Poem by F. I

The writing

Fyodor Ivanovich Tyutchev is a poet-philosopher. First of all, deep thoughts about the relationship between the world and the human soul are reflected in his landscape lyrics. The image of nature and the experience about it are one here. Tyutchev's landscapes are symbolic.
So, in the poem "The sight of the earth is still sad ..." the following picture appears before us: nature in anticipation of spring. But this seems only at first glance. The composition of Tyutchev's poems, as a rule, is two-part. This work is no exception. First, an image of spring is given:
The sight of the earth is still sad
And the air is already breathing in spring ...
It is really sad to look at the naked black earth, which was left without a beautiful, fluffy, snow cover. But what aromas come from the moist soil, how thick and fresh the air becomes! The young dreamer, the spring wind, tries to revive even a dried stem and awakens the branches of fir trees frozen in their grandeur.
Nature responds to the upbeat mood of the lyrical hero. Even if everything around is not so beautiful, but the heavy winter dream ends, this is already pleasing:
Nature has not yet woken up
But through a thinning dream
She heard spring
And she involuntarily smiled ...
The opposition and negation at the end of the first stanza express the struggle between spring and winter, so imperceptible at the beginning, but so fertile, important for the entire living world. The author very subtly shows the end of the winter season with the epithet "thinning" ("sleep"). In general, the second part of the stanza, I would say, is elegantly "written out" by Tyutchev. He selects such a vocabulary ("heard", "involuntarily"), which emphasizes the light, almost imperceptible feeling of spring, its premonition, which is barely realized by both man and nature.
The landscape is dynamic, thanks to the abundance of verbs, but the movements of the images are special: affectionate and gentle. Yes, it's spring, the most enjoyable time of the year. Nature cannot but smile at her. Man too. Spring creates a special state of mind. We become dreamy, romantic. The lyrical hero of the poem is thoughtful, as evidenced by the dots throughout the text. The thoughts of this person are revealed in the second part of the work:
Soul, soul, slept and you ...
But what suddenly worries you
Your dream caresses and kisses
And gold your dreams? ..
Blocks of snow shine and melt
The azure glistens, the blood plays ...
Or spring bliss? ..
Or is it female love? ..
Here comes the comprehension of the image of spring. The human soul is sensitive to this time of year. We are awakening, waiting for something new and bright. I think Tyutchev shows that man, as a part of nature, is renewed in spring, reborn together with the whole living world. However, he sometimes does not understand what is happening in his soul. So it is here. Turning to the inner world, the lyric hero asks several rhetorical questions. He tries to understand himself, but cannot, it is beyond his strength. Why?
The tragedy of man, according to the poet, is at odds with nature. We do not realize and refuse to accept the laws common to the entire living world. The absence of a single language with nature leads to such questions. But the good news is that the hero asks them.
A person seeks to know the world around him, his soul opens towards spring, which means that someday he will find the truth.
And maybe even this is not the main thing. What matters is that the hero is enjoying the spring. His soul is filled with conflicting feelings, including joy, anxiety, confusion, awe, bliss, love. I think this is great, because a person realizes how rich his inner world is. Everything else is less significant. No, it is no coincidence that the poem ends with rhetorical questions. The charm of the work is precisely in the mystery. A mystery is, probably, both spring itself and its reflection in the soul of the lyrical hero. A man dreams of a miracle. May his dreams come true!
In this work, Tyutchev, it seems to me, glorifies not the approach of spring, but the attitude of a person to such an event. This is the idea behind the poem. Another thought is no less important here: the hero's desire to find harmony with nature. The author depicts this especially vividly, combining in one line the glitter of heavenly blue and the play of human blood.
I was attracted by the ambiguity of the work, the beauty, the originality of the images, the expressiveness and accuracy of the language. But the most interesting thing in the poem is the image of a borderline, transitional moment in nature and human consciousness. This shows a true creator and an outstanding personality.

"Still the sight of the land is sad ..." Fyodor Tyutchev

The sight of the earth is still sad
And the air is already breathing in the spring,
And the stalk, dead in the field, sways,
And the oil stirs the branches.
Nature has not yet woken up
But through a thinning dream
She heard the spring
And she involuntarily smiled ...

