Whispers timid breathing metaphors. Analysis of a poetic work

Fet's poem "Whisper, timid breath ..." appeared in print in 1850. By that time, Fet was already a well-established poet, with his own special voice: with a sharply subjective coloring of the lyrical experience, with the ability to fill the word with live concrete, and at the same time to catch new overtones, “flickering” nuances in its meaning, with a heightened sense of the role of composition in the poem - composition, transmitting, in essence, the design, structure of the development of the author’s feeling. Fet innovatively developed the figurative structure of the verse, its melody, surprised by its free use of vocabulary and caused outrage at the reluctance to listen to the elementary laws of grammar.
In a word, when mentioning the name Fet in the minds of his contemporaries, the idea of \u200b\u200ba bright, overly pronounced poetic personality arose. By this time, Fet had established himself as a poet, focusing his attention on a rather narrow circle of problems, far from the malice of the day, from the vital interests of reality. This secured for his lyrics a reputation of a certain one-sidedness, and in the eyes of the most radical figures of the era - even a peculiar inferiority.
The poem "Whisper, timid breathing ..." has become stronger in the minds of contemporaries as the most fetovy from all points of view, as the quintessence of an individual fetov style, giving rise to both enthusiasm and bewilderment:

In this poem, disapproval was primarily caused by "insignificance", the narrowness of the theme chosen by the author, the lack of eventuality - a quality that seemed inherent to Fet's poetry. In close connection with the indicated feature of the poem, its expressive side was also perceived - a simple listing of the poet’s impressions, too personal, insignificant in nature, with a comma. The deliberately simple and at the same time insolence non-standard form could be regarded as a challenge. And in response, indeed, sharp and accurate parodies, in essence, rained down, since the parody, as you know, plays up the most characteristic qualities of the style, concentrating in itself both its objective properties and the individual artistic preferences of the author. In this case, it was even assumed that the poem of Fet would not lose if printed in the reverse order - from the end ...

On the other hand, it was impossible not to admit that the poet brilliantly achieved his goal - a colorful picture of the night nature, psychological richness, tension of human feeling, a sense of organic unity of spiritual and natural life, complete lyrical dedication. In this sense, it is worth quoting the statement of the principal opponent of Fet in terms of worldview - Saltykov-Shchedrin: "Undoubtedly, in any literature you can rarely find a poem that with its fragrant freshness would seduce the reader to such an extent as Mr. Fet's poem" Whisper, timid breathing. .. "
   Interesting is the opinion of L. Tolstoy, who greatly appreciated Fet's poetry: "This is a masterful poem; it does not have a single verb (predicate). Each expression is a picture ... But read these verses to any peasant, he will be perplexed, not only what is their beauty but also what their thought is. This is a thing for a small circle of gourmets in art. "
   Let’s try to determine how Fet strives to make “every expression” a “picture”, how he achieves the amazing effect of the momentary nature of the event, the sensation of lasting time and, despite the absence of verbs, the presence of internal movement in the poem, the development of action.
   Grammatically, a poem is one exclamation sentence passing through all three stanzas. But our perception of it as an indivisible textual unit is firmly welded to the sensation of its intrinsically compact compositional integrity, which has a semantic beginning, development and culmination. Fractional listing through a comma, which may seem to be the main engine in the dynamics of experience, is really only an external structural mechanism. The main engine of the lyrical theme lies in its semantic compositional development, which is based on constant juxtaposition, correlation of two plans: the private and the general, the intimate-human and the generalized-natural. This transition from the image of the human world to the world around, from what is "here, next to" to what is "there, around, in the distance," and vice versa, is carried out from stanza to stanza. Moreover, the nature of the part from the human world corresponds to the nature of the part from the natural world.

A.A. Fet

Whisper. Timid breathing ...

Whispers, timid breathing.

Nightingale trills

Silver and wobble

Sleepy stream.

Night light, night shade,

Shadows without end

A number of magical changes

Lovely face

In the smoky clouds purple roses

A glimpse of amber

And kisses and tears

And the dawn, the dawn! ..

ANALYSIS

This poem is especially interesting because for him A.A.Fet got the most reproaches from criticism and the most praises and admiration from readers. Literary scholars reproached the poet for being too descriptive, in the absence of action as such. It’s strange. Then what attracted the sophisticated reader in him? It was the layman, if he didn’t see, then felt here that had eluded the professional.

