Characteristics of the heroes fathers and children of evgeny bazarov. The image of Yevgeny Bazarov in the novel "Fathers and Sons": a description of the personality, character and appearance in quotes

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Fathers and Sons

Bazarov Evgeny Vasilievich - commoner, medical student, "nihilist". This is a cocky, cynical, strong person. He is confident in the correctness of his ideas, does not recognize other opinions, goes ahead.

First B. visits his friend Arkady Kirsanov. Here he proves his ideas, verbally fighting with Arkady's uncle - Pavel Petrovich Kirsanov, a nobleman and a liberal.

Later, the hero travels to the provincial town, where he meets the landowner Anna Sergeevna Odintsova. At her invitation, he lives at her estate for some time, but, after an unsuccessful declaration of love to Odintsova, B. leaves. He, together with Arkady, goes to his parents, where he was heading from the very beginning. B. does not live long at home. Melancholy takes possession of him. Friends again go to Madame Odintsova. But, having met a cold welcome, they again come to Maryino (the estate of the Kirsanovs). But even here the hero does not stay for long. B. returns home, where he helps his father to treat sick peasants. During the autopsy, he becomes infected with "cadaveric poison", gets sick. Realizing that he is dying, B. says goodbye to his love - Odintsova. Soon the hero dies. In disputes with P.P. Kirsanov nihilist-B. proclaims the idea of "complete and merciless" denial of everything: serfdom, liberal reforms, and with them all the foundations of human life. B. does not recognize love, poetry, music, the beauty of nature, philosophy, family, morality. The hero considers those people who appreciate all this to be weak and timid dreamers who do not want to see real life. B. proposes to start history anew, destroying everything that has been created over the centuries. To test the vitality of B.'s ideas, the author takes the hero through life's trials. B. is experiencing love, loneliness, longing. It turns out that he is the same person, with all the weaknesses, joys and sorrows, like the others. The inner life of the hero becomes more complex and contradictory. In the end, having understood a lot, B. nevertheless dies. This is due to the fact that Turgenev does not see a future for "nihilism", since it does not recognize moral values and the natural foundations of life. "Nihilism", according to Turgenev, is doomed to death.

The hero of the epoch of the 60s of the XIX century was a commoner-democrat, a staunch opponent of the noble-serf system, a materialist, a person who went through the school of labor and hardship, independently thinking and independent. This is Evgeny Bazarov. The writer is very serious about his character. He presented the fate and character of Bazarov in truly dramatic colors. Turgenev understood that the fate of his hero could not have been otherwise.

I consider Evgeny Bazarov the most romantic of all literary heroes. His personal tragedy lies in himself, since a person cannot exist, being in constant conflict with himself. Throughout the novel, he argues with Pavel Petrovich Kirsanov on a variety of topics. But whatever they talk about - whether about art or about Slavophilism - for some reason it seems to me that he is arguing not with Kirsanov, but with himself. He seems to be trying hard to erase from himself some character traits that make him look like the very aristocrats "against whom he is rebelling.

There are, however, features that distinguish him favorably from the Kirsanov family and the like. Bazarov is a hard worker, and he considers work a necessary condition for gaining independence, which he values above all else. He does not recognize authorities and subjects everything to the strict judgment of his own thought.