Soul, soul, slept and you ...
But what suddenly worries you
Your dream caresses and kisses
And gold your dreams? ..
Blocks of snow shine and melt
The azure glistens, the blood plays ...
Or spring bliss? ..
Or is it female love? ..

Analysis of Tyutchev's poem "The sight of the earth is still sad ..."

For the first time, the poem "The sight of the land is still sad ..." was published after Tyutchev's death - in 1876. The exact date of its creation is unknown. Literary critics managed to find out that the work was written no later than April 1836. Accordingly, it refers to the early period of the poet's work.

The main method on which "The sight of the earth is still sad ..." is built is psychological parallelism, that is, the human soul is compared with nature. The poem can be divided into two parts. First, the poet paints a landscape. The nature of late February - early March appears before the readers. Already in the first lines Tyutchev succeeds in describing the early spring very accurately. Many researchers of Fyodor Ivanovich's work noted his amazing ability to portray a complete picture with just a couple of details. The sad sight of the land that has not yet awakened after winter is conveyed almost through one single line: "And the stalk, dead in the field, is shaking." This creates a kind of opposition. Despite the fact that nature is asleep, the air is already breathing in spring.

The March awakening after a long winter awaits the human soul. Tyutchev talks about this in the second part of the poem. Spring is a time of love, rebirth, joy, a time of rejoicing for the soul. Similar thoughts are encountered not only in the work of Fyodor Ivanovich under consideration, but also in some others (“No, my addiction to you…”, “Spring”). It is worth paying attention to the verbs used by the poet: "kisses", "caresses", "golden", "excites", "plays." All of them are associated with tenderness, love. At the end of the poem, the images of the human soul and nature merge together, which is characteristic of Tyutchev's lyrics. The last four lines clearly intersect with Spring Waters: the same shining in the sun, almost melted snow, the same feeling of happiness, fullness of being, joy from waking up after a long sleep.

Tyutchev is a master of landscape poetry. The poet managed to achieve amazing accuracy in the descriptions thanks to his endless love for nature. He sincerely considered her animate. According to the philosophical ideas of Fedor Ivanovich, a person should try to comprehend and understand nature, but it is practically impossible to do this. Tyutchev's views were formed mainly under the influence of the German thinker Friedrich Schelling with his perception of nature as a living organism.

(Art by: Sona Adalyan)

Analysis of the poem "Still the sight of the earth is sad ..."

An ode to unity with nature

Fyodor Ivanovich Tyutchev is a famous poet who, in his work, often turned to deep philosophical reflections, especially in the relationship between the human soul and the world around him. Tyutchev's poetic landscapes are very symbolic, they clearly reflect philosophical thoughts, and the image of nature is inseparable from the inner experiences of the author himself. The poem "The sight of the earth is still sad ..." is a vivid confirmation of this. In the first half of this poem, the author describes the state of nature in early spring, its awakening. And in the second - about the awakening of the human soul.

The nature of early spring, in Tyutchev's description, is shown at the very beginning of his awakening:

The sight of the earth is still sad

And the air is already breathing in the spring

Spring has not yet come, "... nature has not yet woken up", but the news of its arrival is already filling everything around. Her breath is close. The dream that everyone sleeps around is no longer as strong as it was in winter. Here the author uses the comparison "thinning" dream through which one can hear a little what is happening around. The spring breeze, with a light breeze, tries to touch every twig, every stalk, to awaken from sleep and tell the good news - the coming of spring. And nature reciprocates, this news makes her happy:

She heard spring

And she involuntarily smiled ...

In the second part of the verse, the author turns to his soul, which, like winter nature, was also asleep, but the general awakening also touched her. Tyutchev describes the awakening of his soul in a very romantic and gentle way, using such verbs: excites, caresses, kisses, gilded. The human soul, like nature itself, with the arrival of spring acquires a certain special state of dreaminess and romance - it comes to life. The soul is sensitive to the arrival of spring, expecting changes for the better, expecting something bright and pure. Here the author uses a comparison of the spring renewal of nature and man, points to a living connection between them. Several times, using ellipsis, Tyutchev calls to reflect, see and understand that unbreakable thread that connects all living things together. The idea of \u200b\u200bthe unity of man and nature runs through all the poet's work.

