Analysis of the poem "I enter the dark temples" by Blok. Analysis of Blok's poem "I enter dark temples ...

I enter dark temples,

I perform a poor ritual.

I'm waiting there beautiful lady

In the flickering of red lamps.

In the shadow of a tall column

I tremble at the creak of doors.

And he looks into my face, illumined,

Only an image, only a dream about Her.

Oh I'm used to these robes

Majestic Eternal Wife!

Run high on the ledges

Smiles, fairy tales and dreams.

Oh, Holy One, how gentle are the candles,

How pleasing are Your features!

I hear neither sighs nor speeches,

But I believe: Honey - You.

Updated: 2012-01-21

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Historical and biographical material

History of creation and date of writing the poem

The poem incorporates the main motifs of the cycle "Poems about the Beautiful Lady".

The reason for creating the poem was the meeting in St. Isaac's Cathedral of A. Blok with L. D. Mendeleeva.

Lyrical plot

An image appears before the lyrical hero, which can only be compared with Pushkin's Madonna. This is "the purest beauty of the purest example." In the poem, with the help of color, sound and associative symbols, the image of the Beautiful Lady of the lyrical Hero mysteriously and indefinitely appears before us. All words and stanzas are full of special significance: "Oh, I'm used to these robes", "Oh, saint ..." - with the help of an anaphora, the author highlights the importance of the event.

Composition of the poem

In the first quatrain, we see a lyrical hero who lives in anticipation of love. More precisely, this love always lived in him and did not find a way out, but he knew that there was one in the world for which his love was intended.

I enter dark temples

I perform a poor ritual.

From further development plot, we learn that his beloved is something unearthly, ephemeral:

And he looks into my face, illumined,

Only an image, only a dream about her.

But then majesty, unattainability appears in this image: she becomes the “Majestic Eternal Wife”. Capital letters give this expression even more solemnity. I think it can be said that the atmosphere of the temple exacerbates the feelings of the hero: darkness, cold make a person feel lonely, but the appearance of a loved one illuminates everything around and makes his heart tremble with delight.

The prevailing mood, its change

Special in the poem and emotional tone: first lyrical hero calm, then fear appears (“I'm trembling from the creak of doors”), then he experiences delight, which is transmitted through a rhetorical exclamation, and then complete peace, he found the one he was looking for.

Basic images

In almost all "Poems about the Beautiful Lady" we will find an image-symbol of femininity and beauty. The poem "About legends, about fairy tales, about moments ..." is no exception. In it, just as in the poem “I enter dark temples ...”, the hero believes in eternal love and is looking for it. And the image of the beloved is mysterious and unearthly:

And I don’t know - in the eyes of the Beautiful

Secret fire, or ice.

The ending is also similar to the end of the poem “I enter dark temples…”: the poet believes his feelings, devotes his whole life to serving his beloved.

The “flickering of red lamps” does not allow us to clearly see the image of the Beautiful Lady. She is silent, inaudible, but words are not needed to understand Her and respect her. The Hero understands Her with his soul and elevates this image to heavenly heights, calling it “The Majestic Eternal Wife”.

Church vocabulary (lamps, candles) puts the image of the Beautiful Lady on a par with the deity. Their meetings take place in the temple, and the temple is a kind of mystical center that organizes the space around it. The temple is architecture that seeks to recreate the world order, striking harmony and perfection. An atmosphere is created corresponding to the anticipation of contact with the deity. Before us appears the image of the Mother of God, as the embodiment of the harmony of the world, which fills the soul of the hero with reverence and peace.

He is a loving, selfless, under the impression of a beautiful person. She is that beautiful and incorporeal thing that makes the hero shudder: “But an illumined one looks into my face, only an image, only a dream about her”, “I tremble from the creak of doors ...” She is the concentration of his faith, hope and love.