However, many of his statements sound wild, I mean his reasoning about poetry, art, nature and love. He declares: "A decent chemist is twenty times more useful than any poet." Rafael, from his point of view, "is not worth a penny." He is not inclined to admire the beauty of nature: "Nature is not a temple, but a workshop, and a person is a worker in it." What does he say about love? “Still, I’ll say that a man who all his life has put on the card of female love and when this card was killed to him, became limp and sank to the point that he was not capable of anything, such a person is not a man, not a male.” Equally surprising is another of his words: “And what is this mysterious relationship between a man and a woman? We physiologists know what this relationship is. You study the anatomy of the eye: where does it come from, as you say, a mysterious look? It's all romanticism, nonsense, rot, art. " He puts the words "romanticism" and "rot" on the same level, for him they seem to be synonyms. A person of the kindest soul, delicate and sensitive, at all costs wants to seem cynical and insensitive. Meanwhile, Fenichka's six-month-old child easily walks into his arms, and Bazarov is not at all surprised: he says that all the children go to him because he knows such a "trick." I must say that only exceptional people know such a "thing", and Bazarov is one of them. He could have been an affectionate husband and father if fate had ordered it differently. After all, what a loving son he was, although he tried to hide this love behind the same negligence in handling, behind which he hid all his sincere feelings, for example, affection for Arkady. With only one feeling, he could not cope. It turned out to be no less an element than nihilism, which distorted his entire life. Love absorbed him so much that there was no trace of his cynicism and calm confidence of the materialist and physiologist. He no longer "dissects the eye", although he tries to fight his passion - a clear refutation of all his artificial theories. Only a desperate person can confess his love to a woman like Anna Sergeevna Odintsova. romantic. Knowing the character of this lady, realizing that peace is more important for her than strong feelings, he nevertheless opens his heart to her. He receives a refusal, and this grief, as well as love, remain with him until his last breath. Before his death, he wants to say goodbye to his beloved woman, and his parting words are filled with such tenderness and sadness that one involuntarily wonders if this is the person who tried with all his might to assure himself and those around him that love does not exist. He asks Madame Odintsov to console her parents: "After all, people like them cannot be found in your big world in the daytime with fire ..." Turgenev describes the departure of the protagonist from life in truly tragic tones. Bazarov is a rebellious, passionate and strong personality. Even on the brink of the grave, he does not stop the intense work of the mind and heart for a minute. Bazarov's last words are filled with true drama: “Russia needs me ... No, apparently not needed. And who is needed? " The tragedy of Bazarov's fate can be explained not only by his personal qualities, but also by the fact that he is one of the first, of those who pave the way for others. Turgenev wrote that this is "a figure doomed to death, as if she still stands on the threshold of the future." And I want to believe that someday Russia will need all people and they will not have to break their souls and minds in order to become useful to her.

The novel was born in 1862.

In the novel, the writer contrasted, on the one hand, the liberal nobles - the Kirsanov brothers, on the other hand - the nihilist, commoner Bazarov. Bazarov was extremely simple: he never played around. He said what he thought. He dressed simply, even to some extent old-fashioned: a hoodie with tassels, a hat with large brims. But this did not bother him, he wore what was and what was convenient, fashion did not bother him. He spoke in simple words that everyone could understand, and did not use foreign words in conversation. Bazarov came from the family of a staff doctor. Bazarov's appearance was unattractive. Eugene is a very restrained person, he calls his relationship with his parents love, although he himself comes to his parents' house three years later. And all because parents and their care interfere with his work.

Bazarov is a nihilist, he denied everything. Denied art, painting, poetry. “Nature is not a temple, but a workshop, and a person is a worker in it,” Eugene believed.

Eugene is very hardworking. She gets up at dawn and goes for a walk. Even when visiting, he does not stand on ceremony and goes for a morning walk in search of new exhibits for experiments. He always found a common language with the village boys, they helped him. In his dispute with Pavel Petrovich, he stubbornly proves to him that he is close to the people. He was proud that his grandfather plowed the land.

He also denied love. He treated women in a peculiar way. Was carried away by Odintsova. And later he fell in love with her. Their relationship was complicated. Evgeny did not like Madame Odintsova's way of life, he always criticized her. Surely they could have been together. But Odintsova understood that it would be very difficult to live with such a young man like Bazarov. Odintsov is a smart woman with a pretty rich life experience. She needed another man. She was at that moment not ready to change her life and let Yevgeny into her. A very strong woman by nature.

Ivan Sergeevich Turgenev led his hero through three estates. He traveled in a vicious circle. Perhaps Evgeny Vasilievich is dying because the author does not know what to do with him. A man like Bazarov should have been born at the wrong time. And the death of Bazarov is very strange. He was a physician by profession, could not treat the wound ??? I will not believe. Perhaps it was not desire that played an important role. Bazarov died of loneliness, of love agony. And just before his death, Odintsova comes to say goodbye to him. She crushed him like a worm with a kiss on the forehead. This kiss was goodbye. She knew that she could be infected, but did not disdain. Then he fell asleep. “Bazarov was no longer destined to wake up. By evening he fell into complete unconsciousness, and the next day he died. "