So, the first stanza ... Romantic landscape. Brevity, measured, parallel action is achieved through the use of unionlessness. The metaphor “silver” and the epithet “sleepy” convey the stillness, tranquility, and static nature of the stream. Its metallic luster, smooth, as if polished, surface is described. The first quatrain is like an indication of the place of action. But there is already a hint of the presence of man - "whisper."

The second stanza demonstrates the time of action - it is night. "Shadows without end" - apparently, shadows in motion. And this is not a lonely contemplator of nature. There are at least two people. Further, you can guess that this is a meeting of two lovers. The epithet “dear” says that a person loves someone. Perhaps he is loved. Since face changes are “magical” (also an epithet), it means they are favorable to him.

The last stanza is a hidden description of the senses. The purple rose metaphor frankly states that the sun is approaching. The luminary itself is not yet visible, but it will be orange, bright, burning, as indicated by the metaphor “a reflection of amber”. Multi-union here helps to reveal the speed, swiftness with which the fresh morning is growing. And from here farewell kisses and, of course, tears, as the dawn promises parting.

On the topic: methodological developments, presentations and summaries

Workshop "Comparative analysis of the poem" Silence "by F.I. Tyutchev and the poem of the same name by O.E. Mandelstam

Workshop for 11 cl ....

Analysis of the poem A.S. Pushkin's "Winter Road. Analysis of Yesenin's poem" The Powder. "Comparative analysis of S. Yesenin's poem" Powder "with the following poem by A. Pushkin" Winter Road ".

A poem by A. Pushkin "Winter Road" is one of the wonderful works of the Russian poet. When you read this poem, dull and at the same time mysterious Russian involuntarily appear ...

M.Yu. Lermontov. The poem "Borodino". Analysis of the poem.

This lesson development is intended for teachers of the Russian language and literature. She will help to conduct a lesson on the theme "The poem" Borodino "" ...

A. Fet is known not only for his poems about the unity of man and nature, but also for love lyrics. But among the others, “Whisper, timid breathing”, the analysis of which is presented below, should be highlighted. Literary scholars consider him "fetovskim" because it was written in a special manner peculiar only to Athanasius Afanasyevich and reveals all his poetic talent.

Lyric A.A. Feta

In the analysis of "Whispers, timid breathing" you can consider the features of the poet. In the early poems, the poet admired the beauty of women, later on the central place was occupied by landscape lyrics. All the work of Fet is permeated with the spirit of romanticism, although the poet himself did not consider himself a supporter of this trend.

At the heart of most poems was admiration for nature. In some, landscape lyrics are intertwined with the theme of love. This is not surprising, because, according to Fet, man was inseparable from nature. In the analysis of "Whispers, timid breathing" it should be emphasized that this particular poem is a great example of how landscape and love lyrics are surprisingly harmoniously combined.

This verse alternates with descriptions of the world and sensory experiences. And this creates an integral lyrical picture. The lines reflect the intimate feelings that may be between lovers. And the changing pictures of night and dawn complement the experiences of the lyrical hero. And all this emphasizes the opinion of the poet that people and the world should be in harmony.

Features of the composition

Also one of the points of analysis of "Whisper, timid breathing" is the composition of the poem. In terms of grammar, it represents one sentence, divided into three stanzas. But it seems to the reader as a single component due to the integrity of the composition, which has a beginning, a climax and an end.

It is written in four-foot iamba. Kind of rhyming - cross, which gives the poem a leisurely and measured rhythm.

The basis of the poem is a comparison of two plans - general and private. Against the background of nature, a love story of two people is shown. Changing natural phenomena complement the love lyrical component.

Nature image

In the analysis of "Whisper, timid breathing" by Athanasius Fet, you need to consider in detail the image of nature. In this poem, the surrounding world is shown in harmony with man, and more precisely, with his beloved. The first stanza shows a nightingale whose beautiful trills sound above a sleepy stream. This can be compared with the fact that in a person’s life, love appears like a beautiful nightingale song that awakens him.

The second stanza does not depict any natural phenomena. It is only said that all night shadows cause changes on the face of a cute hero. And in the third stanza, a dawn is painted in all colors, which appears like a haze, which then flares up brighter. This is similar to how the feelings of lovers are becoming stronger and illuminate human life.