Color palette consists of dark shades red (“In the flickering of red lamps ...”), which carry sacrifice: the hero is ready to part with his life for the sake of his beloved (red is the color of blood); yellow and gold colors (candles and church images), carrying warmth directed towards a person, and a special value of the surrounding being. Tall white columns exalt the significance of both the image of the Beautiful Lady and the emotional feelings of the hero. Blok wrapped everything that happened in the poem in darkness, covered it with a dark veil (“dark temples”, “in the shade of a high column”) in order to somehow protect this closeness and holiness of the characters’ relationship from the outside world.

Vocabulary of the poem

The intonation is solemn and prayerful, the hero yearns and begs for a meeting, he trembles and trembles in anticipation of it. He is waiting for something wonderful, majestic and completely bows before this miracle.

Poetic Syntax

A metaphor is used here: the hero enters the world of love, reverence for female beauty, mystery; through the word "dark" conveys the depth, sacredness of this feeling.

"Poor rite" - the formation of the poet as a person and as a man.

sound recording

The poem uses sound. Alliteration (sound [c]) helps to convey mystery, the poet, as if in a half-whisper, talks about the most secret thoughts. Assonance (sound [o]) gives the poem solemnity, reminiscent of the ringing of bells.

An inversion is also used, highlighting the verbs that play a special role in the poem: the enumeration of the hero's actions (I enter, perform, wait, tremble) conveys the tension experienced by the poet.

1 stanza: the sounds "a", "o", "e" combine tenderness, light, warmth, delight. Tones are light, shimmering. (Color white, yellow.)

2 stanza: sounds "a", "o", "and" - constraint, fear, darkness. The light is waning. The picture is not clear. (Dark colors.)

Verse 3: The darkness is leaving, but the light is coming slowly. The picture is not clear. (Mixture of light and dark colors.)

4 stanza: the sounds "o", "e" carry ambiguity, but bring the greatest stream of light, expressing the depth of the hero's feelings.

Emotions evoked while reading

To see and understand love is not given to everyone, but only to a special, exceptional person.

In my opinion, A. Blok is an exception: he understood all the charm of the feeling of love, its elusiveness, lightness and, at the same time, its depth.

Writing

The poet created his first book under the strong influence of the philosophical ideas of Vladimir Solovyov. In this teaching, the poet is attracted by ideas about the ideal, about striving for it as the embodiment of Eternal Femininity - beauty and harmony. Blok gives his ideal image a name - the Beautiful Lady.

The whole cycle of "Poems about the Beautiful Lady" is permeated with a sincere feeling of love. But what is this feeling? What is its feature? Despite the fact that the cycle is based on an autobiographical fact - the poet's romance with his future wife Lyubov Dmitrievna Mendeleeva - it should be noted that the lyrical hero is in love not with a real, but with an ideal woman, with a certain image. Religious love is mixed with this strange feeling. The hero loves the Beautiful Lady not as a man loves a woman, but as a man loves and admires something inaccessible to him, beautiful and great. This love can be called divine. There is not a drop of vulgarity and earthiness in it.

Through the whole cycle of poems, representing a kind of "novel", the motive of ideal love-aspiration passes. This motif is realized in the constant expectation of the hero of a meeting with the heroine and the fear of this meeting to destroy the sublimity of feelings. The peculiarity of this cycle is the inseparability of two planes: personal, real and cosmic-universal myth, about the ways of the earthly incarnation of the Soul of the world.

One of the brightest poems of this cycle is “I enter dark temples…”. It was written in 1902. The regularity of the rhythm, the melodious monotony of the lines, even if you do not think about the words, evoke a feeling of high, a little solemn. It is supported by vocabulary that is also of high content: a temple, a rite, lamps. This poem presents us both the entire first book and the world of feelings of the young Blok, fenced off from "contradictions, doubts and threats to life." This motive of striving for light, for truth, for the transformation of the world will become one of the leading ones in the work of A. Blok.

According to the genre, the work is a small poem, as it has a plot: the hero is in the temple, waiting for his beloved and experiencing strong feelings associated with this expectation. This is how the main motif of the cycle of poems is realized - the motif of expectation. Indeed, for the lyrical hero it seems more important than the meeting itself:

There I am waiting for the Beautiful Lady

In the flickering of red lamps.