BAZAROV is the hero of Ivan Turgenev's novel "Fathers and Sons" (1862). Evgeny Bazarov is in many ways the programmatic image of Turgenev. This is a representative of the new, raznochinno-democratic intelligentsia. B. calls himself a nihilist: he denies the foundations of his contemporary social order, opposes admiration for any authority, rejects the principles taken on faith, does not understand admiration for art and the beauty of nature, explains the feeling of love from the point of view of physiology. B.'s complex of convictions is not an artistic exaggeration; the character of the hero reflects the characteristic features of representatives of democratic youth in the 1960s. In this context, the question of the prototype of Turgenev's hero is important. Turgenev himself in his article "Concerning" Fathers and Sons "(1869) calls B.'s prototype a certain doctor D., a young provincial doctor who represented a new type of Russian person for the writer. The modern researcher N. Chernov refutes the traditional hypothesis that Dr. D. is the district doctor Dmitriev, a casual acquaintance of Turgenev. According to Chernov, B.'s prototype was Turgenev's neighbor on the estate of V. I. Yakushkin, a doctor and researcher, a democrat associated with the revolutionary organizations of that time. But the image of B. is a collective one; therefore, its probable prototypes include those public figures whom Turgenev considered “true deniers”: Bakunin, Herzen, Dobrolyubov, Speshnev, and Belinsky. The novel "Fathers and Sons" is dedicated to the memory of the latter. The complexity and inconsistency of B.'s views does not allow us to recognize the source of the image as a certain person: only Belinsky or only Dobrolyubov.

The author's attitude to B. is ambiguous. Turgenev's position manifests itself gradually, as the image itself unfolds, in the hero's monologues, his disputes with other characters: with his friend Arkady Kirsanov, with his father and uncle Pavel Petrovich. At first, B. is confident in his abilities, in the business that he is doing; he is a proud, determined person, a daring experimenter and denier. Under the influence of various reasons, his views undergo significant changes; Turgenev confronts his hero with serious life trials, as a result of which B. has to give up a number of beliefs. It exhibits traits of skepticism and pessimism. One of these tests is the hero's love for Anna Sergeevna Odintsova. Commoner B, feels awkward in front of the aristocrat Odintsova; gradually he discovers in himself a feeling, the existence of which he had previously denied.

Turgenev's hero is defeated in love. Ultimately, he remains alone, his spirit is almost broken, but even then B. does not want to open himself to simple, natural feelings. He is cruel and demanding of his parents, as well as of everyone around him. Only in the face of death does B. begin to vaguely understand the value of such manifestations of life as poetry, love, and beauty.

An important means of creating a B.'s image is a speech characteristic. B. speaks clearly and logically, his speech is characterized by aphorism. His expressions became catchphrases: "A decent chemist is twenty times more useful than any poet"; "You study the anatomy of the eye: where does it come from ... a mysterious look?"; “Nature is not a temple, but a workshop, and man is a worker in it”; "People that are trees in the forest, no botanist will take care of each individual birch."

The complex and contradictory image of B. caused controversy in criticism, which does not subside to this day. After the publication of the novel, even in democratic magazines, disagreements arose over the interpretation of the image of B. On behalf of Sovremennik, MA Antonovich spoke. In his articles "Asmodeus of Our Time", "Misses", "Modern Novels", he interpreted the image of the hero as a caricature of modern youth in the guise of a glutton, a talker and a cynic. DI Pisarev gave the opposite assessment in his works. In the article "Bazarov" the critic reveals the historical significance of this type. Pisarev believed that at this stage Russia needs exactly people like B .: they are critical of everything that has not been tested by their personal experience, they are used to relying only on themselves, they have both knowledge and will. A similar controversy unfolded in the 1950s and 1960s. of our century. Antonovich's point of view was supported by the researcher VA Arkhipov (“On the creative history of the novel by IS Turgenev“ Fathers and Sons ”"). The image of B. was repeatedly embodied on stage and on the screen. However, the dramatizations and film adaptations, performed too academically, remained within the textbook reading of this image.

Bazarov

Lit .: Herzen A.I. Once again Bazarov // Herzen A.I. Poly. collection op. M .; Pg., 1923.T.20. S. 224-238; Pisarev D.I. Bazarov // Pisarev D.I. Fav. op. M., 1934.T.1. S. 224-266; Antonovich M.A. Asmodeus of our time // Antonovich M.A. Fav. stagia. L., 1938.S. 141-202; IS Turgenev's novel "Fathers and Sons" in Russian criticism. L., 1986; Arkhipov V.A. To the creative history of the novel by IS Turgenev "Fathers and Sons" // Russian Literature. 1958. No. 1; Byaly G. V. Arkhipov versus I. Turgenev // New World. 1958. No. 8; Mann Yu. Bazarov and others // New World. 1968. No. 10; Melnik V.I. The source of one of Bazarov's remarks // Russian Literature. 1977. No. 1; Chernov N. About one acquaintance of I.S. Turgenev // Questions of literature. 1961. No. 8.

Evgeny Bazarov is one of the main characters in the novel by I. Turgenev "Fathers and Sons". It is with the help of this image that the author actively discloses the problem of relationships between different generations of people.

