, earthly, but, as it were, reflected, ideal.

In this idea of ​​the philosopher Solovyov, although it is religious and idealistic, the hope for the renewal of mankind has been preserved. For people who were ideally tuned, namely, young Blok belonged to such people, it was important that a person through love turned out to be connected with the whole world, and with something greater than herself. In the light of V. Solovyov's idea, personal intimate experience acquired the meaning of universality.

Therefore, Vladimir Solovyov with his idea of ​​"Eternal Femininity" turned out to be close to Alexander Blok, a dreamy and at the same time seriously thinking about life, about its deepest foundations. The fascination with Solovyov's ideas coincided with those years of his youth when Blok began to feel like a poet. It was at this time that he fell in love with Lyubov Dmitrievna Mendeleeva, his future bride and wife. abstract philosophy and living life so mixed and intertwined in Blok's mind that he attached a special, mystical meaning to his love for Mendeleeva. It seemed to him that she personified Solovyov's idea. She was for him not just a woman, but embodied the Beautiful Lady - Eternal Femininity.

Therefore, in each of his early poems, one can find a fusion of the real and the ideal, specific biographical events and abstract philosophizing. This is especially noticeable in the work "I enter the dark temples ...". There is a dual world here, and an interweaving of illusions with the present, abstraction with reality. In almost all the poems of the first volume, reality recedes before another world, which is open only to the inner gaze of the poet, before the beautiful world that carries harmony in itself.

However, many critics reproached the poet for the fact that "the myth found by Blok" shielded him from contradictions, doubts and threats to life. What did this mean for the poet? Listening to the calls of the "other soul" and joining in his own dreams to world unity, the World Soul, a person actually leaves real life. The struggle of the soul with reality will form the content of all subsequent Blok's lyrics: he himself combined his works into three volumes and called them "the trilogy of incarnation" or "a novel in verse."

• "Stranger", analysis of the poem