Art features of lyrics S. Yesenin

Uniqueness of Poetics S. Yesenin.

Beauty and wealth Lyrics Yesenin.

Features of artistic style.

Lyrics Yesenin is very beautiful and rich. The poet uses various artistic agents and techniques. A large place in the work of Yesenin is occupied by epithets, comparisons, repeats, metaphors. They are used as a means of painting, transmit the diversity of the shades of nature, the wealth of its paints, the external portrait features of the heroes ("cherry of the siny", "the red month of the foal did in our sleigh", "in the MGL, a raw month, like yellow raven ... goes over the ground "). An important role in Esenin's poetry, as in folk songs, repetitions play. They are used to transmit human mental state to create a rhythmic pattern. Yesenin uses reversal of words:

My soul threw trouble,

With my soul, it was staring trouble.

Enesenin's poetry is saturated with appeals, often this appeals to nature:

Cute birch thickets!

Using the stylistic features of the folk lyrics, Yesenin seems to miss them through literary traditions and through his poetic worldview.

Most often he wrote about the rustic nature, which always looked He has a simple and uncomplicated. This happened because epithets, comparisons, Enesenin metaphors found in folk speech:

Sparrows playful,

As children are lonely.

As for the people, the nature of nature is typical for Yesenin, attributing human feelings, that is, the reception of personification:

Maple you are my fallen,

maple Zaled,

What are you going to fuck up

under the white blizzard?

Or what did you see?

Or what he heard?

The moods and feelings of Yesenin, as well as the people, are consonant with nature, the poet is looking for salvation and calm. Nature is compared with human experiences:

No wrestle was found.

I went with longing on the meadow.

I was laughed by the river:

"Cyilaka has a new friend."

Features of metaphors in poetry Yesenin.

Metaphor (from Greek. Metaphora - transfer) is a figurative meaning of the word, when one phenomenon or item is likened to another, and the similarity and contrast can be used.

The metaphor is the most common means of forming new values.

Poets of Yesenin is distinguished by not to distracts, hints, foggy symbols of ambiguity, but to substance and concreteness. The poet creates its epithets, metaphors, comparisons and images. But he creates them according to the folklore principle: he takes material for the image from the same village world and from the world of nature and seeks to characterize one phenomenon or subject to others. Epitts, comparisons, metaphors in the Neshenin lyrics exist in themselves, for their own, for the sake of a beautiful form, and in order to fully and deeper to express their worldview.

Hence the desire for universal harmony, to the unity of everything on earth. Therefore, one of the main laws of the Enesenin world is universal metaphorism. People, animals, plants, elements and items - all this, according to Sergey Alexandrovich, children of one mother - nature.

The system of comparisons, images, metaphors, all verbal means are taken from peasant life, native and understandable.

Having a warmth, inhale soft bread

And with a crunch mentally biting cucumbers,

For a smooth smoker flinching the sky

Displays the cloud from the stall under the coziness.

Even Mill - Log Bird

With the wing is the only thing - standing, the eyes of shifting.

Poetic vocabulary.

E. S. Rogornar In one of his articles, each poet had his own "business card": or this is a feature of poetic technology, or this is the wealth and beauty of lyrics, or the originality of vocabulary. All of the above, of course, applies to Esenin, but I would like to notice the peculiarities of the poet. [Ibid., P. 198.]

The concreteness and the impertness of the poetic vision is expressed by the most abundant household vocabulary, the dictionary is simple, there is no book and the more abstract words and expressions. This language was used by fellow villagers and countrymen, and in it, outside of religious colors there are religious words that the poet uses to express their purely secular ideas.

In the poem "smoke flood ..." Stacks are compared with churches, and the guilty singing of Glumchaku with the call of the vigil.

Nevertheless, the poet's religiosity should not be seen. He is far from her and draws a picture of his native land, a forgotten and abandoned, flooded flood, cut off from the big world, left alone with a sad yellow month, the dim light of which covers stacks, and they, like churches, the village surrounded. But, unlike churches, the stacks are silent, and for them, the deputy heads and unspecified singing calls to the all-sleeping swamps in silence.

It is also visible to the grove, which "blue darkness covers Goleutbu." That's all the nonsense, a sad picture, created by the poet, everything he saw in his native flooded and covered in a blue darkness of the region, deprived of the joy of people, for whom, right, not sin and pray.

And this motive regret on the poverty and dedication of the native land will pass through the early creativity of the poet, and the ways of expressing this deep social motive in the pictures of nature would seem to be neutral to the social parties of life, will continue to be improved in parallel with the development of the poet's vocabulary.

In the poems "Imitation of the song", "under the wreath of the forest chamomile," "Good was the Tanya ...", "Play, Play, Talianochka ...", especially noticeable, the poet to the form and motives of oral folk art. Therefore, there are a lot of traditionally folklore expressions of the type: "Lyamesky separation", like "cunning mother-in-law", "I love, look", "in Terem Dark", Spit - "Suggokka-Snake", "Siegyglase guy".

Poetic technique S. Yesenin.

Sergey Yesenin's lyric talent is noticeable and in the design of rows, stuff and individual poems, in the so-called poetic technique. First of all, we note the verbal peculiarity of the poet: joy and grief, riotiness and sadness, filling his poems, it expresses verbally, seeking expressiveness in each word, in each line. Therefore, the usual size of its best lyrical poems rarely exceeds twenty lines, which it is enough to embody sometimes complex and deep experiences or creating a finished and bright picture.

A few examples:

Did not give mother's son

The first joy is not the future.

And on the cola under the aspen

The skin drinked the breeze.

The two last lines not only explain the first, the metonimical approximation in them contains a whole picture characteristic of rural life. Skura on Cola - a sign of a perfect murder remaining outside the poem.

A bit poet and to the paints available in the Word or in a number of words. Cows talk from him "at the culitical language", the cabbage "Waveed". In the words, Kiv - Liv, Vol - New, Va - Va, is heard in words.

Sounds seem to pick up and support each other, keeping the specified audio design of the string, its melody. This is especially noticeable in the harmony of vowels: your lake longlanger; In Terem Dark, green in the forest.

The stanza of the poet is usually a four-stricter, in which each line is syntactically completed, transferring the observance - an exception. Four - and two-string stuffs do not require a complex system of rhymes and do not give its diversity. According to its grammatical composition, Esenin's rhyme is not the same, but noticeable the poet to the exact rhyme that gives the special smoothness and the beability of verse. [. PF Yushin. Poetry Sergey Yesenin 1910-1923. M., 1966.- 317С ..]

A month horn clouds barely

In the blue bathing dust.

And nodded her month behind the mound,

In the blue bathing dust.

Moon in Esenin's poetry.

Yesenin is hardly the most moon poet in Russian literature. The most common image of the poetic attribute of the moon, the month is mentioned in 351 of its work more than 140 times.

The lunar spectrum in Esenin is very diverse and can be divided into two groups.

The first: white, silver, pearl, pale. Here are the traditional colors of the moon, although poetry is just there and it turns out where the traditional is converted to unusual.

In the second group, except for yellow, includes: scarlet, worry, red, gold, lemon, amber, blue.

Most often, the moon or month of Yesenin is yellow. Then go: Golden, White, Redhead, Silver, Lemon, Amber, Scarlet, Chervoy, Pale, Blue. Pearl color is used only once:

Not sister month of dark swamps

In the pearl of Kokoshnik in the sky threw back, -

Oh, how Marfa came out per gate ...

Very characteristic of Yesenin - in the sense of its non-phase: the poet uses clean, natural paints, traditional for Old Russian painting.

There is no Red Moon in Yesenin at all. Maybe only in the "Poem about 36":

Month and Al ...

Yesenin Moon is always in motion. This is not a lime ball ascended into the sky and hanging the carotid dining to the world, but necessarily a living, spiritualized:

The road is pretty good,

Pleasant cold link.

Moon Gold Powder

Sounded Dal the villages.

Difficult metaphoricity that can not avoid enesenin cannot be attributed to some poetic exotic. "Our speech is that sand in which the little pearl was lost, he wrote Yesenin in the article" The Council of Word ".

The diverse Moon Yesenin turns out to be a rigid subordinate traditionally folk pattern, from which it is as depends as its heavenly twin - from the ground. But at the same time: as a real moon manages the tides of the earth's seas and oceans, so the study of the Yesenian lunar metaphorics allows us to see the simplicity of folk images "very long and complex definitions of thought" (Yesenin).

But only from the month

Silver light sprinkle

I have another blue

Other in the fog fades.

Yesenin often consumes words with diminutive suffixes. It consumes both old Russian words, fabulous names: to throw, svi, etc.

Interesting and color gamma Yesenin. It most often uses three colors: blue, gold and red. And these colors are also symbolic.

Blue - the desire for the sky, to the impossible, to the beautiful:

In the evening blue, in the evening lunar

I was sometime beautiful and young.

Golden - initial color, from which everything appeared and in which everything disappears: "Zvnya, links, Chisty Rus."

Red - the color of love, passion:

Oh, I believe, I believe, happiness is!

Also the sun did not go out.

Zarka prayer with red

It prophesate a blessing news ...

Often Yesenin, using the rich experience of folk poetry, resorts to the admission of personification:

He has a cherry "sleeping in a white cape," willow - cry, poplar - whisper, "Girls hungry", "like a white golkin," Pine "," a blizzard, like Gypsy violin ", etc.

Images of animals in poetry S. Yesenin.

Poetry Yesenin Odna. But his images are also simple: "Autumn - a red mare." Images are again borrowed from folklore, for example, a lamb is an image of an innocent victim.

In the literature of different times, animal images have always been present. They served as a material for the emergence of the Ezopov language in fairy tales of animals, later in the fables. In the literature "New Time", in Epos and in lyrics, animals acquire equality with a person, becoming an object or subject of narration. Often a person "is checked by the humanity" attitude towards an animal.

In the poetry of Sergey Yesenin, there is also a motive of "blood relationship" with the animal world, he calls them "brothers smaller."