Evgeny Bazarov's appearance

Evgeny Bazarov is a "tall" man. His face "long and thin, with a wide forehead, flat upward, pointed nose down, large greenish eyes and hanging sandy sideburns, it was enlivened by a calm smile and expressed self-confidence and intelligence." His age borders on the mark of 30 years - Bazarov is in the prime of his strength, both mental and physical.

He does not pay due attention to his clothes and his appearance. His suit is old and dilapidated, he looks untidy. Bazarov does not neglect personal hygiene, but he also does not differ in such zeal for his toilet, as, for example, Pavel Kirsanov.

Family of Evgeny Bazarov

Bazarov has a small family - it includes a mother and a father. Bazarov's father's name is Vasily Ivanovich. He is a retired staff captain. Bazarov the father often helps his fellow villagers and provides them with medical assistance. Vasily Ivanovich is a simple person by birth, but he is quite educated and versatile. His mother, Arina Vlasyevna, was a noblewoman by birth. She is the owner of a small estate in the province, "souls, I remember, fifteen." His father is in charge of the estate. Arina Vlasyevna herself is very educated and knows a little French (which was the privilege of the nobles). Evgeny Bazarov is the only child in their family, therefore, the attitude of the parents towards him is rather reverent. They often let him have a cool attitude towards themselves.

Origin and occupation

Evgeny Bazarov is a student. He followed in the footsteps of his father and in the future will connect his activities with medicine. “I, the future healer, and the doctor’s son, and the deacon’s grandson,” he says about himself.

His father tried to give his son a good education and upbringing, encouraged his curiosity and love of research: "he knew how to guess it early and did not spare anything for his upbringing." This greatly helped Bazarov to become successful in his profession.

He is not of noble birth, but this does not prevent him from taking an advantageous position in society and making good friends. His friends and acquaintances believe that Bazarov will be able to achieve significant results in the field of medicine and natural sciences.

Lifestyle and habits

Bazarov leads an active lifestyle. He wakes up early and in most cases goes to bed late. He spends most of his time experimenting with frogs - such studies will make him more competent as a doctor: "Bazarov brought a microscope with him and fiddled with it for hours."

We suggest that you familiarize yourself with the characteristics of Pavel Petrovich Kirsanov in Ivan Turgenev's novel "Fathers and Sons"

Eugene does not shy away from society. He willingly pays visits to different people. He conducts himself there depending on the situation. In the society of aristocrats (if it is not a dinner in a narrow circle), he is generally restrained and rarely interferes in the course of the conversation. In communication with the nobles of the "lower rank" or with people akin to him in social status, Eugene behaves actively and often at ease. Sometimes his liberties are so defiant that they seem indecent.

Eugene loves to eat hearty and tasty. He does not deprive himself of the pleasure of drinking wine, mainly in large quantities.

The essence of Evgeny Bazarov's nihilism

Bazarov's position in society is unusual and contradictory. He is an adherent of nihilism - a philosophical trend of the 60s of the XIX century, widespread in Russia. Basically, this trend contained an extremely negative attitude towards all manifestations of bourgeois-noble traditions and principles. Bazarov explains the essence of his philosophy as follows: “We act by virtue of what we recognize as useful,” Bazarov said. "Denial is most useful nowadays — we deny."

Personal qualities

The first thing that catches the reader's eye is Eugene's simplicity. We learn about this distinctive feature of him from the very first pages of the novel - his friend Arkady repeatedly focuses his father's attention on this fact, during their trip to the family estate. “A simple man,” says Kirsanov the son. Nikolai Petrovich's first impressions of the meeting with Bazarov were blurred with joyful experiences - after a long separation, he finally waited for a son, but nevertheless a certain sediment towards Eugene firmly settled in the mind of Kirsanov the father.

Bazarov has an extraordinary mind. This applies not only to the field of medicine, but also to other areas of activity. This state of affairs has become the reason for the development of such a negative quality as self-confidence. Evgeny is clearly aware of his mental superiority in relation to most of the people around him and cannot refrain from harsh remarks and criticism. An accompanying quality to this extremely unattractive bouquet is also added to pride. In Pavel Petrovich, such qualities seem incompatible with the line of work of Bazarov. Uncle Arkady claims that a person with such a character cannot be a full-fledged district doctor.

