Analysis of the poem "I enter the dark temples" by Blok. I enter dark temples

A. Blok wrote this work in 1902. This time of the author's life is characterized by an upsurge, the cause of which was falling in love with L.D. Mendeleev, the future wife of the writer.

Also during this period, Blok was widely fascinated by the philosophy of V. Solovyov. According to his philosophical ideas, love is a sure means to eradicate selfishness within oneself. Having fallen in love with a woman, a person comprehends her essence, nature, given by God, which in turn leads to high love for the whole world.

Similar ideas are reflected to some extent in the work “I Enter Dark Temples…”. Main character in love with an earthly woman. All his thoughts are permeated with the desired knowledge of the broad female soul, comprehension of the harmony of this world, merging with it. Spiritual lyrics are mixed in the lines with love lyrics, creating an amazing contrast.

Metaphor is the main means of expression in a poem. "Dark Temples" is love, attitude lyrical hero to the feelings he is experiencing. Darkness means the unknown, temples - mystery and divine value.

The poem is riddled with doubts of the hero. He is not sure about the reciprocal feelings of the woman he loves. However, he knows for sure that it is she who is his muse and goddess:

And he looks into my face, illumined,
Only an image, only a dream about Her.

The use of the epithet "illumined" shows the reader that she is the ultimate dream of the protagonist, his sun, to which he aspires.

At first, the hero is embarrassed by the femininity and harmony that the “Magnificent Eternal Wife” personifies, but later he finds special sensitivity and pleasure in this. He likes to be involved in such a creation of nature ("I'm used to these robes"). Now the former embarrassment is no more, the hero is open to "smiles, fairy tales and dreams", dreams of a beautiful lady.

The end of the poem sums up the thoughts of the hero in love. He finally comprehends the high nature of his goddess: "Oh, Holy One, how gentle are the candles, How delightful are Your features!"

Summing up, we can distinguish several parts in the work: the introductory part, the reflections of the hero and the final part.

The poem itself is written in a lively, sensual language, filled with means artistic expressiveness(epithets "poor rite", "Beautiful Lady", mataphors such as "smiles run"). Exclamations convey the emotions of the hero, his hopes and expectations.

In conclusion, we can say that this is one of the most striking poems by A. Blok. In it, the author shows love as a fusion of spiritual experiences of two people, as a source of salvation for the world, love for God.

Analysis of Blok's poem I enter dark temples No. 2

Today we will talk about the poem by Blok Alexander Alexandrovich “I enter dark temples". Alexander Alexandrovich is one of the most famous poets of the 20th century. I would also like to note that the poetry of the Golden Age is beautiful, but the poetry of the 20th century is more understandable for modern man it is closer, in my opinion, the poetry of the 20th century is the golden mean, the poetry of the 21st century is not yet fully formed, and the poetry of the Golden Age does not always raise problems that are understandable to us.

Alexander Alexandrovich Blok interesting person and a unique poet. His unique handwriting can be recognized immediately, a slightly knocked down reef and unique means of expression, of course deep meaning, and our poem "I enter the dark temples" fully meets all of the above criteria.

The work: “I enter the dark temples”, written in 1902 on October 25, was dedicated to his future wife, and at that time just beloved Lyubov Mendeleeva, who, after marriage, took the name of her husband Blok, whom the poet was madly in love with.

How pleasing are Your features!

For Alexander Alexandrovich, the figure of his future wife, Lyubov Dmitrievna, is a guide in the darkness, a beautiful light in the window: "In the flickering of red lamps."

In general, the whole poem is permeated with love, reading it you understand true love exists, and the work is written so brilliantly that it reflects all the feelings of the author, opens his soul through and through, and the soul of Alexander Alexandrovich Blok is as rich, pure and unique as his work.

Analysis of the poem I enter the dark temples according to plan

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The poem "I enter the dark temples ...". Perception, interpretation, evaluation

The poem "I enter the dark temples ..." was created by A.A. Blok in 1902. It was written under the impression of the poet's meeting with Lyuba Mendeleeva in St. Isaac's Cathedral. The poem was included in the "Cycle of poems about the Beautiful Lady." In his youth, the poet was fascinated philosophy V. Solovyov. According to this teaching, the world, mired in sins, will be saved and reborn to life by a certain Divine principle that embodies the Eternal Feminine. Blok endowed this image with ideal features, gave him various names: the Beautiful Lady, the Majestic Eternal Wife, Kupina. He represented himself as a knight who had taken a vow to serve the Beautiful Lady. As part of these creative searches, this work was created.