Happy that I kissed women

Flowers bluled on the grass

And the beast like our smaller brothers

Never beat on my head. ("We are now passing little.", 1924)

He, along with pets, we find the images of wildlife representatives.

Of the 339 considered poems in 123, animals, birds, insects, fish are mentioned. Horse (13), cow (8), crows, dog, nightingale (6), calves, cat, pigeon, caravel (5), sheep, mare, dog (4), foal, swan, cock, owl (3), Sparrow, Wolf, Cutter, Cuckoo, Horse, Frog, Fox, Mouse, Tit (2), Stork, Baran, Butterfly, Camel, Ruch, Gorilla, Gorilla, Toad, Snake, Oriole, Kulik, Chicken, Coruser, Donkey, Parrot , Soroki, Som, Pig, Cockroach, Chibis, Bumblebee, Pike, Lamb (1).

The horse was an assistant when working in the field, in the carriage of goods, in the rolling battle. The dog brought prey, guarded the house. The cow was the breadwinner in the peasant family, and the cat caught mice and simply personified her home comfort. The image of a horse, as an integral part of the life, is found in the poems "Tabun" (1915), "Farewell, the native forest ..." (1916), "this sadness is now not scattered ..." (1924). Pictures of rustic life are changing in connection with the events occurring in the country. And if we see in the first poem "in the hills of green herds horses", then in the following:

Bashed either

Sheep crying, and away in the wind

Waving a hanging horse horse

Looking into a nonlaskaya pond.

("This sadness is no longer scattered ...", 1924)

The village came into decline and the proud and majestic horse "turned" in the "horse", which personifies the plight of the peasantry in those years.

Innovation and peculiarity of S. Yesenin - the poet manifested in the fact that drawing or mentioning animals in the household space (field, river, village, courtyard, house, and the like), he is not an animal, that is, it does not put the goal to recreate the image of one or another Animal. Animals, being part of the household space and environment, appear in its poetry as a source and means of artistic - philosophical understanding of the surrounding world, allow you to reveal the content of human spiritual life.

Leading themes of poetry.

Whatever Yesenin wrote, he thinks images taken from the world of nature. Each his poem written on any topic is always unusually colorful, close and understandable to everyone.

Village theme.

The early Esenin poetry is based on the love of native land. It is to the native land of the peasant land, and not to Russia with its cities, plants, factories, with universities theaters, with political and social life. Russia in the sense, as we understand it, he did not know in essence. For him, the Motherland is his own village and those fields and forests in which she lost. Russia - Rus, Rus - Village.

Very often, Yesenin in his works appeals to Russia. At first, he glorifies the patriarchal starts in the life of his native village: draws "Huts - in the image riza", likes the homeland "Black Monk", which "reads Psalms on the sons", idealizes joyful and happy "good young people." These are the poems "Goy YOU, my own family ...", "the edge you are my abandoned ...", "Poison", "Rus". True, sometimes the poet hears "warm sadness" and "cold grief", when he meets the peasant poverty, he sees the abandonment of his native land. But it only deepens and strengthens his infinite love for the longing lonely earth.

About Russia - Raspberry field

And blue, falling into the river -

I love to joy and pain

Your lake longguing.

Yesenin knows how to feel in the most long-term greasy, in the dormant Russia - the accumulation of the Bogatyrs. His heart responds to the maiden laughter, on the dance of the fires, Taliance the guys. Of course, it is possible to stare in the "Ughabina", "bumps and depressions" of the native village, and you can see "how they shine around the heavens." Yesenin absorbs a light, optimistic look at the fate of his fatherland. Therefore, so often in his verses sounds lyrical confessions facing Russia:

But I love you, Motherland is meek!

And for what I can not solve.

…………………………….

Oh you, my Russia, my dear homeland,

Sweet rest in the clove of the battlement.

……………………………..

I'm here again, in the family native,

My edge, thoughtful and gentle!

For the inhabitant of this Russia, the whole life feat - peasant labor. The peasant is scored, nitsch, goal. Also wretched his land:

Rakiti suffer

Brew the wind ...

The edge you are my forgotten

The edge you are mine.

It is possible to restore its early Menietic - religious trends in verses of Yesenin. It will be that the mission of the peasant Divine, because the peasant is sort of creativity of God. God is a father. Earth - Mother. Son - Vintage.

Russia for Yesenin - Rus, the fertile land, the homeland on which his great-grandfather worked and now his grandfather and father work. Hence the simplest identification: if the land is a cow, the signs of this concept can be transferred to the concept of the Motherland. [V.F. Khodasevich. Necropolis: Memories. - M.: Soviet Writer, 1991.- 192c ..]

The image of Yesenin's country is impossible to submit without such familiar to all of us, as "blue plates of heaven", "Solonchak Tusca", "Bells" and Bereza - Berza ", and in mature years -" Koston Ryabina Red "and" Low House " "In the gripping steppe overclocking the bell laughs to the tears." It is difficult to imagine Russia Yesenin and without such a picture:

Blue sky, color arc.

Quiet Stepnoy Beach,

Stretches smoke, raspberry villages

The wedding of the Raven facilitated the frequency.

The theme of the Motherland in the Lyrics of Yesenin.

Yesenin was an inspired singer of Russia. All the most sublime ideas and intimate feelings were associated with her. "My Lyric Lyrics is alive with one big love - love of his homeland," the poet admitted. "The feeling of the motherland is the main thing in my work."

The poetization of the native nature of the middle strip of Russia, such a constant in the poetry of Yesenin, was an expression of the feeling of love for his native land. When you read such early poems like "Snow-in the snow ...", "the edge of the beloved! The heart is shot ... ", when I will show the fields with their" raspberry wide ", blue of lakes and rivers, tukaking" shaggy forest "with his" Pine wrinkle "," Trop village "with" roadside herbs ", gentle Russian birchs with their joyful Hi, inevitably the heart, like the author, the "cornflowers", "and" burns in it turquoise. " You begin to love this "edge of the birthmark" in a special way, "the country of the birch seats".

In the rapid revolutionary times, the poet already talks about "who deliberate Russia", a formidable country. She is now seen now Yesenina a huge bird, who prepared for a further flight ("About Russia, begging wings"), who acquires "other fasten", which is clearing an old black to come. The image of Christ appears at the poet symbolizes the image of the insight, and at the same time new flour and suffering. Yesenin writes with despair: "After all, it is not the same socialism about which I thought." And the poet is painfully going through the collapse of his illusions. Nevertheless, in "Hooligan's confession" he repeats again:

I love my homeland.

I love my homeland very much!

In the poem "Rus, the exit" Yesenin has already defined about the old one that dies and inevitably remains in the past. The poet sees people who believed to the future. Let timo and with caution, but "they talk about a new life." The author is imposed in the boil of the changed life, in the "New Light", which burns "another generation of huts." The poet is not only surprised, but also wants to look in the heart of this nove. True, and now in the poem, he makes a reservation:

I accept everything.

How to eat everything.

Ready to go on knotted tracks.

I will give the whole soul of October and May,

But only lovely Lyra will not give.

Nevertheless, Yesenin stretches his hand to a new generation, a young, unfamiliar tribe. The idea of \u200b\u200bthe inseparalness of its fate from the fate of Russia is expressed by the poet in the poem "sleeps Kovyl. Plain dear ... "And" the unspeakable, blue, gentle ... "

Theme of love.

To write about the love of Yesenin began in the late period of his work (until that time he rarely wrote on this topic). Yesenin Love Lyrics is very emotional, expressive, melodic, in the center of it - complex peripetics of love relationships and an unforgettable image of a woman. The poet managed to overcome the raids of naturalism and bohemility, which was peculiar to him in the IMAZHINIST period, freed from vulgarisms and a faded vocabulary, which sometimes sounded dissonance in his verses of love, sharply reduced the gap between the coarse reality and the ideal, which was felt in separate lyrical works.

The outstanding creation of Yesenin in the field of love lyrics was the "Persian motifs" cycle, which the poet himself considered the best of everything that they were created.

The poems included in this cycle are largely contrary to the lines of love that sounded in the collection "Moscow Kabatskaya". This is already evidenced by the first poem of this cycle - "my was the wound melted." In the "Persian motives" the perfect world of beauty and harmony is drawn, which, with all its obvious patriarchalness, is devoid of rough prose and catastrophicity. Therefore, to reflect this wonderful kingdom of dreams, peace and love, the lyrical hero of this cycle is touching and soft.

Conclusion.

A. N. Tolstoy.

The words of A. N. Tolstoy about Yesenin can be put by the epigraph to the work of the outstanding Russian poet of the twentieth century. And Yesenin himself confessed that I would like to "throw out the whole soul to the words." "Female feelings", flooded him to poetry cannot but cause a response spiritual excitement and empathy.

Nesterova I.A. Features of the creativity of Esenin // Encyclopedia Nester

Sergey Yesenin - a great Russian poet, a man with a capital letter and suffering a genius. The poet infinitely loved his native land and the Russian people. His poems are one long Oda homeland and a Russian village.

Sergei Yesenin's creativity opens an extraordinary sensual world of nature, love and the sharpness of the soul suffering, which is moving away from their own weaknesses to the extraordinary power of feelings. The creativity of the poet is largely autobiographical. It has reflected and experiences for the fate of the country in difficult for her times, and longing over the past, and the pain of the people suffering from strong changes. At all stages of the creativity of Yesenin wrote a lot about nature and rustic life.

Each feature of Sergei Yesenin's creativity should be considered in detail, allocating the artistic peculiarity of his poetry. You should start with a special place of rustic life and nature. Not in vain, he was considered a representative of Novokrestest poetry and lyrics. Later, Sergei Yesenin's work refers to immudy.

In the lyrics of the poet, nature is a firmness of beauty. In his verses, she was seen as if for the first time, freshly children's glance.

On fluffy branches
Snezhoy Kaima
Brushes bloom
White fringe.

Nature near Yesenina is endowed with such beauty that when reading his verses, breathing freezes. Delightful epithets, metaphors and comparisons create a picture of which I do not want to break away.

White birch
Under my window
Snapped with snow
Precisely silver.