Eugene thinks that he is "a positive, uninteresting person." In fact, he is a rather attractive person. His views are non-standard, they are not much like the generally accepted ones. At first glance, it seems that he is acting on the principle of opposition and opposition - Eugene contradicts virtually any thought, but if you understand it well, then this is not just a whim. Bazarov can explain his position, give arguments and evidence proving his correctness. He is a rather conflicted person - he is ready to start a dispute with a person of any age and position in society, but meanwhile, he is ready to listen to his opponent, analyze his arguments, or pretend to do them. In this regard, Bazarov's position consists in the following thesis: "Prove to me that you are right and I will believe you."

Despite Evgeny's readiness for discussion, he is very stubborn, it is difficult to convince him, during the course of the novel no one managed to completely change his attitude to certain things: “When I meet a person who would not pass up in front of me, then I will change my opinion about myself ".

Folklore elements in the image of Bazarov

Evgeny Bazarov does not have the gift of eloquence. He does not like the sophisticated manner of speaking of aristocrats. “I ask you about one thing: do not speak beautifully,” he says to his friend Kirsanov. In the manner of conversation, Eugene adheres to the principles of the common people - a little rough speech with a lot of interspersed with folklore - proverbs and sayings.

Bazarov's proverbs and sayings reflect the position of the young doctor in society.

Many of them relate to the condition of the people and their ignorance. "A Russian person is only good because he has a bad opinion of himself." In this case, the situation is aggravated by the fact that Eugene has an ambivalent attitude towards ordinary people. On the one hand, he despises men for their lack of education and excessive religiosity. He does not miss the opportunity to ridicule this fact: “The people believe that when the thunder is thundering, it is Elijah the prophet in a chariot that rides across the sky. Well? Should I agree with him? " On the other hand, by his origin, Eugene is closer to ordinary people than to the aristocracy. He sincerely sympathizes with the peasants - their position in society is extremely difficult, many are on the verge of poverty.

Bazarov rejects the existence of man in harmony with nature. He believes that a person has the right to dispose of all available resources of nature, and not to revere her: "Nature is not a temple, but a workshop, and man is a worker in it."

He believes that sometimes the desire for education goes beyond all the boundaries of common sense and people fill their heads with information they do not need at all: “There was an empty space in the suitcase, and I put hay in it; so it is in our life suitcase: no matter what they stuffed it, as long as there is no emptiness. "

Bazarov's attitude to love and romance

A cynic and pragmatist, Bazarov completely rejects feelings of love and sympathy. “Love is rubbish, unforgivable nonsense,” he says. In his eyes, a man who has let love take over his mind is not worthy of respect.

"A man who has put all his life on the card of female love and, when this card was killed to him, became limp and sank to the point that he was not capable of anything, such a person is not a man, not a male."

This is primarily due to Bazarov's dismissive attitude towards women in general. In his concept, women are very stupid creatures. "If a woman can support a half-hour conversation, this is a good sign." He considers a love affair with a woman only from the standpoint of physiology, the rest of the manifestations are not familiar to him, so he rejects them.

In this respect, Bazarov admits contradictions. Despite the statements about the uselessness of women for society, he prefers their society, especially if the representatives of the opposite sex have an attractive appearance.

The love story of Bazarov and Odintsova

Evgeny Bazarov was very cynical about any manifestation of tenderness and love. He sincerely did not understand people who lose their heads from love - it seemed to him something indecent, and such behavior was unworthy for a self-respecting person. “There’s one time for you! women were scared! " He thought.

At one point, Eugene meets Anna Sergeevna Odintsova, a young widowed girl, and falls into the net of love bonds. At the beginning, Eugene was not aware of his love. When he and Arkady Kirsanov visited Odintsova in her room, Bazarov felt an incomprehensible, uncharacteristic confusion for him.

Odintsova invites friends to visit her at the estate. Arkady, unlike Eugene, does not hide his admiration for the girl, the trip will be a good way to improve relations and gain the girl's favor.

However, the opposite is happening - a trip to Odintsova's estate became disastrous for Kirsanov's love, but gave hope for Bazarov.

In the beginning, Eugene tries to hide his feelings. He begins to behave too freely and cheekily. However, this does not last long - love experiences are taking hold of Bazarov more and more: “His blood caught fire as soon as he remembered it; he would easily cope with his blood, but something else possessed him, which he never allowed, which he always mocked, which outraged all his pride. "

The resulting feeling of shame and discontent gradually disappears - Bazarov decides to confess his feelings, but does not achieve reciprocity. He notices that Odintsova is also not breathing evenly in relation to him, so her disregard for feelings affects him depressingly. Eugene does not know the exact reason for the refusal, and does not dare to ask his beloved about it.