Compositionally, the same theme develops in the poem - the hero's wonderful dream, his date with the Beautiful Lady is described. At the beginning of the poem, some signs of reality are given: “dark temples”, “poor rite”. All these images precede the hero's meeting with the Beautiful Lady. And no wonder it happens in the temple. This is a world in which love and harmony, kindness, warmth and perfection always reign. Thus, the image of the heroine in the mind of the lyrical hero is equated with the Divine principle. And gradually the image of the hero also becomes clear to the reader. The second stanza becomes a peculiar culmination of the theme of a date:

In the shadow of a high column Trembling from the creak of doors.

And he looks into my face, illumined,

Only an image, only a dream about Her.

The reader here understands that the Beautiful Lady is only a hero's dream. However, there is no bitterness or regret in his soul. He is completely immersed in his dream, infinitely devoted to it. Reality does not burden him, because it is as if it does not exist in his soul. The hero's world is a world of "smiles, fairy tales and dreams." The main thing is faith in a dream: “I can’t hear any sighs or speeches, But I believe: Sweetheart is You.”

The poet uses here characteristic images and colors: we see the flickering of "red lamps", the golden sheen of icons, the haze of yellow candles. Color palette is symbolic here: the red color speaks of sacrifice, hints at the readiness of the lyrical hero to give his life for the sake of beautiful lady(red is associated with blood). Yellow and gold, on the contrary, are colors that symbolize life, the sun, warmth. Obviously, the lyrical hero is so merged with his dream that it has become an invariable part of his life.

The poem was written by a dolnik. The poet uses various means of artistic expression: epithets (“dark temples”), metaphor (“Smiles, fairy tales and dreams run high along the cornices”), alliteration (“I tremble from the creak of doors”).

Thus, the work is "programmatic" for early lyrics Blok. The young poet embodied his myth about the World Soul through allegories, mystical forebodings, mysterious allusions and signs.

A. Blok is considered one of the first symbolists, this creative direction puts the symbol in the first place as a sign that can be perceived in different ways, is ambiguous. Symbolism originates in France and then spreads to other countries.

In the poet's work, the love theme is of primary importance, which acquires different colors. This is not surprising, because the poet himself loved, and carried his love through his whole life. His chosen one was Lyubov Mendeleeva. This woman became for Alexander Blok not only his muse, an inspiration for creativity, but also a guardian angel. Even after the breakup, Blok did not stop helping his ex-wife, therefore he saw in her not only a beloved woman, but also a true friend. He trusted her as he trusted himself.

Blok does not talk about his mysterious feelings and experiences, he reveals everything in his work. The poet has a great attitude towards women, all the poet's work is connected with poems about the Beautiful Lady. The author considered women to be very subtle and vulnerable natures. Love Mendeleev was for the poet the real ideal of a woman. He was afraid that he could blacken the soul of the person he loves so much. But the poet knows perfectly well that not everyone can have a reverent attitude. Human nature is deceptive, he himself was deceived more than once in life, but continued to believe in his loved ones. Lyubov Mendeleev often betrayed Blok, gave preference to others. And only after a while I realized how noble was the person who had been with her for so long.

The poem "I enter the dark temples ..." is dated 1902. The image of the Mother of God becomes central in the work of Blok, it is an image-symbol of a beloved woman who is nearby, but often elusive and inaccessible. It is this author who imagines the Beautiful Lady. In the image of the Mother of God, the poet's beloved is guessed, which for him becomes the embodiment of purity and beauty. The author uses a lot of synonyms, he calls his beloved the Majestic Eternal Wife, Saint, Mila.

The lyrical hero enters the temple and waits for the Beautiful Lady in the "flickering of red lamps". Further, the main theme is revealed more and more - love, it becomes clear that the lyrical hero is still waiting for his beloved. All the words say that it is really important for a poet to have sincere feelings, even if they are not mutual.

Block still believes that love is a gift from heaven, not a curse. The image of the Beautiful Lady and the Mother of God are symbolic images in which the ideal woman is embodied. We have the right to love, even when it is contrary to the rational, when we see the shortcomings of a person. Alexander Blok in his love lyrics, shows how to treat a woman, what true high feelings should be. The poems are written with soul and heart, love and respect sound in every phrase. There are a lot of symbols in the works, but they are most often repeated, they are constants in creativity. Block - great poet symbolism, glorifying feminine purity and true beauty.

Writing

The poet created his first book under the strong influence of the philosophical ideas of Vladimir Solovyov. In this teaching, the poet is attracted by ideas about the ideal, about striving for it as the embodiment of Eternal Femininity - beauty and harmony. Blok gives his ideal image a name - the Beautiful Lady.