Love lyrics

In the analysis of "Whispers, timid breathing, nightingale trills," it is necessary to consider the love line in the poem. The poet does not name, there are not even any pronouns. But the reader understands that we are talking about secret meetings of two lovers, due to the fact that the hero calls his face cute.

Why are the meetings secret? Heroes meet at night, and with the onset of dawn they are forced to say goodbye. At the very beginning of the meeting between them, there is an awkwardness, timidity, which happens with pure and sincere feelings.

And they have to part with sunrise. But these feelings only flare up more, like dawn. This poem shows how man and nature can exist in harmony.

Color epithets

In a brief analysis of "Whispers, timid breathing", we can write that color epithets play a large role in giving expressiveness to a work. At the very beginning, the poet uses muted colors to give more mystery to meetings, to show the appearance of feeling.

Then there is a gradual increase in expression. Colors become brighter, as well as lovers become bolder in manifestations of feelings. This color contrast shows the development of the narrative, which does not appear grammatically.

Sound coloring

The poet creates not only a visual, but also a sound picture. Color epithets are complemented by sound design. The first stanza transmits nightingale trills, the next stanza creates a feeling of absolute silence.

And again, the poet, thanks to the contrast, gives sound to the plot. But it is worth noting that all sounds organically complement the lyrical component of the poem.

Feature of expressive means

A distinctive feature of this poem is that it lacks verbs. This simple form of lines is a challenge to society, which at that time reacted negatively to such a "verbose" poem. Using only nouns gives a smooth measured rhythm.

But, despite the lack of verbs, each line represents a completed action. At first glance, it may seem to the reader that there is no plot or development of actions in the poem. In fact, this is not so, the poet described his feelings. There are no portraits of lyrical heroes, the poet only indicates that a play of light and shadow is displayed on the face of a cute hero. There is a hidden action in nouns, a feeling of dynamism arises. This creates a plot development.

The poet also used other literary paths. This is a large number of epithets, avatars and metaphors. The last sentence is especially distinguished by its emotional coloring. This is facilitated by both repetition and exclamation. The repetition of deaf consonants gives the lines melodiousness. All the listed means of expressiveness add tenderness and lyricism to the poem.

Criticism of the poem

In the analysis according to the plan of "Whisper, timid breathing" Fet should also tell about how the work was accepted by the public. Some poets and writers have mixed reviews about him. The main reason is the spelling feature, namely the lack of verbs.

Some felt that there was no plot in the poem, and said that the theme chosen by the poet was narrow, limited. Also complained about the absence of any events. There were jokes that if you read it from the end, then nothing will change. People behind the images of sensations did not see a gradual increase in expression. They could not notice the harmony and integrity of the composition.

They criticized the work for the fact that the poet did not give a specific objective description. And the reader only had to guess what it was about in one line or another. The phrases are written in a chopped style, some critics did not notice the smoothness and unhurried musicality of the poem.

But there is an opinion that some poets and writers accepted this creation unfavorably because the poet touched on the subject of intimacy of feelings. And although this is not explicitly stated, the reader can guess thanks to hints. But from this, the creation of Fet does not become less refined and elegant, does not lose a drop of its lyricism.

A. A. Fet in his work praised not only the beauty and grandeur of nature. But the poet also described feelings in his work. But for him, man and the world are one, which is reflected in this poem. It was a brief analysis of the Whisper, timid breathing plan.

Analysis of the poem A.A. Feta "Whisper, timid breath ..."

One of the most famous miniatures of Fet. It was written and published in 1850 in the journal Moskvityanin (Whisper of the heart ... "). In a modified form, the poem appeared in 1956 and immediately won the hearts of readers. Its twelve lines are imbued with a strong feeling, and economically selected words paint vivid pictures. Contemporaries recalled that this work really liked L. Tolstoy, who said about the ending: "This is for a small circle of gourmets in art." Readers today cannot but be surprised that the poem, filled with movement from beginning to end, was written without a single verb, and 36 words of which it consists, 26 of them are nouns.

Fet's miniature "Whisper, timid breath ...", which was perceived by contemporaries as an innovative work, became a textbook. Nature and feelings are merged in it together. The poem, especially in the last lines (the poet's endings have always been strong), sounds like a real hymn to nature and love. The words in it are chosen in such a way that each of them is a hint, and when combined together they create a system of hints that have subtext and make a special impression. Researchers point to the features of impressionism in Fet's lyrics. Impressionism, as you know, is most pronounced in the works of French artists: C. Monet, E. Monet, E. Degas, O. Renoir, who loved to depict objects from a special angle and in unusual lighting. The impressionistic style is felt in the poem “Night light, night shadows, shadows without end” and plays a crucial role in the image of night vision, which ends with the sunrise.