Yesenin widely uses in lyrics about the nature of personification. So, in the already mentioned poem "Birch", the dawn is endowed with human features, she "bypass" and "ships", and Bereza itself "fell". Each line in poet verses is saturated with artistic means, but, at the same time, not completely overloaded with them. So in the poem "Evening black eyebrows speaking ..." The name itself contains an impersonation and metaphor. In the poem "dissigned grove gold" grove - a living being. She breathes, says.

Nature and man from Esenin are closely connected. Not nature is comparable to a person, but a person is part of nature, alive, lightweight. Natural phenomena often have a rustic, peasant look, are liken to the subject of rustic life and animals. Yesenin's nature seems to be involved in worship, where stars or birch trees, candles, groves "are dewy dewy", etc.

An important feature of the lyrics of Sergei Yesenin is a person. Yesenin is often found to describe the village festivities, holidays. The image of the beggars, cripples, recruits sometimes makes sad notes that do not overshadow the overall picture. In many verses of the poet, it clearly appears his "I". The image of the poet in lyrics is the reflection of the main features of Yesenin himself, his angels and demons. Separately, the poem should be allocated. It is a reflection of the entire depth of Patriotism Esenin.

He will do everything freely,
What others could not.
He is a poet, Poet People
He is the poet of his native land!

Yesenin as a patriot manifests itself in early lyrics. As an example, you can give verse "Goy, you Russia, my native!"

If the Holy Holy Wrinkles:
"Throw you rus, live in paradise!"
I will say: "I do not need paradise,
Give my homeland. "

This is a reflection of the youth, naivety and youthfulness of the homeland, which is still limited by the poet to the native edge, namely Selo Konstantinovo, where he was born. "Ryazan fields were my country," he later recalled. The perception of the Motherland as a social and political environment will appear later. Yesenin is in love with peasant life. For him, she is the only truth in full harmony with nature. However, after the October Revolution, the tone of patriotic poems has changed. Yesenin is still a patriot of his country, but to the youth of the enthusiasm, bitterness and experience for the Russian people were gaining. The poet was very worried about the changes in the village of Sla. He was afraid that the village would lose his identity.

And behind him
On big grass,
As on the festival of desperate racing,
Thin legs throwing to the head,
Rides a redogric fooder?
Cute, cute, funny fools,
Well, where is he, where is he chasing?
Doesn't he know that living horses
Won steel cavalry?

A feature of the creativity of Yesenin can be safely called the presence of a lyrical hero in a number of poems. Yesenin has a lyrical character - a wanderer, traveler, a person looking, spiritual. The lyrical hero of Yesenin in harmony with people and the world, feels a mental balance. Yesenin "Obligates" all objects around the lyrical hero. Such a reception in the literature was called "Anthropomorphism". In the late lyrics of Yesenin, anthropomorphism is becoming more apparent.

Blizzard now
Although the hell
Knocking the drowned naked, -
I'm with a broken head
Comrade vigorous and cheerful.

Sergey Yesenin loved animals very much. They are dedicated to many poems. All of them are touching and, for the most part, sad. Yesenin animals are part of nature, alive, reasonable. Huge love and compassion for our smaller brothers permeates the creativity of the poet. Everything familiar to the poem "Song of the dog" and "Tabun".

In the hills of green herds horses
Putting out the nostrils of the goldfall from days.
With a hollow bugor into a blue bay
Farmed quantities of swinging grive.
Tremble their heads over gross water
And catches the month of their silver udis.
Snoring in fright on his own shadow
Clear manes they are waiting for a new day.

A love for a woman passes through the whole lyrics of Sergei Yesenin. Whether it is a mother or loved one. Woman in verse Yesenin looks like nature. It is sensual, beautiful, but Surov. From poet poems it is obvious that the woman and nature are not divided into his perception. So female features are endowed with birch, dawn, spring and blizzard. Sergey Yesenin's poem "Letter to a woman" is similar to confession. It is intertwined by the admiration of a woman, her fatigue. The poet despises himself for his character, for his flavors and for the pain he brought his beloved.

The image of the mother at the poet differs from the image of the beloved woman. Everyone knows his poem "Letter of Mother". It became probably the strongest expression of love for mom in all Russian poetry. From the very first rows, the tenderness and sadness of the poet feels.

Are you still alive, my old woman?
I am alive. Hi, hello!
Let flowing over your hut
That evening unspecified light.

The use of colors to express emotions and creating a certain atmosphere in verses is characteristic of all periods of Sergei Yesenin's work. It is through contrasting colors - white and black - Yesenin once brightly expressed meditation about his life. It was in the period of Moscow Kabatska, when he painfully felt the contradiction between the medium in which he found himself, and the poetic inspiration dictated by romantic feelings. Early Yesenin Lyrics is filled with gentle flowers: blue, golden, turquoise. The further the same in the poet's world. Colors become darker. The latest poems of the poet gloomy and sullen. Felt fatigue and doomed.

Literature

Sergey Yesenin. Full Lyric Collection in 1 Tome - M.: Eksmo, 2017
Russian writers of the 20th century from Bunin to Shukshina / Edited by N.N. Belyakova and M.M. Glochy. - M.: Flint, 2012

He went to life with Ryazan simple, blue-eyed, walking, russes, with a perky nose and a fun taste, to the delights of life with a sun. But soon the riot threw his dirty com in the shine of the eyes. The poisoned snake bite of the rebellion, gossipped over Jesus, it tried to go with the Kabak ... In the circle of robbers and prostitutes, tomptic from blasphemous, he realized that the Kabak him herself ... And God revealed him again, County, the Songs of the Furious Soul of His Yesenin, Pious Russian hooligan ...

Igor Northgen

Creativity Sergey Yesenin, uniquely bright and deep, now firmly entered our literature and enjoys a huge success in a numerous reader. The poets of the poet are full of cardiac heat and sincerity, passionate love to the boundless expanses of the native fields, the "inexhaustible sadness" of which he could have been able to convey so emotionally.

In our literature, Sergey Yesenin entered as an outstanding lyrics. It is in lyrics that it is all that makes the soul of the Yesenin creativity. It has a full-blooded, sparkling joy of a young man, re-operating an amazing world, a thinly feeling complete of the earthly charms, and a deep tragedy of a person, too long remaining in the "narrow interval" of old feelings and views. And, if in the best poems of Sergey Yesenin - "flood" of the most intimate, most intimate human feelings, they were filled with the freshness of the pictures of their native nature, then in his other works - despair, treno, hopeless sadness. Sergey Yesenin is primarily the singer of Russia, and in his verses, in Russian sincere and frank, we feel the beat of a restless gentle heart. In them, "Russian Spirit", in them "Rusy smells." They absorbed the great traditions of national poetry, the traditions of Pushkin, Nekrasov, the block.

Even in the love lyrics of Yesenin, the theme of love merges with the theme of the Motherland. The author of the "Persian motives" is convinced of the fraud of serene happiness away from the native land. And the main heroine of the cycle becomes the distant Russia: "No matter how beautiful Shiraza, he is not better than Ryazan discount." With joy and hot sympathy met Yesenin Oktyabrskaya Revolution. Together with the block, Mayakovsky, he stood up on her side without hesitation. Works written by Yesenin at the time ("Transfiguration", "Inony", "Heavenly Drummer"), are imbued with rebar moods. The poet is captured by the storm of the revolution, her greatness and rushes to a new one, to the future. In one of the works of Yesenin, exclaimed: "My mother is homeland, I am Bolshevik!" But Yesenin, as he himself wrote, perceived the revolution in his own way, "With the peasant bias," "more spontaneously than consciously." This imposed a special mark on the work of the poet and largely predetermined his future path. The presentations of the poet about the goal of the revolution, about the future, about socialism were characteristic. In the Poem "Incen" he draws the future as a kind of idyllic kingdom of peasant well-being, socialism seems to him the blessed "Menietary Ram". Such ideas were affected in other works of Yesenin of that time:

See you, cereal navy,

With a flock of brown horses.

With a shpheysca fool in Iwah

Walk apostle Andrei.

But the fantastic vision of the Men's Inonya, naturally, was not destined to come true. The revolution was headed by the proletariat, the village was led by the city. "After all, there is not the same socialism about which I thought," says Yesenin in one of the letters of that time. Yesenin begins to curse the "iron guest", which bears the death of the patriarchal rustic way, and mourn the old, which is walking "Wooden Rus." This explains the inconsistency of the poetry of Yesenin, which has passed the difficult path from the singer of patriarchal, poor, disadvantaged Russia to the singer of Russia of Socialist, Russia, Lenin. After the journey of Yesenin abroad and the Caucasus in the life and work of the poet there is a fracture and is denoted by a new period. She makes him stronger and stronger to love his socialist fatherland and to evaluate everything about it. "... I was even more falling in love with communist construction," I wrote Yesenin on returning to my homeland in the sketch of Iron Mirgorod. Already in the cycle "Love of Juligan", written immediately on arrival from abroad, the mood of lost and hopelessness is replaced by hope for happiness, faith in love and the future. The beautiful poem "The Blue Fire was noticed ...", complete self-selling, clean and tender love, gives a clear idea of \u200b\u200bthe new motifs in Yesenin's lyrics:

The Blue Fire was noticed

Forgiven the births were given.

For the first time I got about love,

For the first time, I repean the scandal.

I was all - as a launched garden,

Was on women and potions dropsy.

Broke to sing and dance

And lose your life without looking back.

The creativity of Yesenin is one of the bright, deeply exciting pages of the history of Russian literature. Departed to the past era of Yesenin, but his poetry continues to live, awakening a sense of love for the goddamy region, to all near and different. We are worried about the sincerity and spirituality of the poet, for which Russia was the most expensive on the entire planet.

Solovyova Elena

As a result of the study, the conclusion was made that the main topics of creativity; with. Yesenin was the theme of the village, Motherland and Love.; It was determined that Sergey Yesenin's poetry and folklore had a very close connection, and it should also be said about the powerful impact on Yesenin Old Russian literature and iconopysi. The specimens appear in the possibility of using literature lessons.