Thus, Evgeny Bazarov is a very controversial character in Turgenev's novel. He is talented and intelligent, but his rudeness and cynicism negate all his merits. Bazarov does not know how to find a compromise in communicating with people, he is outraged by the fact of disagreement with his point of view. He is ready to listen to his opponent, but in practice everything looks different - this is just a tactical move - for Bazarov everything is decided, he is not interested in other positions.

I.A. Nesterova The character of Bazarov // Encyclopedia of the Nesterovs

The artistic characteristics of Bazarov and the incompatibility of the elements of his image.

In 1862 Turgenev's novel "Fathers and Sons" was published. The central place in the composition of the work is occupied by the image of Bazarov.

The general assessment of the image of Bazarov is a doctor by training, a nihilist by way of thinking. He is not attracted to poetry and painting. Bazarov believes that

a decent chemist twenty times more useful than any poet

I cannot agree with this and believe that Bazarov himself thought so, because he was young. In fact, at heart he is a romantic. Turgenev emphasized this in the scene of the death of the protagonist.

The appearance of the hero is rather unusual.

Bazarov is tall, dressed in a long robe with tassels, his face is long and thin with a wide forehead, a flat upward, pointed nose, large green eyes and hanging sand-colored sideburns, it was enlivened by a calm smile and expressed self-confidence and intelligence.

Evgeny Bazarov is very smart. The evidence of this is the fascination with the sciences. The protagonist knows how to analyze the problems of modern society.

Bazarov is a man of labor. This can be seen in his "red bared hand". During his stay in Maryino, Bazarov did not forget his business: every morning he woke up earlier than everyone else and began to work.

Evgeny Vasilievich Bazarov is proud. He is in no hurry to bow before the aristocrats.

Nikolai Petrovich quickly turned around and, going up to a man in a long robe who had just climbed out of the tarantass, firmly squeezed his bare red hand, which he did not immediately give him.

Bazarov's character perfectly combines intelligence, hard work, pride, resourcefulness, and wit. He does not go into his pocket for a word. To any comment during a dispute with Pavel Petrovich, Bazarov has a witty remark. Bazarov is confident in the correctness of his thought.

Bazarov despises the conventions and rules of etiquette established by aristocratic society. However, he treats ordinary people without any arrogance. When Nikolai Petrovich was worried that Bazarov would contemptuously accept his love for Fenechka, Arkady said:

Please don’t worry about Bazarov. He is above all this.

The village peasants have a good attitude towards Bazarov, since they consider him a simple and intelligent person, however, they perceive him as a pea jester. He is a stranger to them, because he is not familiar with their life.

Bazarov was a great hunter of women and female beauty.

But Bazarov's soul is looking for a real high feeling. Cynicism and belief in materialism prevent him from understanding people correctly. When he fell in love with Odintsov, it seemed that this love would be happy. But here Turgenev emphasized the incompatibility between romanticism and nihilism. During his declaration of love to Madame Odintsova, it seemed that his romanticism burst out, but no, this did not happen. Bazarov turned and left with the firm intention of conquering his feelings. Later he says to Arkady:

Already in the clinic, I noticed who is angry with his pain - he will certainly win it.

Turgenev endowed his hero with nobility. Not everyone would help a person who hates him. During the duel, Bazarov wounded Pavel Petrovich, but immediately discarded his dislike, gave him first aid.

The main tragedy of Bazarov is that he cannot find permanent associates for himself, but only temporary fellow travelers. He is as alien to the nobility as to the peasantry.

That Bazarov is alien to the aristocracy, Turgenev says through the lips of Katya:

Well, then I'll tell you that he ... is not something that I do not like, but I feel that he is a stranger to me, and I am a stranger to him, and you are a stranger to him.

After analyzing the personality traits of Bazarov, I came to the conclusion that the author had created a true hero of his time. In Bazarov's soul there was a struggle between romanticism and materialism. He tried to solve the most difficult problems of life and consciousness. As much as Bazarov appreciated the past, all his thoughts and efforts were directed to the present. Bazarov was alone. I completely agree with the words of Pisarev:

Bazarov's personality closes in on itself, because outside of it, around it, there are almost no related elements at all.

Turgenev allowed his hero to die, as he believed that Bazarov's ideas would not lead to anything good. Before his death, Bazarov says the key phrase:

Russia needs me ... No, apparently, it is not needed.