In addition to the analysis of the poem “Whisper, timid breath ...” is also available:

"The First Lily of the Valley", analysis of Fet's poem
The Tempest, An Analysis of Fet's Poem
Butterfly, analysis of Fet's poem
“What a night! How the air is clean ... ", analysis of Fet's poem
Autumn Rose, analysis of Fet's poem
“Swallows are gone ...”, analysis of Fet's poem
“Sad Birch ...”, analysis of Fet's poem

Feta is called the master of the poetic syllable. He prefers themes of love and nature. Among Fetov’s lyrics, the poems dictated by the memory of his true first and last love - Maria Lazic, with which, in his own words, is associated with his birth as a poet, are especially notable.

But in his love lyrics there is no individualized image of his girlfriend. And this conveys the joyful state of first love, when an inspired person feels unity with the whole universe, in the center of which is the divine She.

Her image merges with the nightingale trills, is reflected in the silvery smooth surface of the water, at the earliest dawn. For example, we see this in the poem “Whisper, timid breathing” ... For the first time, after reading the poem, I was surprised that there are no verbs in it. Probably, it is this feature that gives the product the imagery of details that convey subjective sensations and impressions. We see happy moments of a date: a weary expectation, followed by a sweet moment of meeting. We hear a whisper, timid breathing, which suggests that lovers are overwhelmed with feelings that they are excited. The moment of parting is approaching with every minute, but this does not overshadow their happiness, because they are glad that they can do at least a little together.

The night has already fully entered into its own rights, it gives the surrounding nature languor, mystery, and the further, the more we are all intrigued. The world around is changing, but even the slightest fluctuation in nature, appears magically in the state of mind of the heroes.

Night light, night shade,
Shadows without end
A number of magical changes
Lovely face.

In the poem harmoniously merged, interpenetrating into each other, an awakening nature and a vibrant soul. For example, “silver and the wobble of a sleepy stream” resonate with lines such as “a series of magical changes in a pretty face.” Real chiaroscuro is adjacent to spiritual movements, trembling hearts, the flow of thoughts.

But the night is not eternal, which means that the dawn should “come”. And then, when the sky begins to turn pink and shine with the rays of the morning sun, everything changes: the world around us and the actions of the heroes. The pace of what is happening is growing and developing: first there were whispers and timid breathing, night, then kisses, tears and dawn, there were disturbing night shadows, then the light of a triumphant morning.

According to the researcher B. Eichenbaum, Fetov’s poems are characterized by “abundant lyrical repetitions”, which give the greatest accuracy and clarity of everything that happens.

Night light, night shade,
Shadows without end.

In order to increase the aesthetic impact on the reader, to emphasize the splendor of the language, the author uses visual and expressive means. Trails such as epithets (“magical changes”) are used to show how beautiful nature is at this heart-stirring moment — dates; metaphors ("silver of a sleepy stream", "smoky clouds") to show the magic, the unusualness of some vital moments.

The poem uses both unionless and multi-union. At the beginning, we see that the action takes a more dynamic, faster pace, but then suddenly everything slows down, becomes smoother.

And kisses and tears
And the dawn, the dawn!

Multi-union conveys the mental state of the heroes who want to delay the separation.

The poem is written in the two-syllable size of the verse, or rather the chorea, which usually gives the work a rhythmic expression.

Whisper, easy breathing,
The nightingale's trials ...

Here, due to the strong lengthening of the verse, the movement acquires smoothness, melody, and melodiousness. The rhyme is cross, which gives the poem additional melody and expressiveness.

F: Whispers, timid breathing,
M: Nightingale’s trills,
F: Silver and wobble
M: sleepy stream.

I really liked the poem, but some of Fet's contemporaries criticized him from the first to the last line, believing that he was a fan of debauchery.

They reworked it in their own way, and here’s what Shchedrin remarked on this: “If this is the most magnificent poem to be presented to you in several versions, it will be very no wonder that, finally, its very charm will become somewhat doubtful for you.” Personally, I believe that each person should judge everything in his own way, since I understand that you can not push from others in your opinions, you always have to decide everything yourself.