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Research

"Artistic peculiarity of poetry
S. Yesenin "

Pupil 11th Class of Solovyva Elena

Leader: Teacher of Russian Language and Literature

MOU Mihaylovskaya School Apple S.V.

1. Entry. p. 2.

2. A peculiarity of poetics S. Yesenin.

2.1.1. Features of artistic style. p. 3.

2.1.2. Features of metaphors in poetry Yesenin. Page 4.

2.1.3 Poetic vocabulary. p. 5.

2.1.4. Poetic technique S. Yesenin. p. 5.

2.1.5. Moon in Esenin's poetry. p. 6.

2. 1.6. Images of animals in poetry S. Yesenin. P.8.

3.1 Leading themes of poetry.

3.1.1. Village theme. Page 9.

3.1.2 Homeland theme in the Lyrics of Yesenin. p. 10.

3.1.3. Theme of love. p. 11.

4. Conclusion. p. 12.

5. Bibliography. p. 13.

Introduction.

In 1914, the poem of Yesenin "Bereza" was printed in 1914 in the MIROGO Journal. Could then, in 1914, someone assume that in the face of an unknown author, hiding under the pseudonym Ariston, a man came to Russian poetry of the twentieth century, who was destined to become a decent successor of Pushkin Glory. Following the "birch" appear in the press "surprisingly hearty" and "squeezed" verses of Sergey Yesenin.

Cute birch thickets!

You, Earth! And you, the plains of sand!

Before this sitm

And unable to hide longing.

Enesenin's poetry, surprisingly "earthly", close to everyone, real to the most roots and at the same time "universal", universal, illuminated by the unclear light of true love "to the world in the world."

It would seem that the work of Yesenin is already said [see bibliography at the end of work.]. And all the same, every person, opening his poems, opens his enesenin.

I love Yesenin since childhood. When I was very small, my mother read me in the evenings a poem "Bereza". Although I did not know who owns this creation, but since childhood these wonderful lines were fascinated.

It is hardly possible about Yesenine, as Pushkin, say "this is our everything." But at the same time, there is no such person in Russia who does not know at least a few rows from the poems of Yesenin. What is it peculiar, original?

In the 11th grade, studying the literature of the twentieth century, I met the work of many poets-contemporaries of Yesenin, poets living and worked after him. Sometimes we thought, where the origins of the creativeness of a popularly beloved poet, if he had followers.

So, the topic of work: "Artistic peculiarity of Poetry S. Yesenin."

· Remove features of artistic style and poetic technology.

· Consider the main themes of the poet's creativity.

The following methods were used to solve the tasks:

· Analytical;

· Comparative;

· Comparative

Working on the study, we turned to literary materials V. F. Khodasevich, P. F. Yushina, V. I. Erlich, V. I. Guseva. The Book V. F. Khodasevich "Necropolis" was fundamental in our work. This book contains memories of some writers of the recent past, including about S. Yesenin.

Part 2. The peculiarity of Poetics S. Yesenin.

2.1 Beauty and wealth Lyrics Yesenin.

2.1.1. Features of artistic style.

My soul threw trouble,

With my soul, it was staring trouble.

Enesenin's poetry is saturated with appeals, often this appeals to nature:

Cute birch thickets!

Using the stylistic features of the folk lyrics, Yesenin seems to miss them through literary traditions and through their poetic globility. [Lazarev V. Long memory. // Poetry of Russian villages, M., 1982, p. 6, / 140 /. ]

Most often he wrote about rustic nature, which always looked at him simple and uncomplicated. This happened because epithets, comparisons, Enesenin metaphors found in folk speech:

Sparrows playful,

As children are lonely.

As for the people, the nature of nature is typical for Yesenin, attributing human feelings, that is, the reception of personification:

Maple you are my fallen,

maple Zaled,

What are you going to fuck up

under the white blizzard?

Or what did you see?

Or what he heard?

The moods and feelings of Yesenin, as well as the people, are consonant with nature, the poet is looking for salvation and calm. Nature is compared with human experiences:

No wrestle was found.

I went with longing on the meadow.

I was laughed by the river:

"Cyilaka has a new friend."

The poet knows how to find in nature, man, history and modernity is truly beautiful, distinctive, charming by its poetry and uniqueness. At the same time, it may be so conjugated by these different beginnings of being that they interview each other. Therefore, Yesenin Nature again aligns, and the personality likes the image of the native landscape. The same properties, he appreciates in himself [Rogornar E. S. Russian literature of the twentieth century: Tutorial. - 2nd edition. - St. Petersburg. 2004.- 194c.]:

Heart I am still the same

As cornflowers in rye, bloom in the face of the eye.

…………………………………………………………………….

... That old male head looks like me.

Chute to the aesthetic wealth of the existing, Yesenin "creates" the phenomena of the surrounding world: "Ryabina blushed, / cried water"; "Swan singing / Nuts a rainbow eye ...". But it does not come up with these paints, but peeps in his native nature. At the same time, it is clean, fresh, intense, ringing colors. The most common color in Yesenin lyrics is blue, then blue. These colors in their aggregate transmit the color wealth of reality.

2.1.2. Features of metaphors in poetry Yesenin.

Metaphor (from Greek. Metaphora - transfer) is a figurative meaning of the word, when one phenomenon or item is likened to another, and the similarity and contrast can be used.

The metaphor is the most common means of forming new values.

The system of comparisons, images, metaphors, all verbal means are taken from peasant life, native and understandable.

Having a warmth, inhale soft bread

And with a crunch mentally biting cucumbers,

For a smooth smoker flinching the sky

Displays the cloud from the stall under the coziness.

Even Mill - Log Bird

With the wing is the only thing - standing, the eyes of shifting.

2.1.3 Poetic vocabulary.

In the poem "smoke flood ..." Stacks are compared with churches, and the guilty singing of Glumchaku with the call of the vigil.

2.1.4. Poetic technique S. Yesenin.

A few examples:

Did not give mother's son

The first joy is not the future.

And on the cola under the aspen

The skin drinked the breeze.

A month horn clouds barely

In the blue bathing dust.

And nodded her month behind the mound,

In the blue bathing dust.

2.1.5. Moon in Esenin's poetry.

Yesenin is hardly the most moon poet in Russian literature. The most common image of the poetic attribute of the moon, the month is mentioned in 351 of its work more than 140 times.

The lunar spectrum in Esenin is very diverse and can be divided into two groups.

The first: white, silver, pearl, pale. Here are the traditional colors of the moon, although poetry is just there and it turns out where the traditional is converted to unusual.

In the second group, except for yellow, includes: scarlet, worry, red, gold, lemon, amber, blue.

Most often, the moon or month of Yesenin is yellow. Then go: Golden, White, Redhead, Silver, Lemon, Amber, Scarlet, Chervoy, Pale, Blue. Pearl color is used only once:

Not sister month of dark swamps

In the pearl of Kokoshnik in the sky threw back, -

Oh, how Marfa came out per gate ...

Very characteristic of Yesenin - in the sense of its non-phase: the poet uses clean, natural paints, traditional for Old Russian painting.

There is no Red Moon in Yesenin at all. Maybe only in the "Poem about 36":

Month and Al ...

Yesenin Moon is always in motion. This is not a lime ball ascended into the sky and hanging the carotid dining to the world, but necessarily a living, spiritualized:

The road is pretty good,

Pleasant cold link.

Moon Gold Powder

Sounded Dal the villages.

But only from the month

Silver light sprinkle

I have another blue

Other in the fog fades.

If you don't know the world in the Word, then from the painting in the word to him not to leave. [Rogover E.S. Russian literature of the twentieth century: Tutorial. - 2nd edition. - St. Petersburg. 2004.- 496c.]

Yesenin often consumes words with diminutive suffixes. It consumes both old Russian words, fabulous names: to throw, svi, etc.

Interesting and color gamma Yesenin. It most often uses three colors: blue, gold and red. And these colors are also symbolic.

Blue - the desire for the sky, to the impossible, to the beautiful:

In the evening blue, in the evening lunar

I was sometime beautiful and young.

Golden - initial color, from which everything appeared and in which everything disappears: "Zvnya, links, Chisty Rus".

Red - the color of love, passion:

Oh, I believe, I believe, happiness is!

Also the sun did not go out.

Zarka prayer with red

It prophesate a blessing news ...

Often Yesenin, using the rich experience of folk poetry, resorts to the admission of personification:

He has a cherry "sleeping in a white cape," willow - cry, poplar - whisper, "Girls hungry", "like a white golkin," Pine "," a blizzard, like Gypsy violin ", etc.

2. 1.6. Images of animals in poetry S. Yesenin.

Poetry Yesenin Odna. But his images are also simple: "Autumn - a red mare." Images are again borrowed from folklore, for example, a lamb is an image of an innocent victim.

In the poetry of Sergey Yesenin, there is also a motive of "blood relationship" with the animal world, he calls them "brothers smaller."

Happy that I kissed women

Flowers bluled on the grass

And the beast like our smaller brothers

Never beat on my head. ("We are now passing little.", 1924)
He, along with pets, we find the images of wildlife representatives.

S. Yesenin most often refers to the image of the horse, cows. He introduces these animals in the narration of peasant life as an integral part of the life of the Russian man. Since ancient times, horse, cow, dog and cat accompanied a person in his difficult work, shared with him and joy, and troubles.
The horse was an assistant when working in the field, in the carriage of goods, in the rolling battle. The dog brought prey, guarded the house. The cow was the breadwinner in the peasant family, and the cat caught mice and simply personified her home comfort. The image of a horse, as an integral part of the life, is found in the poems "Tabun" (1915), "Farewell, the native forest ..." (1916), "this sadness is now not scattered ..." (1924). Pictures of rustic life are changing in connection with the events occurring in the country. And if we see in the first poem "in the hills of green herds horses", then in the following:

Bashed either

Sheep crying, and away in the wind

Waving a hanging horse horse

Looking into a nonlaskaya pond.

("This sadness is no longer scattered ...", 1924)

The village came into decline and the proud and majestic horse "turned" in the "horse", which personifies the plight of the peasantry in those years.