"Fathers and Sons". A nihilist, a young commoner, a student whose future profession is a doctor. Nihilism is a philosophical movement whose representatives questioned the values accepted in society. In the second half of the 19th century in Russia, this was the name given to young people with atheistic and materialistic views who wanted changes in the existing state system and social order and had a negative attitude towards religion.

This term was found in critical literature even before Turgenev, but after the release of Fathers and Sons, it was dispersed and began to be used in everyday speech. The word "nihilist" has become a characterization of young men and women, of which Yevgeny Bazarov became a composite image in literature. The hero remains in the consciousness of the present person the embodiment of nihilism as a denial of the old, including the "old" ideas about love and human relationships.

History of creation

The idea of "Fathers and Sons" began to form in Turgenev in 1860, when he was in England on the Isle of Wight. The prototype of Yevgeny Bazarov was a young doctor from the provinces, a casual companion of Turgenev, with whom the writer was traveling on the train. The trip turned out to be difficult - the track was covered with snow, the train stopped for a day at some tiny station. Turgenev managed to communicate closely with a new acquaintance, they talked through the night, and the writer turned out to be very interested in the interlocutor. A casual acquaintance of the writer turned out to be a nihilist. The views of this man and even his profession formed the basis of the image of Bazarov.

The novel itself was created quickly, in comparison with the speed with which Turgenev worked on other works. Less than two years passed from the idea to the first publication. The writer drew up a plan for the book in Paris, where he arrived in the fall of 1860. There, Turgenev began to work on the text. The author planned to finish the work by the spring of the same year in order to bring the text ready for publication to Russia, but the creative process stalled. It took winter to write the first chapters, and by the spring of 1861 the novel was only half finished. Turgenev wrote in a letter:

"It doesn't work in Paris, and the whole thing is stuck in half."

The author finishes his work in the summer of 1861, already at home, in the village of Spasskoye. By September, corrections were made, and Turgenev returned with the novel to Paris to read the text to friends there, correct and supplement something. In the spring of 1982, Fathers and Children were published for the first time in the Russian Bulletin magazine, and in the fall they were published as a separate book.

In this final version, the image of Bazarov is made less repulsive, the author saves the hero from some unsightly features, and this is where the character's evolution ends. Turgenev himself described Bazarov in the list of characters when he made a preliminary portrait of the hero:

"Nihilist. Self-confident, speaks abruptly and a little, hardworking. Lives small; he does not want to be a doctor, he is waiting for a chance. He knows how to talk to the people, although in his heart he despises him. He does not have an artistic element and does not recognize ... He knows quite a lot - he is energetic, he may like his swagger. In essence, the most sterile subject is the antipode of Rudin - for without any enthusiasm and faith ... An independent soul and a proud man of the first hand. "

Biography

The time of action of the novel "Fathers and Sons" is the years immediately before the abolition of serfdom (which took place in 1861), when progressive ideas were already beginning to manifest themselves in society, especially among young people. Evgeny Bazarov is of half noble origin. His father, a poor retired army surgeon, spent his life in a rural environment, managing the estate of his wife, a noblewoman. Educated, but modern progressive ideas bypassed him. Eugene's parents are people of conservative views, religious, but they love their son and tried to give him the best upbringing and education.

Eugene, like his father, chose a career as a doctor and entered the university, where he became friends with Arkady Kirsanov. Bazarov "instructs" his friend in nihilism, infecting him with his own views. Together with Arkady, the main character arrives at the Kirsanovs' estate, where he meets his friend's father Nikolai and his father's older brother Pavel Petrovich. Opposing views on life and character traits of both heroes in a collision lead to conflict.

Pavel Kirsanov is a proud aristocrat, an adherent of liberal ideas, a retired officer. The hero has tragic love behind him, which happened to him in his youth. In Fenechka, the daughter of the housekeeper and the mistress of his brother Nikolai, he sees a certain princess R., a former lover. The unpleasant situation with Fenechka becomes a pretext for a duel between Pavel Petrovich and Bazarov. The latter, left alone with Fenichka, kisses the girl, to which Pavel Kirsanov turns out to be an indignant witness.

Yevgeny Bazarov adheres to revolutionary and democratic views, the environment of the liberals-Kirsanovs is ideologically alien to the hero. With Pavel Petrovich, the hero constantly argues about art, nature, human relations, nobility - the characters do not find a common language in anything. When Bazarov falls in love with Anna Odintsova, a rich widow, he has to reconsider some views on the nature of human feelings.

But Eugene does not find mutual understanding. Anna believes that serenity is the main thing in life. The heroine does not need worries, Anna treats Bazarov with some sympathy, but does not respond to recognition so as not to worry.