The whole cycle of "Poems about the Beautiful Lady" is permeated with a sincere feeling of love. But what is this feeling? What is its feature? Despite the fact that the cycle is based on an autobiographical fact - the poet's romance with his future wife Lyubov Dmitrievna Mendeleeva - it should be noted that the lyrical hero is in love not with a real, but with an ideal woman, with a certain image. Religious love is mixed with this strange feeling. The hero loves the Beautiful Lady not as a man loves a woman, but as a man loves and admires something inaccessible to him, beautiful and great. This love can be called divine. There is not a drop of vulgarity and earthiness in it.

Through the whole cycle of poems, representing a kind of "novel", the motive of ideal love-aspiration passes. This motif is realized in the constant expectation of the hero of a meeting with the heroine and the fear of this meeting to destroy the sublimity of feelings. The peculiarity of this cycle is the inseparability of two planes: personal, real and cosmic-universal myth, about the ways of the earthly incarnation of the Soul of the world.

One of the brightest poems of this cycle is “I enter dark temples…”. It was written in 1902. The regularity of the rhythm, the melodious monotony of the lines, even if you do not think about the words, evoke a feeling of high, a little solemn. It is supported by vocabulary that is also of high content: a temple, a rite, lamps. This poem presents us both the entire first book and the world of feelings of the young Blok, fenced off from "contradictions, doubts and threats to life." This motive of striving for light, for truth, for the transformation of the world will become one of the leading ones in the work of A. Blok.

According to the genre, the work is a small poem, as it has a plot: the hero is in the temple, waiting for his beloved and experiencing strong feelings associated with this expectation. This is how the main motif of the cycle of poems is realized - the motif of expectation. Indeed, for the lyrical hero it seems more important than the meeting itself:

There I am waiting for the Beautiful Lady

In the flickering of red lamps.

Red lamps enhance the moment of tragedy. This tragedy is realized by the hero and comes from the fact that reality does not correspond to a fragile dream, in the way that lives in the heart of the poet:

In the shadow of a tall column

I tremble at the creak of doors.

And he looks into my face, illumined,

Only an image, only a dream about Her.

A poem is a condensed thought, so we guess the whole story from one word. So in the phrase: “Oh, I’m used to these robes // of the Majestic Eternal Wife!” it becomes clear that this is not the first time the hero is waiting for his beloved in this temple. And the paraphrase - "They run high along the cornices // Smiles, fairy tales and dreams ..." - the temple itself draws before the reader.

The poet means the glare of the sun that breaks through the high windows under the roof. This light becomes a symbol of the hero's ideal aspiration.

The extent of the character's experience is shown in the last quatrain of the poem:

Oh, Holy One, how gentle are the candles,

How pleasing are Your features!

I hear neither sighs nor speeches,

But I believe: Honey - You.

It says that the heroine has not yet arrived, but will be any minute, and loving heart already anticipates this imminent meeting.

In the poem “I enter dark temples…” it is not so much the abundance of paths that is striking, but the color painting, which the author actively uses. So, Blok uses the following colors to create a special atmosphere: black (“dark temples”), red (“red lamps”), gold (“illuminated ... image”, “Oh, I’m used to these robes ...”, “They run high along eaves", "candles"). As you can see, the predominant color is gold and all its shades (candle flame, sun, clothes embroidered with gold), and it is known to be a symbol of wealth and prosperity. Thus, the fullness of the hero's feelings and the happiness that he found in love are emphasized. And red and black, as it were, indicate the tragedy of this feeling.

The female image is symbolic, she has many names: Beautiful Lady, Majestic Eternal Wife, Holy, She, Dear. But despite all its sublimity, it is real woman how real and hero.

The sound of Blok's poetry evokes a very strong emotional and aesthetic empathy. Beyond the “relationships” of the characters, even deeper poetic discoveries are read. The young Blok was subject to the wisdom of life, at least in that part of it that is associated with the state of love.

The poem incorporates the main motifs of the cycle "Poems about the Beautiful Lady".

The reason for creating the poem was the meeting in St. Isaac's Cathedral of A. Blok with L. D. Mendeleeva. An image appears before the lyrical hero, which can only be compared with Pushkin's Madonna. This is "the purest beauty of the purest example." In the poem, with the help of color, sound and associative symbols, the image of the Beautiful Lady of the lyrical Hero mysteriously and indefinitely appears before us. All words and stanzas are full of special significance: "Oh, I'm used to these robes", "Oh, saint ..." - with the help of an anaphora, the author highlights the importance of the event.