3.1 Leading themes of poetry.

Whatever Yesenin wrote, he thinks images taken from the world of nature. Each his poem written on any topic is always unusually colorful, close and understandable to everyone.

3.1.1. Village theme.

About Russia - Raspberry field

And blue, falling into the river -

I love to joy and pain

Your lake longguing.

But I love you, Motherland is meek!

And for what I can not solve.

…………………………….

Oh you, my Russia, my dear homeland,

Sweet rest in the clove of the battlement.

……………………………..

I'm here again, in the family native,

My edge, thoughtful and gentle!

For the inhabitant of this Russia, the whole life feat - peasant labor. The peasant is scored, nitsch, goal. Also wretched his land:

Rakiti suffer

Brew the wind ...

The edge you are my forgotten

The edge you are mine.

Blue sky, color arc.

Quiet Stepnoy Beach,

Stretches smoke, raspberry villages

The wedding of the Raven facilitated the frequency.

Bed and growing out of landscape miniatures and song stylization, the topic of the Motherland is absorbed by Russian landscapes and songs, and in the poetic world of Yesenin these three concepts: Russia, nature and "songwriting" - merge together, the poet hears or hesitate the song "about the fatherland And the father's house ", and at this time in the silence of the fields, the" sobbing shivering cranes "and the" golden autumn "" foliage cries in the sand ". [V.F. Khodasevich. Necropolis: Memories. - M.: Soviet writer, 1991.- 192c.]

This is Yeseninskaya Rus. "It's all that we call our homeland ..."

3.1.2 Homeland theme in the Lyrics of Yesenin.

I love my homeland.

I love my homeland very much!

I accept everything.

How to eat everything.

Ready to go on knotted tracks.

I will give the whole soul of October and May,

But only lovely Lyra will not give.

In the book, Khodasevich mentions the statement of the poet D. Semenovsky, who knew Yesenin well, testifying: "... he said that all his work was about Russia, that Russia is the main theme of his poems." And it was just like that. All the works of Yesenin - a wreath of songs, woven homeland. [V.F. Khodasevich. Necropolis: Memories. - M.: Soviet writer, 1991.- 192c.]

2.1.3. Theme of love.

The outstanding creation of Yesenin in the field of love lyrics was the "Persian motifs" cycle, which the poet himself considered the best of everything that they were created.

Conclusion.

His poetry is like scattering both

Handling treasures of his soul.

A. N. Tolstoy.

Yesenin is Russia. His poems are talking about Russia, her past, present and the future. And, of course, the time determined the meaning of Yesenin poetry, People's essence. In her center - the great contradictions of our era, and above all - the national tragedy of the Russian people, the split between the people and the authorities, the authorities and the personality, her orphanhood and the tragic fate. These features in the nature of the Russian people, in the Russian soul and entered the nature of the lyrical hero S. Yesenin.

Yesenin is an example for such poets as N. Rubtsov. Fortunately for us and especially for the future of Russian culture, our poets of the twentieth century were able to preserve and convey to us to the future generations of Russian poetry. Yes, each of them has its own, but there is something in her that the relatives of all and what A. Peremerev said well in the poem "Memory of the Poet":

You give you a gift by this given,

And you served the earth him and the sky,

And in anyone in favor of Il I will need

Did not beat in an empty and poor drum.

You remembered those distant, but alive,

You defeated the world's skins

And nowadays you raised them to

Although hard classic Lira!

Thus, the purpose of the work was the identification of the identity of the poetics S. Yesenin.

For this, the following tasks were solved:

identification of the features of artistic style and poetic equipment S. Yesenin.

As a result: for Yesenina is characterized by an animation of nature, attributing human feelings, that is, the reception of personification

Enesenin's poetry is saturated with appeals, often this appeals to nature.

A large place in the work of Yesenin is occupied by epithets, comparisons, repeats, metaphors.

Consideration of the main topics of creativity.

As a result of the study, the conclusion was concluded that the theme of the village of Village, Motherland and Love was the main topics of creativity.

It was determined that Sergei Yesenin's poetry and folklore have a very close relationship, and should also be said about the powerful impact on Yesenin Old Russian literature and icon painting.

Practical focus is seen in the possibility of using in literature lessons.

Bibliography

1. Yesenin S.A. Cathedral So: at 3 t. T. 1, 3. M., 1977

2. Gogol N. V. Satr. So: at 8 t. T.1, 7. M., 1984.

3. Rubtsov N.: Time, Heritage, Fate: Literary - Art Almanac. 1994.

4. Agenosov V., Ankudinov K. Modern Russian poets. - M.: Megatron, 1997. - 88C ..

5. Gusev V. I. Nonochievous: Yesenin and Soviet poetry. M., 1986. S.575

6. The life of Yesenin: contemporaries tell. M., 1988.

7. Lazarev V. Long memory // Poetry of Russian villages, M., 1982, p. 6, / 140 /.

8. Literature at school. Scientific - methodical magazine. M., 1996.

9. Procushev Yu. L.: The Life and Creativity of Sergey Yesenin. M.: Children. Lit., 1984.- 32C ..

10. Rogornar E. S. Russian literature of the twentieth century: a textbook. - 2nd edition. - St. Petersburg. 2004.- 496c.

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Signatures for slides:

Artistic peculiarity of Poetry S. Yesenin His poetry is like scattering with both handful treasures of his soul. A. N. Tolstoy. Presentation prepared a student of the 11th class of Solovyov Elena

The purpose of the work: to identify the peculiarity of Poetics S. Yesenin.

Tasks: identify features of artistic style and poetic technology. Consider the main topics of the play of the poet.

Used methods analytical; comparative; comparative

Comparisons in his poems "Action" of trees are compared with natural phenomena: "As a blizzard, the cherry" waves the sleeve "," how the tree drops quietly leaves, so I drop sad words "

Artistic World S. Yesenin Color epitles: red, scarlet, pink, blue, blue, green, white

Elimination Animation is found in the studied poems 10 times: Silk braza smiled smiled

Metaphor with complex metaphors as if oversaturated with the language of early poems Yesenin. Sunrise watering pink water cabbage beds. Sunset floats on a pond with a red swan. The night light of the month is the "lunar feathers of silver". Sunlight is the "Sun Skirds in the Waters of Lona" or "Solar Oil", Ringing on Green Hills. Birch groves - "birch milk", raging on the plains. Dawn "Hand Clear Rosna Scrolls Dawn Apples." Sky is the blue "heavenly sand". Tree stars golden. Typoded the mirror.

Reints An important role in poetry Esenin, as in folk songs, play repetitions. They are used to transmit human mental state to create a rhythmic pattern. Yesenin uses repeats with the permutation of words: the trouble shakeped with my soul, the trouble stared with my soul.

Appeals Poetry Yesenin is saturated with appeals, often this appeals to nature: cute birch children! These visual means are attached to the artistic picture of the world painted by the poet, bright, visible, visual, almost tangible character. .

Artistic World of S. Yesenin in the poems of Sergey Yesenin very often, especially in verses about nature, there are images of trees, their more than 20 breeds: Bereza, Poplar, Kleon, Spruce, Lipa, Iva, Cherryumuha, Verba, Rowan, Ospin, Sosin, Oak , apple tree, cherry, winds and others. The poet does not like to talk about the trees of faceless and abstract, for him every tree has her kindness, his character, for each tree a special image. And often the poet compares with a tree.

More often than other birch birch birch under my window was knocked out with snow, precisely silver. In verses of a wonderful poet, the image of birch plays a big role. She is shown a young girl, she is constantly "sticky servants, sagging to the ground."

Ryabina flored Rowan, cried water. Month, the rider is sad, dropped the occasion. If at an early stage Yesenin in love with the world around the world, then in the mature creativity "Kostyon Ryabina Red" - this is withering the feelings in the cooled heart. And stands, swinging sad rowan ...

Maple (in 6 poems) Maplea image in the poem "Maple You are my fallen, maple zoyarey ..." is multi-rival and symbolized, it helps to understand the condition of the lyrical hero during the confusion period. And Klyona depicted most often or on one leg, or in a sitting position: "Clay squatted to warm up", "and, like a drunken watchman, going on the road, drowned in a snowdrift, liked her leg."

The cherry, poplar, aspen (in 3 poems) the cherry fleece with snow, greens in bloom and dew. The cherry is fragile with the spring bloomed and the branches are golden, which curls curled. The image of a cherryukha is inextricably linked with snow, Yesenin substitutes his face to chero-snow: "Rash you, a cherry, snow, fuck you, Putah in the forest." Cherryumuha is a mysterious tree. It "waves with a sleeve as a blizzard," then suddenly changes his kind and "curl curls". If Bereza is a young girl, then the aspen or pine is shown in adulthood, in the making mother: "Hello, Mother, Blue Aspen!"

Images of animals in Poetry S. Yesenin in Sergey Yesenin poetry also present the motive of "blood relationship" with the animal world, he calls them "brothers smaller." I am also happy that I kissed women, the flowers of flowers, lying on the grass and the beast, as our smaller brothers never beat on the head. ("We are now moving gram.", 1924)

Images of animals in Poetry S. Yesenin, in his pets, we find the images of wildlife representatives. Of the 60 considered poems in 43, animals, birds, insects, fish are mentioned. Horse (13), cow (8), crows, dog, nightingale (6), calves, cat, pigeon, caravel (5), sheep, mare, dog (4), foal, swan, cock, owl (3), Sparrow, Wolf, Cutter, Cuckoo, Horse, Frog, Fox, Mouse, Tit (2), Stork, Baran, Butterfly, Camel, Ruch, Gorilla, Gorilla, Toad, Snake, Oriole, Kulik, Chicken, Coruser, Donkey, Parrot , Soroki, Som, Pig, Cockroach, Chibis, Bumblebee, Pike, Lamb (1).