Having visited Odintsova's estate, Bazarov, together with Arkady, goes to his parents for three days, and from there back to the Kirsanovs' estate. Just at this time, a scene of flirting with Fenechka takes place, after which Pavel Petrovich and Bazarov shoot themselves in a duel.

After these events, the hero decides to devote his life to medical practice. Eugene's attitude to work was such that he could not sit idle. Only labor justified existence. Bazarov returns to his mother's estate, where he begins to treat everyone who needs medical assistance.

Carrying out an autopsy of a person who died of typhoid, the hero accidentally injures himself and dies after a while due to blood poisoning. After the death of the hero, a religious ceremony is carried out over the fact, as if in a mockery of Bazarov's views, - a stroke that completes the tragic fate of the hero.

Turgenev describes the hero's appearance as follows: Bazarov has a long and thin face, a wide forehead, a pointed nose, large greenish eyes, hanging sand-colored sideburns.

The hero sees the meaning of life in clearing a place in society for the new sprouts, however, he slips into complete denial of the cultural and historical past of mankind, declaring that art is not worth a penny, and society only needs butchers and shoemakers.

Image and film adaptations

In Russian cinema, Evgeny Bazarov appeared three times. All three film adaptations bear the same title - "Fathers and Sons", as well as the novel itself. The first tape was filmed in 1958 by the Lenfilm film studio. The role of Bazarov was performed by the Soviet actor Viktor Avdyushko. The next film adaptation was released in 1984. Bazarov performed by Vladimir Bogin looks like a very self-confident young man.

The latest film adaptation was released in 2008. It is a four-part miniseries directed by who also co-wrote the script. He played the role of Bazarov. From ideological strife, here the emphasis has been shifted to love relationships and the possibility of the heroes gaining happiness. The writers interpreted this Turgenev work as a family romance.

The scriptwriters added some expressive moments to the film "on their own", Turgenev did not have this. The famous scene where Bazarov confesses his love to Anna takes place among the glass and crystal that fill the room. These decorations are designed to emphasize the fragility and beauty of the noble world, into which Bazarov invades, like an “elephant in a china shop,” and the fragility of the heroes' relations.
The script also included a scene in which Anna gives Bazarov a ring. This moment is absent in the text, but it was introduced to emphasize the inner similarity between Bazarov and Pavel Petrovich (the latter's beloved once did the same for him).
Director Avdotya Smirnova was originally going to give the role of Pavel Kirsanov to her own father, actor and director.

The scenes in the estates were filmed in real "Turgenev" locations. For filming the Kirsanov estate, the film crew was allowed to use the outbuilding in Turgenev's estate "Spasskoye-Lutovinovo". The estate itself is a museum, where many originals are kept, so they are not allowed to take pictures there. Restoration was planned in the wing. In another Turgenev estate, Ovstyug, near Bryansk, they rented the estate of Anna Odintsova. But the house of Yevgeny Bazarov's parents had to be built specifically for filming. For this purpose, old buildings were searched in the villages.
The ten-month-old child of one of the museum employees in the Turgenev estate played the role of Fenichka's little son. In Bryansk, local theater workers were involved in the filming, they played the role of servants.

Costume designer Oksana Yarmolnik had to spend 5 months to create only outfits for the ladies. The costumes, however, are not authentic, but deliberately approximated to modern fashion, so that the viewer can more easily feel sympathy for the characters and delve into the vicissitudes of their lives. The completely reconstructed costumes made the film look like a historical play and distanced the viewer from what was happening on the screen, so it was decided to sacrifice authenticity.
The scenes allegedly taking place on city streets were actually filmed on the natural sites of Mosfilm.
The dishes and wallpapers that the viewer sees in the frame were created specifically for filming, so that they would correspond to the spirit of the times.

Quotes

"A decent chemist is twenty times more useful than any poet."

"Nature is not a temple, but a workshop, and man is a worker in it."

“You see what I'm doing; there was an empty space in the suitcase, and I put hay there; so it is in our life suitcase; whatever they stuffed it, as long as there is no emptiness. "

"Upbringing? interjected Bazarov. - Every person should educate himself - well, at least like me, for example ... And as for the time - why should I depend on him? Better yet, it depends on me. No, brother, this is all licentiousness, emptiness! And what is this mysterious relationship between a man and a woman? We physiologists know what this relationship is. You study the anatomy of the eye: where does it come from, as you say, a mysterious look? It's all romanticism, nonsense, rot, art. "