Fonts of the Russian Empire. Church-Slavic fonts - Irmologies

In his famous essay "Decoration and Crime" of the 1908 year, the architect Adolf Loos wrote: "The development of culture is involved in the displacement of ornamentality from the design of everyday things." By this statement, he excluded many funeral decorative fonts developed for past centuries, from the application in design high-class. And now I will quickly return these days: in Web 3.0, there are full of almost even fonts without sneakers and classic direct fonts, so designers are so lacking excesses of bookprints of the old days.

Take the powerful expressiveness of antique fonts and give your chart the charm of antiquity, very fashionable now in printed, and in online projects. From cowboy I. victorian styles Before the avant-garde and calligraphy - the choice is very wide. Fonts are grouped arbitrarily, modern interpretations may adjourn with (almost) genuine prototypes. All of them are available for free for use in private projects, only please do not forget to carefully read license agreements.

Imitation of writing with wooden boards and poster fonts

This resembling cheap prints from wooden boards The font is not deprived of his charm: it blows from him with glulent bills of seedless Teathers. The view is equally gloomy and causing, suitable for graphics on the plots from informal to frightening.

Circus Ornate Dieter Steffmann (Dieter Steffmann) creates the same mood as the classic charts on circus plots, but maintains the originality as an ornamental, catchy poster font.

Designed to imitate such fonts like Rosewood and Ponderosa, which, in turn, resemble the poster fonts of the late 18th century, Coffee Tin revives the old promotional graphics, seeking its clarity of lines.

Another excellent pseudo-antique font created on the basis of the poster literator19 century. Typeology Foundry borrowed itself and self-drawing itself, and the name of the font developed in 1884 by D. T. Ams (D.T. AMES).

Another pseudo-antique masterpiece Dieter Steffmann (Dieter Steffmann), Egyptienne zierinitialen, turns two-dimensional letters into a luxurious volumetric thread.

Adorable vintage masterpiece from Jester Font Studio.

Nasty - aged "remix", created by Eduardo Recife (Eduardo Recife) from the Extra Ornamental font, the development of House of Lime. Released in two versions that Recife also advises to apply in combination with each other.

David Rakowski's Free License Developer created this font in 1991 after 17 years, the harmony of monumentality and grace in its outlines looks a sensation from the past, which today produces an indelible impression.

Tuscan Rick Muller (Rick Mueller) is one of its many vintage fonts, which, however, is distinguished from the total mass of circulation in combination with weighty simplicity. This font resembles antique poster listers without extra curls.

Explicit Sideshow similarity, the development of Harold's Fonts, Fusty Saddle - manually drawn, and then digitized cowboy style font. BittBox offers you not only the headset of your font, but also an explanation for it: "Fusty", as stated on the author's website, means "old-fashioned and in fact, and with the appearance."

Digital version of print with wooden board With the obvious stylistic taste of the Wild West, developed by Matthew Austin Petty (Matthew Austin Petty) from disturbed type. As if overgrown with cowboy bristles, roughly shedding edges and sloppy surfaces of block elements give this font a special vintage fell of masculinity.

The product of the independent studio of digital polygraphy Fountain, Azteak combines the echoes of the past with dreams of the future. There are various decorations on the mechanistic basis of this font, which brings the association with science fiction films about the alternative future in the era of steam engines.

The name of this font is derived from the phrase "Guardian Angel" on frenchAnd its uppercase letters, indeed, are crowned with the figures of the winged guards. The combination of the grace and strength of the contours of Angegorardien, in general, with other high-quality vintage fonts, perhaps, is the very thing that is worth keeping.

The authentic font of the 18th century Cesson (Caslon) could now look like Caslon Antique: slightly hung around the edges, but not lost hardness. This interpretation of the classic Caslon with serifs adds adhere and credibility without loss of dequireness.

Dominican - Another artificially aged antique font, and, and very peculiar, the outlines of which are inspired by the special delegation of vintage books.