Moon in Esenin's poetry. Yesenin is hardly the most moon poet in Russian literature. The most common image of the poetic attribute of the moon, the month is mentioned in 351 of its work more than 140 times. The lunar spectrum in Esenin is very diverse and can be divided into two groups. The first: white, silver, pearl, pale. Here are the traditional colors of the moon, although poetry is just there and it turns out where the traditional is converted to unusual. In the second group, except for yellow, includes: scarlet, worry, red, gold, lemon, amber, blue. Most often, the moon or month of Yesenin is yellow. Then go: Golden, White, Redhead, Silver, Lemon, Amber, Scarlet, Chervoy, Pale, Blue. Pearl color is used only once:

Poetic vocabulary S. Yesenin. The verbal peculiarity of the poet: joy and grief, riotiness and sadness, filling his poems, it expresses verbally, seeking expressiveness in each word, in each line. Therefore, the usual size of its best lyrical poems rarely exceeds twenty lines, which it is enough to embody sometimes complex and deep experiences or creating a finished and bright picture.

Poetic vocabulary S. Yesenin. A bit poet and to the paints available in the Word or in a number of words. Cows talk from him "at the culitical language", the cabbage "Waveed". In the words, Kiv - Liv, Vol - New, Va - Va, is heard in words. Sounds seem to pick up and support each other, keeping the specified audio design of the string, its melody. This is especially noticeable in the harmony of vowels: your lake longlanger; In Terem Dark, green in the forest.

Poetic technique S. Yesenin. The stanza of the poet is usually a four-stricter, in which each line is syntactically completed, transferring the observance - an exception. Four - and two-string stuffs do not require a complex system of rhymes and do not give its diversity. According to its grammatical composition, Esenin rhyme is not the same, but noticeably the poet's gravity to the exact rhyme that gives the special smoothness and beability to verse.

Leading themes of poetry Theme of the village Theme of the Motherland in the Lyerika Yesenin Theme of Love

The result for Yesenin is characterized by an animation of nature, attributing human feelings, that is, the reception of the personification of Esenin's poetry is saturated with appeals, often appeals to nature. A large place in the work of Yesenin is occupied by epithets, comparisons, repeats, metaphors. That the main topics of the creativity of Yesenin were the theme of the village, Motherland and Love. It was determined that Sergei Yesenin's poetry and folklore have a very close connection.

Information sources 1. Yesenin S.A. Cathedral So.: In 3 t. T. 1, 3. M., 1977 2. Gogol N. V. Satr. So.: at 8 t. T.1, 7. M., 1984. 3. Rubtsov N.: Time, Heritage, Fate: Literary - Art Almanac. 1994. 4. Agenosov V., Ankudinov K. Modern Russian poets. - M.: Megatron, 1997. - 88C .. 5. Gusev V. I. Non-Olyaevid: Yesenin and Soviet poetry. M., 1986. S.575 6. The life of Yesenin: Contemporaries tell. M., 1988. 7. Lazarev V. Long memory // Poetry of Russian villages, M., 1982, p. 6, / 140 /. 8. Literature at school. Scientific - methodical magazine. M., 1996. 9. Procushev Yu. L.: The Life and Creativity of Sergey Yesenin. M.: Children. Lit., 1984.- 32C .. 10. Rogoror E. S. Russian literature of the twentieth century: Tutorial. - 2nd edition. - St. Petersburg. 2004.- 496c. 11. V.F. Khodasevich. Necropolis: Memories. - M.: Soviet writer, 1991.- 192c. 12. Erlich V.I. The right to the song // S.A. Jenin in the memoirs of contemporaries: at 2 t. T.2. M., 1986 .. 13. P.F. Yushin. Poetry Sergey Yesenin 1910-1923. M., 1966.- 317С ..

Sergey Yesenin (1895-1925) - the Great Creator, whose penetrated poems about the Russian soul and the "voice of the people" have long become the classics of the beginning of the twentieth century. He is not called the "thin lyrics" and the "master of the landscape" - you can make sure that you read any of his work. But the creativity of the "peasant poet" is so multifaceted that for its characterization there is not enough two words. It is necessary to evaluate all the motifs, themes and steps of its path to understand the sincerity and the depth of each row.

September 21, 1895 in the village of Konstantinovo in the Ryazan Region (province) was born Russian poet Sergey Alexandrovich Yesenin. Parents of the "yellow-eyed" boy "With blue eyes" - Tatyana Fedorovna and Alexander Nikitich were peasant origin. In their environment, it was customary to issue young girls married against their will, and such marriages usually disintegrated. So it happened in the family of Sergey, who had 2 sisters - Catherine (1905-1977) and Alexander (1911-1981).

Almost immediately after the wedding, the father of Yesenin - Alexander - returned to Moscow for earnings: there he worked in the meat shop, while his wife - Tatiana - returned to the "father's house", it was there that the little Sergey spent most of his childhood. There was not enough money in the family, despite the work of the Father, and Yesenin's mother went to Ryazan. It was then for the upbringing of the child took a grandmother with a grandfather. Titov Fedor Andreevich - Grandfather Sergey - was an expert on church books, while the grandmother of the future poet - Natalia Evticievna - knew many folk songs and poems. Such a "family tandem" pushed the young Seryos to writing his first future prosaic works, because in his 5 years Yesenin learned to read, and at 8 he tried to write the first poems.

In 1904, Yesenin went to the Konstantinovsky Zemstvo School, where after receiving the "diplomas" with honors (1909) decided to enter the church-parish second-class teacher school. A young man who bored in his relatives came to Konstantinovo only during the holidays. It was then that he begins to write his first poems: "Spring offensive", "Winter" and "Autumn" - an approximate date of creation of 1910. Two years later, in 1912, Yesenin receives a diploma in the specialty "Teacher of Diploma" and decides to leave home to Moscow.

Working in the meat shop of Krylov, of course, was not the subject of the dream of a young Yesenin, so after a quarrel with his father, under which he worked, he decides to go to work in a typography I.D. Sitina. Why did this position become one of the most important "steps" on the way to the fulfillment of his desires? It was there that he met his first civil wife - Anna Communion - and opened his access to a literary and musical circle.

Enrolling in the Moscow City People's People's University named after Shanyavsky at the Faculty of History and Philosophy in 1913, Yesenin soon threw the institute and fully dedicated himself to writing poems. A year later, he begins to be printed in the magazine "MIRIO" ("Bereza" (1914)), and already a few months later the Bolshevik newspaper "Path Truth" publishes a few more poems. 1915 became especially significant in the judge of the Russian poet - he meets with A. Blok, S. Gorodetsky and N. Gumilev. In October of the same year, the magazine "Protalinka" comes out "Mother's Prayer", dedicated to the First World War.

Sergey Yesenin was called up to war, but thanks to his influential friends, he was appointed in the Tsarskoye Military Sanitary Train No. 143 of Her Imperial Majesty of the Empress Empress Alexandra Fedorovna - exactly there he became even more given the "spirit of time" and attend literary circles. Subsequently, the first literary article "Yaroslavna is crying" in the magazine "Women's Life" was published.

Having lowered the details of the life of the Great Poet in Moscow, it is also possible to say that his "revolutionary mood" and an attempt to fight for the "Russian truth" played a cruel joke with him. Yesenin writes a few small poems, "Jordanian blueberries", "INONIA", "Heavenly drummer" - which were completely permeated by the feeling of changing life, but it did not change his status and gave fame. His freedom-loving gusts only attracted gendarmes on his speeches. Significantly on his fate influenced a completely different circumstance - acquaintance with Anatoly Mariengof and flirting with new modernist currents. Esenin Imazinism - a description of the patriarchal lifestyle of the "poor peasants", which have lost the ability to fight for their own independence ("Mary's keys" 1919). However, the shocking of a rustic guy in a shirt, spoiled by the Red Quusha, begins to annoy the public. And already a year later, the image of a drunkard, hooligan and scandalist, which surrounds "Rady" ("Confession of Hooligan") appears in his work. This motive was met by residents of the capital with approval and delight. The poet understood where the keys are successful, and began to actively develop his new image.

Further "History of Success" Yesenin was based on his scandalous behavior, stormy novels, loud gaps, self-destruction poetry and persecution for Soviet power. The outcome is clear - the murder, staged to suicide on December 28, 1925.

Poetic collections

The first poetic collection of Sergei Yesenin came out in 1916. "Radunitsa" has become a certain personification of the relationship of sweat to his homeland. Critics said that "On all his collections, there is a seal of bombing young directity ... He sings his ringing songs easily, just as the larks singing." The main image is the peasant soul, which, despite his "thoughtfulness", is gifted by "rainbow light". A feature is also the fact that the IMAZHINISM is present here in the role of searching for new lyrism and fundamentally new forms of poems. Yesenin shook a new "literary style". Next came:

"Doveless" 1920
"Skandalist Poems" 1926
"Moscow Kabatskaya" 1924
"Love Huligan" 1924
"Persian motifs" 1925

Each poetic collection of Sergei Yesenin is different from the previous mood, motifs, muses and main topics, but they all make up one concept of creativity. The center of attention is an open Russian soul, undergoing changes in the process of change of place and time. At first it is clean, immaterial, young and natural, then spoiled by the city, crumpled and unrestrained, and in the final - disappointed, ruined and lonely.

Artistic world

The Enesenin's world consists of many erratic concepts: nature, love, happiness, pain, friendship and, of course, homeland. In order to understand the artistic world of the poet, it is enough to refer to the lyrical filling of his poems.