Fyodor Ivanovich Tyutchev supposedly wrote this poem during the heyday of creativity, but, as you know, it was published only after the death of the poet. The date of the first publication is 1876. It is worth mentioning the peculiarities of Fyodor Tyutchev's work - nature in his poems is something alive, just like a person. Therefore, in many of the author's poems there is a parallel or overlap between nature and man, as a comparison. This is also the poem "The sight of the earth is still sad ...".

The poem contains two main pictures that attract attention and reflect the author's intention. The first picture is nature, which wakes up from the arrival of spring, the approximate time is the beginning of March, when spring begins to slowly hint at its early visit. And the second picture is a description of the human soul, which also wakes up, sings, something “excites her, caresses and kisses, golden dreams”. It is here that you can already see a connection, a kind of comparison between nature and the human soul. By this Tyutchev wanted to make these two concepts akin and show that man and nature are one whole.

Another interesting thought is that there is a second parallel in the poem, but less noticeable and fading into the background. The author, willingly or unwillingly, associates spring with love. “The azure glistens, the blood plays ... Or is it spring bliss? Or is it a woman's love? " in the text, the author clearly divides and introduces a misunderstanding - from what did the soul awake? However, the concept of "love" came precisely with the spring in the poem. As spring comes to nature, so love comes to the soul of man. This is another way to connect people and nature.

It is interesting to note that such a connection between nature and man was a whole idea for Tyutchev. This he adopted from Friedrich Schelling, carried away by his work. The German philosopher believed that nature is a living organism.

Tyutchev was a master not only in creating beautiful comparisons and intersections in his poems, but also in describing landscapes, paintings, occurring in his creations. In this poem, he was able, with the help of a few, imperceptible to the ordinary reader, details to convey the immense picture of nature in the springtime. When "the air breathes in the spring, and the stalk that is dead in the field sways, and the branches of oil move." But this is exactly how the awakening of nature begins, when the snow begins to melt, revealing dead plants and fresh, cool, light air begins to wake them up, shaking the stems.

Fyodor Ivanovich Tyutchev is a talented poet who wrote with unimaginable accuracy, he could convey a whole event with the help of a few words, and from comparison create a huge idea.

Analysis of the poem Still the sight of the earth is sad ... according to plan

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Fyodor Ivanovich Tyutchev

The sight of the earth is still sad
And the air is already breathing in the spring,
And the stalk, dead in the field, sways,
And the oil stirs the branches.
Nature has not yet woken up
But through a thinning dream
She heard the spring
And she involuntarily smiled ...

Soul, soul, slept and you ...
But what suddenly worries you
Your dream caresses and kisses
And gold your dreams? ..
Blocks of snow shine and melt
Azure glistens, blood plays ...
Or spring bliss? ..
Or is it female love? ..

The main technique on which "The sight of the earth is still sad ..." is built is psychological parallelism, that is, the human soul is compared with nature. The poem can be divided into two parts. First, the poet paints a landscape. The nature of the end of February - the beginning of March appears before the readers. Already in the first lines, Tyutchev manages to describe the early spring very accurately. Many researchers of Fyodor Ivanovich's work noted his amazing ability to portray a complete picture with just a couple of details. The sad sight of the land that has not yet awakened after winter is conveyed almost through one single line: "And the stalk, dead in the field, is shaking." This creates a kind of opposition. Despite the fact that nature is asleep, the air is already breathing in spring.

The March awakening after a long winter awaits the human soul. Tyutchev talks about this in the second part of the poem. Spring is a time of love, rebirth, joy, a time of rejoicing for the soul. Similar thoughts are encountered not only in the work of Fyodor Ivanovich under consideration, but also in some others ("No, my addiction to you ...", "Spring"). It is worth paying attention to the verbs used by the poet: "kisses", "caresses", "golden", "excites", "plays." All of them are associated with tenderness, love. At the end of the poem, the images of the human soul and nature merge together, which is characteristic of Tyutchev's lyrics. The last four lines clearly intersect with Spring Waters: the same shining in the sun, practically melted snow, the same feeling of happiness, fullness of being, joy from waking up after a long sleep.

Tyutchev is a master of landscape poetry. The poet managed to achieve amazing accuracy in the descriptions thanks to his endless love for nature. He sincerely considered her animated. According to the philosophical ideas of Fedor Ivanovich, a person should try to comprehend and understand nature, but it is practically impossible to do this. Tyutchev's views were formed mainly under the influence of the German thinker Friedrich Schelling with his perception of nature as a living organism.