Red lamps enhance the moment of tragedy. This tragedy is realized by the hero and comes from the fact that reality does not correspond to a fragile dream, in the way that lives in the heart of the poet:

In the shadow of a tall column

I tremble at the creak of doors.

And he looks into my face, illumined,

Only an image, only a dream about Her.

A poem is a condensed thought, so we guess the whole story from one word. So in the phrase: “Oh, I’m used to these robes // of the Majestic Eternal Wife!” it becomes clear that this is not the first time the hero is waiting for his beloved in this temple. And the paraphrase - "They run high along the cornices // Smiles, fairy tales and dreams ..." - the temple itself draws before the reader.

The poet means the glare of the sun that breaks through the high windows under the roof. This light becomes a symbol of the hero's ideal aspiration.

The extent of the character's experience is shown in the last quatrain of the poem:

Oh, Holy One, how gentle are the candles,

How pleasing are Your features!

I hear neither sighs nor speeches,

But I believe: Honey - You.

It says that the heroine has not yet arrived, but will be any minute, and loving heart already anticipates this imminent meeting.

In the poem “I enter dark temples…” it is not so much the abundance of paths that is striking, but the color painting, which the author actively uses. So, Blok uses the following colors to create a special atmosphere: black (“dark temples”), red (“red lamps”), gold (“illuminated ... image”, “Oh, I’m used to these robes ...”, “They run high along eaves", "candles"). As you can see, the predominant color is gold and all its shades (candle flame, sun, clothes embroidered with gold), and it is known to be a symbol of wealth and prosperity. Thus, the fullness of the hero's feelings and the happiness that he found in love are emphasized. And red and black, as it were, indicate the tragedy of this feeling.

The female image is symbolic, she has many names: Beautiful Lady, Majestic Eternal Wife, Holy, She, Dear. But despite all its sublimity, it is real woman how real and hero.

The sound of Blok's poetry evokes a very strong emotional and aesthetic empathy. Beyond the “relationships” of the characters, even deeper poetic discoveries are read. The young Blok was subject to the wisdom of life, at least in that part of it that is associated with the state of love.

The poem "I enter the dark temples ...". Perception, interpretation, evaluation

The poem "I enter the dark temples ..." was created by A.A. Blok in 1902. It was written under the impression of the poet's meeting with Lyuba Mendeleeva in St. Isaac's Cathedral. The poem was included in the "Cycle of poems about the Beautiful Lady." In his youth, the poet was fascinated philosophy V. Solovyov. According to this teaching, the world, mired in sins, will be saved and reborn to life by a certain Divine principle that embodies the Eternal Feminine. Blok endowed this image with ideal features, gave him various names: the Beautiful Lady, the Majestic Eternal Wife, Kupina. He represented himself as a knight who had taken a vow to serve the Beautiful Lady. As part of these creative searches, this work was created.

Compositionally, the same theme develops in the poem - the hero's wonderful dream, his date with the Beautiful Lady is described. At the beginning of the poem, some signs of reality are given: “dark temples”, “poor rite”. All these images precede the hero's meeting with the Beautiful Lady. And no wonder it happens in the temple. This is a world in which love and harmony, kindness, warmth and perfection always reign. Thus, the image of the heroine in the mind of the lyrical hero is equated with the Divine principle. And gradually the image of the hero also becomes clear to the reader. The second stanza becomes a peculiar culmination of the theme of a date:

In the shadow of a high column Trembling from the creak of doors.

And he looks into my face, illumined,

Only an image, only a dream about Her.

The reader here understands that the Beautiful Lady is only a hero's dream. However, there is no bitterness or regret in his soul. He is completely immersed in his dream, infinitely devoted to it. Reality does not burden him, because it is as if it does not exist in his soul. The hero's world is a world of "smiles, fairy tales and dreams." The main thing is faith in a dream: “I can’t hear any sighs or speeches, But I believe: Sweetheart is You.”

The poet uses here characteristic images and colors: we see the flickering of "red lamps", the golden sheen of icons, the haze of yellow candles. The color palette here is symbolic: the red color speaks of sacrifice, hints at the readiness of the lyrical hero to give his life for the sake of the Beautiful Lady (red color is associated with blood). Yellow and gold, on the contrary, are colors that symbolize life, the sun, warmth. Obviously, the lyrical hero is so merged with his dream that it has become an invariable part of his life.