Main topics

Topics Lyrics Yesenin:

Happiness (Search, essence, loss of happiness). In 1918, Sergey Yesenin publishes the poem "Here it is stupid happiness." In it, he recalls his carefree childhood, where happiness seemed to him something far, but at the same time close. "Stupid, cute happiness, fresh pinkness of the cheeks," writes the author, thinking about the long-time left irrevocable days, which he spent in his native and beloved village. However, do not forget that this topic was not always connected with the native edge, she was also an personification of love. So, for example, in the poem "Shagana, you, Shagana! .." He speaks of his love for a young girl who gives him harmony.
Women (Love, separation, loneliness, passion, suggestion, charm the muse). He reflects on the parting, and about the longing, and even about the joy, consonant with his own sadness. Despite the fact that Yesenin was popular with the opposite sex, it did not prevent him from entering the fraction of tragedy in his lyrical lines. For example, it will be enough to take a collection "Moscow Kabatskaya", which entered such a cycle as "Love Huligan", where a wonderful lady is not happiness, but to attack. Her eyes are "omut" zactocarius. His love poems - a cry of a person who needs real feelings, and not in the likeness of sensuality and passion. That is why "Yesenin Love" is more pain, not flight. Here's another.
Motherland (Admiration of beauty, dedication, the fate of the country, the historical path). For Yesenin, native land and there is a better incarnation of love. For example, in the work of "Russia", he is recognized to her in his sublime feelings, as if in front of him the lady of the heart, and not an abstract image of the Fatherland.
Nature (Charm of the landscape, description of the seasons of the year). For example, in the poem "White Birch ..." describes in detail both the tree itself and its white color, which is associated with instability, as well as with the symbolic value of death. Examples of poems Yesenin about nature are listed.
Village. For example, in the poem "village" of the hut - something metaphysical: it is also welfare, and the "full world", but only in comparison with the peasant sinks, which forms with their "stale" differ from the above - this is an explicit allegory between the authorities and the simple people.
Revolution, war, new power. It is enough to consult one of the best works of the poet - the poem "" (1925): here and the events of 1917, and the personal attitude of Yesenin to this tragic time, which develops into a kind of warning "the coming future." The author compares the destiny of the country with the fate of the people, whereas they undoubtedly affect each person separately - that is why the poet so brightly describes each character with the "common-line vocabulary". He surprisingly foresaw the tragedy of 1933, when the "Helborob" converts into hunger.

Main motives

The main motives of the Lyrics of Yesenin are a passion, self-destruction, repentance and experiences for the fate of the Fatherland. In the last collections, the elevated feelings are increasingly replaced by a drunk volunteer, disappointment and a point in unfulfilled. The author spills, beats his wives and loses them, upset even more, and still deeply immersed in the darkness of his own soul, where the flavors are hidden. Therefore, in his work you can catch the Booterian motifs: the beauty of the death and poetry of the degradation of spiritual and physical. Love that was present in almost every work was embodied in different values \u200b\u200b- suffering, despair, longing, desection, etc.

Let him not be long, but the saturated life of the "last poet of the village" covered the change of ideals in Russia - this, for example, is traced in the poem "Return to the Motherland": "And here is a sister, open, like the Bible, Puzzled" Capital "."

Language and style

If the Yesenin style is slightly chaotic and is isolated from the usual readers of the submission of "poetic addition", then the language is understandable and quite simple. As a size, the author elected dolniki - ancient form, which existed even before the emergence of a silhlor-tonic poems. The vocabulary of the poet was painted by dialects, spacious, archaisms and typical speech fragments like interjections. Widely known.

The spaciousness, which Sergey Yesenin uses in his poems is, rather, the feature of his decoration and, of course, a sign of respect for its origin. Do not forget that Childhood Yesenin took place in Konstantinovo, and the future poet believed that it was the dialect of the "simple people" - the soul and the heart of all Russia.

The image of Yesenin in lyrics

Sergey Yesenin lived in a very difficult time: then revolutionary events of 1905-1917 were played, a civil war began. These factors undoubtedly had a huge impact on all the creativity of the poet, as well as on his "lyrical hero."

The image of Yesenin is the best qualities of the poet displayed in his poems. For example, its patriotism in the poet poem is indicative:

That poet, enemies who ruined,
Whose native truth mother
Who people like brothers love
And ready to suffer for them.

In addition, it is inherent in a special "love purity", which can be traced in the "Love Hooligan" cycle. There he is confessed in the sublime feelings with his muses, speaks of a diverse palette of human emotions. In Lyrique, Yesenin often appears to be a gentle and underestimated fan to which love is cruel. The lyrical hero describes a woman with enthusiastic replicas, flowery epithets and subtle comparisons. It often blames and theatrically smumes effects made on the lady. Insulting herself, he is at the same time proud of his red deletion, broken by fate and strong in kind. Himself, he sought to impress the incomprehensive and deceived in the best feelings of the cavalor. However, in his life, he himself brought his passions to a complete break, beating, changing and drinking. It was often the initiator of the rupture he became, but in the lyrics mentioned only that he was brutally deceived in his expectations and was distressed. An example is famous for example. In a word, the poet clearly idealized himself and even mystifious his biography, attributing mature work to the early period of creativity, so that everyone thought it was phenomenally gifted since childhood. Others, no less interesting facts about the poet you can find.

If at first Yesenin accepted the revolution, given his peasant origin, then he rejected the "New Russia". In the RSFSR he felt like a foreigner. In the village with the arrival of the Bolsheviks, it became only worse, there was a strict censorship, increasingly the government began to regulate the interests of art. Therefore, the lyrical hero over time acquires sarcastic intonations and bile notes.

Copyright epithets, metaphors, comparisons

The words of Yesenin are a special art composition, where the main role is played by the presence of author's metaphors, personification and phraseological units, which are attached to poems a special stylistic color.

For example, in the poem "quietly in more often, Yesenin uses a metaphorical statement:

Quietly in more often than the cliff
Autumn - red mare - makes the mane.

In the well-known work "Letter to the Woman", he presented to the public to the public a deployed metaphor in a poem. Russia becomes a vessel, revolutionary moods - a hatching, Tel - Kabak, the Bolshevik party - steering. The poet himself compares himself with a horse, drove in soap, and who proven a bold rider - time, which has changed rapidly and demanded impossible from the Creator. In the same place, he prevents himself the role of a fellow government.

Features of poetry

Features of Yesenin, as a poet, are closely connected by his poetry with folklore and folk traditions. The author did not hesitate in expressions, actively used the elements of spoken speech, showing the city of exotic, where the metropolitan writers did not even look. With this color, he conquered the picky public, which found national identity in his work.

Yesenin stood a mansion, and without having stuck to one of the modernist currents. His passionate immudy was brief, he soon groped his own way, thanks to which he was remembered. If only a few lovers of elegant literature heard about some "imaginism", Sergey Yesenin is still known from school bench.

The songs of his authorship became truly folk, many famous performers still sing them, and these compositions become hits. The secret of their popularity and relevance is that the poet himself was the owner of a broad and controversial Russian soul, which he felt in clear and calling the Word.

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"Singer and heralds of Wooden Russia" - so Yesenin himself made it a definition of himself as a poet. His works are truly sincere and frank. Without unnecessary constraint, he shows his Russian soul, which suffers, longing, rings and rejoices.

Topics Lyrics Yesenin

Yesenin wrote that the contemporaries and contemporaries were worried. He was the child of his era, who had a lot of cataclysms. That is why the main topics of the poetry of Yesenin are the fate of the Russian village, the present and the future of Russia, the loss of nature, the love of a woman and religion.

Red thread through all the creative heritage of the poet passes a burning love for his homeland. This feeling is the starting point of all his further literary surveys. Moreover, the concept of Motherland Yesenin invests not in the first place by not a political sense, although he did not bypassed the side of the sorrow and the joy of peasant Russia. Motherland for the poet is the fields surrounding his fields, the forests, the plains that begin with the parental house of the lyrical hero and extend to the immense Dali. The incredible beauty of the image of the poet scream from the memories of childhood and the nature of his patrimony - the village of Konstantinovo, from where he began for Yesenin's "Malinovaya Rus". Such feelings of tremendous love for native land were expressed in the germ of the poetic watercolors.

All themes in particular the topic of love for the Motherland and so closely intertwined that they cannot be distinguished by one of the other. He admired the world around the world, like a child, "born with songs in a grass blanket", considering himself an integral part of it.

Love Lyrics - Private Plast Creativity of the Poet Nugget. The image of a woman from his poems is written off from Russian beauties "with screaming berries on the skin", "with sheaf hair of oatmeal." But love relationships always occur in the background, in the center of action is always all the same nature. The girl of the poet often compares with a fine birch, and its chosen one - with Maple. For early creativity, youthful ferventness is characterized by focusing on the physical aspect of relationships ("an endoance, an outline, as a color"). Over the years, putting bitter disappointments on the personal front, the poet expresses his feelings of contempt for sales to women, the love itself is cynically considering no more than an illusion ("Our life is a bed and bed"). Yesenin's vertex himself believed "Persian motives", where the poet's ride in Batumi left the footprint.

There should be many philosophical motives in verses Yesenin. Early work sparks the feeling of the completeness of life, the exact awareness of his place in it and the meaning of being. The lyrical hero finds him in unity with nature, calling himself a shepherd, whose "chambers are inter-engined fields." He is aware of the rapid fading of life ("Everything will pass, like with white apple trees smoke"), and from this his lyrics reconcile light sadness.

Of particular interest is the topic "God, nature, a person in poetry Esenin."

God

The origins of Christian motives from Esenin must be sought in his childhood. His grandmother and grandfather were deeply religious people and set the grave as a reverent attitude towards the Creator.

The poet is looking for and finds the analogies of the redemptive sacrifice in the phenomena of nature ("Skimnik Wind ... kisses the red invisible cungage on the Ryabinov Bush," the whole sin swept the day. ").

God, Yesenin lives in that very old leaving Russia, there, "where cabbage beds red water watering the sunrise." The Creator poet sees primarily in the creation of the world. God, nature, a person in poetry Esenin always interact.

But the poet was not constantly a humble Bogomol. At one period, he appears a whole series of rebar, goggle-child poems. This is due to his faith in and the adoption of a new communist ideology. The lyrical hero even challenges the Creator, promising to create a new society without the need for God, "Grad Inonym where the deity lives." But such a period was short-lived, soon the lyrical hero again comes out by the "humble ink", praying for shocks and herds.

Human

Quite often, the poet depicts his hero as a wanderer walking along the road, or as a guest in this life ("Everyone in the world is a wanderer - will pass, will go and leave the house again"). In many works, Yesenin affects the antithesis "youth - maturity" ("said the grove of Golden ..."). He often reflects on death and sees her as a natural finale of everyone ("I came to this land, so that it would come to leave it"). Everyone can know the meaning of its existence, finding its place in the Triad "God - Nature is a man." In poetry Yesenin, the main link of this tandem is nature, and the key to happiness is harmony with her.