The intonation is solemn and prayerful, the hero yearns and begs for a meeting, he trembles and trembles in anticipation of it. He is waiting for something wonderful, majestic and completely bows before this miracle.

The “flickering of red lamps” does not allow us to clearly see the image of the Beautiful Lady. She is silent, inaudible, but words are not needed to understand Her and respect her. The Hero understands Her with his soul and elevates this image to heavenly heights, calling it “The Majestic Eternal Wife”.

Church vocabulary (lamps, candles) puts the image of the Beautiful Lady on a par with the deity. Their meetings take place in the temple, and the temple is a kind of mystical center that organizes the space around it. The temple is architecture that seeks to recreate the world order, striking harmony and perfection. An atmosphere is created corresponding to the anticipation of contact with the deity. Before us appears the image of the Mother of God, as the embodiment of the harmony of the world, which fills the soul of the hero with reverence and peace.

He is a loving, selfless, under the impression of a beautiful person. She is that beautiful and incorporeal thing that makes the hero shudder: “But an illumined one looks into my face, only an image, only a dream about her”, “I tremble from the creak of doors ...” She is the concentration of his faith, hope and love.

Color palette consists of dark shades red (“In the flickering of red lamps ...”), which carry sacrifice: the hero is ready to part with his life for the sake of his beloved (red is the color of blood); yellow and gold colors (candles and church images), carrying warmth directed towards a person, and a special value of the surrounding being. Tall white columns exalt the significance of both the image of the Beautiful Lady and the emotional feelings of the hero. Blok wrapped everything that happened in the poem in darkness, covered it with a dark veil (“dark temples”, “in the shadow of a high column”) in order to somehow protect this closeness and holiness of the characters’ relationship from the outside world.

Color painting. Sound recording.

1 stanza: the sounds "a", "o", "e" combine tenderness, light, warmth, delight. Tones are light, shimmering. (Color white, yellow.)

2 stanza: sounds "a", "o", "and" - constraint, fear, darkness. The light is waning. The picture is not clear. (Dark colors.)

Verse 3: The darkness is leaving, but the light is coming slowly. The picture is not clear. (Mixture of light and dark colors.)

4 stanza: the sounds "o", "e" carry ambiguity, but bring the greatest stream of light, expressing the depth of the hero's feelings.

Analysis of the poem by A.A. Blok "The girl sang in the church choir" .

In this poem, the poet conveys the interaction of Eternal Femininity, beauty with the reality of life, that is, the connection of the earthly and the Divine.

At the beginning of the poem - peace, tranquility. A church is depicted, a singing girl, and in the background - ships sailing into the sea, people who have forgotten their joy. The girl in the church song empathizes with "... tired in a foreign land, ships that have gone to sea, having forgotten their joy." Her song is a prayer for those torn away from their native home, for those abandoned to a foreign land. Peaceful singing urged each of the darkness to look at her White dress and listen to the mourning song. The darkness and her white dress symbolize the sinful and the holy in this cruel world. With her singing, she instilled in people a piece of sincere kindness, hope for a better, brighter future: “... And it seemed to everyone that there would be joy, that in a quiet backwater all the ships, that in a foreign land tired people found a bright life for themselves.”

We see the unity of those present in the church in one spiritual impulse. Even at the beginning of the poem there was no hope for happiness, a bright life. But when her gentle voice was heard from the darkness and a white dress appeared, illuminated by a beam, then the confidence came that the world is beautiful, it is worth living for the sake of beauty on Earth, despite all the troubles and misfortunes. But among the general happiness, someone will be deprived and unhappy - the one who went to war. And now the warrior will live only in memories, hoping for the best.

With her dazzling radiance, with a gentle voice, the girl gave people the opportunity to forget for a moment what was happening outside the church. In the image of a girl, they saw that ray of life that they needed so much. They saw in her not a simple girl, but a Deity who descended from heaven to a sinful earth to save their souls. In the last column of the poem, the crying of a child is a harbinger of war. After all, the poem was written in 1905 (the end of the Russo-Japanese War).

It helps us to understand the deeper meaning of the poem. color background. If even at the beginning of the poem people are swallowed up by darkness, then at the end of the poem the dark tones turn into light ones. It seemed to them that they "... found a bright life."

In the fourth stanza, in the third line - "... involved in secrets, - the child cried" - this child is prophetic, the future is open to him, he knew in advance the tragic outcome for Russia in the war in the summer of 1905. The child personifies rebirth, renewal, all the brightest and most innocent. And in this case, he is a child prophet, foreseeing the difficult future of Russia.