An unusual consisting of the same titles, the OLD Dog New Tricks font is of interest that the lower elements of it, in principle, classical letters with serifs are omitted under the line line. The combination of Art Deco style (Deco) with antique echoes does not allow to trace its origin with accuracy, but as learns the theory of recycling culture (Remix Culture), unexpected embodiments of components bring fruit in the form of truly unique phenomena.

Designed by David J. Perry (David J. Perry) in 2003, Cardo was intended for tutorials According to classic languages \u200b\u200band medieval writing. The pointed letters of this font are reminded both handwriting chroniclers and inscriptions, knocked out on the stones.

Intermittent line line and faded letters could give him an untidy look, but this font is sufficiently stable to fit into any markup, not amenable to alignment.

Like the font of the name of the film P. T. Enderson (P.T. Anderson) 2007, this example Visually demonstrates a cowboy style adherence to traditional gothic design.

Olde English is an interesting font sample, which, despite his belonging to one time and place, managed to easily associate with another. Although his drawing resembles medieval German gothic fonts, Olde English, in fact, named the term denoting the ancient English language, which was written by Island Mincons.

The Schwabacher font was called from the German village of Schwabach, and the inscription is from the calligraphic hand writing of the chroniclers. Although from the 17th century they were only occasionally used in Germany, he had a huge impact on the history of typography.

Fraktur was widely used in print business in Germany even for the 20th century, and is found in a variety of variations. Fette Fraktur is a powerful, cleaned version, picking up the reader who is familiar to the "Antikva" font that does not lose the disclosure of the outlines.

The font, designed to cause nostalgia by the time of the origin of baseball, when the stadiums were also called in honor of the neighboring settlements and people. It is like vintage baseball jerseys, the same catchy and rigid equally.

Wrexham Script is a more dense and coiled font developed by inscriptions on sports equipment, with an admixture of vintage.

In the abundance of imitation of the handwriting handwriting presented on the network, the connection between the usual nameless sample of the drawing and its ancestors from the past centuries is easily lost, through the use of which, and often their professional cultivation, it has formed. Als Script, proportional and elegant, is a worthy continuation of his dynasty: His outlines resemble the handwriting of painters in official instances of the 18th and 19th centuries.

Contrary to the rejection of ornamentality, Mr. Looseme, the pure decorativeness of Adine Kirnberg does not interfere with its integrity or its applicability. This competently designed italics with a slight hint of antique is suitable not only for wedding invitations.

Direct items, equally geometrically correct and ornamental. In contours of Ecolier, the echoes of the Art Deco style are noticeable, but in their foundation, apparently, subtle curiosity of calligraphy together with aspiring the form of creation of modern engineering thought.

According to Designer Billy Argel (Billy Argel), the idea of \u200b\u200bthe font Olho de Boi suggested the first postage stamp released in Brazil on August 1, 1843. Characteristic strokes and curls give the symbols of this font to the appearance of letters copied directly from the old letters.

Maybe only one international day of oral pirate slang, but why not write Pirates at least four times a week? This font is very accurate.

Fletcher Gothic from Casady & Greene - Modern Style Font with Cupures and Striking Finishing Subtlety: bring a special feeling of the turn of the 19-20 centuries in your new century schedule.

The bends of the outlines of this font resemble the vegetable motifs of the contours of modern. Hadley animates the text, giving him an antiquity rack without losing modern relevance.

If Alphonse Mucha's Alphounds (Alphonse Mucha) developed fonts, he would come up with secesja. Intricate curved serifs and vegetable pattern give letters the mood of the joy of life.

At the beginning of the 20th century, Charles Dana Gibson (Charles Dana Gibson) became famous for the feather sketches of women in corsets and with high hairstyles, known since the Gibson Girls. Trinigan, with its wavy transverse elements and silhouettes in the form hourglass, promotes those classic images as printed characters.