The poem was written by a dolnik. The poet uses various means artistic expressiveness: epithets (“dark temples”), metaphor (“Smiles, fairy tales and dreams run high along the eaves”), alliteration (“I tremble from the creak of doors”).

Thus, the work is "programmatic" for early lyrics Blok. The young poet embodied his myth about the World Soul through allegories, mystical forebodings, mysterious allusions and signs.

This poem was written when the young Alexander Blok was barely 22 years old. It was this time that the poet himself marked as a period of active creativity, an open spiritual search for his own higher truth and truth. A whole cycle of love poems is dedicated to Lyubov Dmitrievna Mendeleeva. In her face, the poet found a dear friend and muse, whom he served all his life. He idolized this girl, who later became his wife, and saw in her manifestations of the divine essence.

Poetic analysis“I enter into dark temples” is intended to show and designate main feature spiritual quest of Alexander Blok at a particular stage in the development of creativity. Namely, serving the image of the Eternal Feminine, trying to find her in the material world, get closer to her and make an integral and indestructible face a part of one's own existence.

Theme of the poem

“I enter dark temples” is one of the pinnacles of Alexander Blok's poetry in the cycle dedicated to the Beautiful Lady. The key point should be considered an attempt to find a dream, an image of the Eternal Femininity in the ordinary world with the prevailing material values ​​and attitudes. Hence, the moment of discrepancy in ideas, the lack of response, the futility of the search can be clearly traced.

The analysis of “I Enter Dark Temples” shows how the lyrical hero of A. Blok is divorced from reality, absorbed in his own obsession. And it is difficult for him to cope with this mystical desire, it subjugates him to himself, deprives him of will, common sense, reason.

The state of the lyrical hero

The verse “I enter dark temples” is the eleventh in a row among the works addressed to Lyubov Dmitrievna Mendeleeva. The lyrical hero is in a state of anxiety, he wants to find integrity with himself, to find his lost soul mate - a part of himself, without which he cannot become happy. In a holy place, a temple, he sees only echoes of that mysterious, unearthly image, on which his search is directed, on which all attention is focused. Here the author himself connects with the feelings of the lyrical hero in these deep inner experiences.

Image of the Eternal Feminine

One of the most beautiful and mysterious is the poem "I enter the dark temples." Blok endowed his heroine with fabulous, mystical features. It is elusive in its essence, beautiful and incomprehensible, like a dream itself. This is how the image of Beauty arises as the hypostasis of divine love. Often the lyrical hero compares her with the Mother of God, gives her mystical names. Alexander Blok called her the Dream, the Most Pure Virgin, the Eternally Young, the Lady of the Universe.

Readers have always had rave reviews and impressions after reading such verses as "I enter into dark temples." Blok is a favorite poet of many intellectuals, especially his work is close to young boys and girls. The one whom the lyrical hero serves is shrouded the greatest mystery. He treats her not as an earthly woman, but as a deity. She is also surrounded by shadows, in which her attraction to the Apollonian beginning is guessed - the hero contemplates her and himself receives feelings from the experience. The analysis of "I Enter the Dark Temples" shows the reader an interesting approach to interpreting the lines known and loved by millions.

Key Symbols

In the poem, several images can be distinguished that create a kind of background for the development of the action, complement the plot with vivid pictures.

The robes emphasize the holiness and sublimity of the image of the Beautiful Lady. This is the material embodiment of the divine principle (Virgin Mary, church). Everything earthly is alien to her, she is a sublime element of freedom and light. You can pray to her at night in the moonlight, singing unsurpassed beauty with every thought and action.

Red lamps symbolize the unattainability of a dream, its remoteness and unreality, compared to everyday life. This is where the fictional world meets reality.

Thus, the analysis of “I Enter the Dark Temples” emphasizes the idea that the intimate-personal experiences of youth occurred in the poet against the background of the desire to unravel the mystery of Beauty.