Nature

She is a temple for the poet, and the man in her should be a bogomer ("I pray at the Ala Zori, coming around at the stream"). In general, the theme of the Most High and the theme of nature in Esenin's poetry is so interrelated that there is no clear line of transition.

Nature is the main hero of all works. She lives a bright, dynamic life. Very often, the author applies the reception of personification (Klennochok sucks green udder, redhead mare-autumn scratches his golden mane, the blizzard crying like a gypsy violin, the cherry sleeps in a white cape, the pine knit with a white golk).

The most favorite images - birch, maple, month, dawns. Yesenin is the author of the so-called wooden novel between a birch girl and a maple guy.

Verse Yesenin "Birch"

As an example of the sophisticated and at the same time, simple awareness of Being can be considered verse "Birch". This tree since sincerversion is considered to be a symbol of a Russian girl, and Russia itself, so this work Esenin has invested a deep meaning. The mildness of the small part of nature develops into the admiration of the beauty of the immense Russian earth. In ordinary everyday things (snow, birch, branches), the author teaches to see more. Such an effect is achieved with the help of comparisons (snow - silver), metaphor (snowflakes are lit, the branches are covered in charge). Simple and understandable imagery makes the poem of Yesenin "Birch" very similar to popular, and this is the highest praise for any poet.

Total mood lyrics

It should be noted that in the poetry of Yesenin, there is so clearly light sadness "in buckwheat expanses", and sometimes a leaning melancholy even in love with the native edge. Most likely, the poet predicted the tragic destiny of his homeland-Russia, which in the future "everything will still live, dance and cry from the fence." The reader involuntarily passes the pity for the whole living, because, despite his beauty, absolutely everything around is fleeting, and the author will thoroughly grieve about it: "Sad song, you are Russian pain."

You can also note some distinctive features of the poet.

Yesenin - King Metaphor. He was so skillfully packaged the capacious in a few words that every poem of Pottit with bright poetic figures ("The evening black eyebrows was told", "in the pond swan red floats quietly", "check boxer on the roof serves the evening star").

The proximity of the poetry of Yesenin to Folklore gives the feeling that some of his poems are folk. They are incredibly easy to go to music.

Thanks to the features of the artistic world of the poet "Wooden Russia", his poems do not confuse with others. Can not not conquer his selfless love for his homeland, which originates from Ryazan fields and ends with space. The essence of the topic "God - Nature is a man" in Esenin's poetry can be summed up by His words: "I think: how beautiful the earth and her man ..."

Perhaps this is one of the most famous poetic names of Russia of the XX century. For their short thirty years, the poet reflected in his work the most dramatic and turning moments of the life of the peasant Russia, which is why in his work the red line is a kind of tragic worldview and at the same time an amazingly subtle vision of the nature of his immense homeland. This feature of creativity can be explained by the fact that he was born and lived at the junction of two epochs - the outgoing Russian empire and the birth of a new state, the new world, where the old orders and stood were not there. , First World War, February and October Revolutions, heavy - all these events have tormented a long-suffering country and its people, leading to the collapse of the old world. The poet as no one felt the tragedy of this situation, reflecting it in his work. However, one of the most bitter recognition sounds in his poem "I am the last poet of the village." In this work, there is a deep pain from the beginning of the death of that peasant life, whose singer he was throughout his life. , whose supporter he was, did not bring the villages of freedom and prosperity to the life, and on the contrary, aggravated her position, making the peasants even more powerless than in the royal time. The premonition of the future death of the village is best reflected these lines:

On the path of the blue field

Soon the Iron Guest will be released.

Oatmeal grace, shed, spilled,

His black handy will gather.

The poet says goodbye to the beginning to die by the village and at the same time feels that his time has also passed. This is especially heard in such bitter lines:

Soon, soon watches wooden

Cock my twelfth hour!

Yesenin became the last poet who challenged the past peasant Russia, which is now forever remained in the old era. He has a conflict with a new Soviet Russia, where the poet feels absolutely stranger here. In addition, he does not know where the country is leading, and a particularly beloved village, which he is so guarding, upcoming events. This work, where the poet for forever says goodbye to his old life and rural ruus, it became a poem - "Yes! Now it is decided! Without refund ... ", where he herself writes that" left his native fields "and now he is destined to die on the" Moscow curved streets ". After the poet no longer appeals in his works to the village and peasant life. And in the poems of the recent years of his life, there is mainly a love lyrics and an amazing poetic chanting of nature, where, however, there is a bitterness of memories about the past happy life.

Special tragedy is impregnated by the poem of 1925, the last year of the poet's life. Sergey Aleksandrovich as if he feels his ambulance, so he writes a letter to the sister, where he appeals to his past life and she would say goodbye to his close relatives, admitting that he was already ready to leave forever. But, perhaps, a brightest, the feeling of early death was reflected in the poem "Goodbye, my friend, goodbye ...", where the poet says goodbye to the unknown friend and at the end utters a phrase: "In this life, it is not new to die, but also live, of course, Not new. "On December 28, 1925, he died in Leningrad, leaving his departure of insoluble riddles. He was the last poet of the outgoing era with its peasant patriarchal handling and a careful attitude towards nature he deified. And a new way, who was so afraid of the poet, who had completely changed the life of the peasants came to replace the Yesenian village.

Sergey Aleksandrovich Yesenin occupies a special place in Russian literature. There is no person in Russia who would not know the lines "White Birch under my window", "Goy You, Rus, my native." Sergey Alexandrovich's creativity is imbued with the feelings of love for homeland, nature, village, etc. Singing motifs lyrics, the ease of rhymes make the poems of Esenin rapid to memorize.

The feature of Yesenin lyrics in the description of nature, the Motherland is a reference to the oral folk creativity. Many images, genres used poet in works. For example, in the work

"Goy you, Rus, my native" the motives of the Russian folk song are heard. Almost all the village Lyrics of Yesenin was built on the basis of household songs, chastushki, etc. often described different rites of the Russian person in his poems. For example, in the poem "Mother in a swimsuit in the forest" described the day on Ivan Kupala.

The most important feature of the Lyrics of Yesenin is, of course, the abundance of fine-expressive means. They create special lyricity, imagery. The most favorite Poet reception is the personification of nature. In the poem "Birch", the dawn is lazily bypassing nature. Reading the poem "Green Hairstyle", we understand that Yesenin describes nature as a young girl. The author often associates itself with nature. For example, in the poem "The Blue Fire" Yesenin has noticed says that he is like a launched garden.

Lyrics of Yesenin and unusual metaphors, epithets, comparisons. Colored epithets occupy a separate place in the lyrics. Yesenin loved to describe nature colorful: month blue, white birch. Often, autumn nature at the poet is covered with gold: "golden foliage", "Golden Grove". Amazing metaphors in the description of nature: "Mord of the month", "smoke of flood", "braids-branches". Sergey Alexandrovich compares his homeland with his beloved mother, associates Russia with his native man.

Of course, another feature of the lyrics of Yesenin is the sensual perception of love. Recklessly, the poet completely given to this feeling. Love is always passionate, straded: "Falling an endoana, outstanding, like a color." The woman is often associated with nature: "You're like a pink slope." Only in the collection "Moscow Kabatskaya" Yesenin appeals to a woman dismissively, but at the same time bowing to her.

All Lyrics of Yesenin is a subtle, sensual perception of the world. Poems are light, lyrical, but they have many techniques. The author preaches the ideas of kindness, love, humanism.

In the history of the development of the national literary language in the XX century, the role of Yesenin as innovator was undeniable. The Russian classic, a leaving of the peasantry, continuing the great case of Pushkin, Gogol, Tolstoy, even further in poetry "spread the borders" of the folk language. Figy-speech

The beginning in Yesenin, his ornamental style, the "feeling of the motherland" determined the essence of his work. The discoveries that occurred in the literary language in the 20th century are directly related to the innovative achievements of Yesenin. This was especially clearly manifested in his style.

Having absorbed the traditions of folk culture, he handed over this experience, developing and enriching it, new generations. Lyrics Yesenin, according to his own words, "alive by one big love - love of his homeland" and raises the cleanest, high moral and patriotic feelings. The innermost and all-consuming "feeling of the motherland" from the first steps of the creative way

Sergey Yesenin determined for him the relationship to peace, man and literature. Forms. The value system in poetry S. Yesenin is one and indivisible, all its components are interconnected and, interacting, form a single, holistic picture of the lyrical work.

To transfer the condition of the soul of a lyrical hero, its character, descriptions of the nature of the nature "Motherland's beloved", as well as to transfer their feelings and thoughts, the poet uses visual, expressive, aesthetic features of artistic style. The first collection of poems Yesenin came out when the poet was only 20 years old. In the early verses S. Yesenin, we meet many such sketches that can be called small lyrical etudes or paintings of rustic life. The power of the Yeseninsky lyrics is that there is a sense of love for their homeland not abstractly and rhetorical, but specifically, in visible images, in the pictures of the native nature. Often the landscape does not inspire. The poet with pain exclaims:

The edge you are my abandoned, the edge you are mine, the wasteland. But Yesenin saw not only a sad landscape, insane paintings; He saw his homeland and the other: in the joyful spring decoration, with fragile flowers and herbs, with the bottomless blue heaven. Already in the early verses, Yesenin is recognized in love for Russia. So, one of the most famous works of his works - "Goy YOU, RUSS MY NABLE ...". Eye from the earliest stylistic techniques of Yesenin was to write poems with the language, which took the old Russian speech (for example, "Song about Evpati Kovovrat"). The poet uses ancient-Russian names to build images, it uses such ancient words such an ancient words. Another group of Eshenin's stylistic techniques is connected with the installation on the romanotization of the village being and with the desire to express the beauty of strong lyrical feeling (for example, feelings of admiration for nature, love in a woman, love for nature. Man, to life), beauty of being at all.

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